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Towards a Semiotic Poetics : = A Chinese Model in a Comparative Perspective.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Towards a Semiotic Poetics :/
其他題名:	A Chinese Model in a Comparative Perspective.
作者:	Ku, Tim-Hung.
面頁冊數:	1 online resource (181 pages)
附註:	Source: Dissertations Abstracts International, Volume: 42-07, Section: A.
Contained By:	Dissertations Abstracts International42-07A.
標題:	Comparative literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8120533click for full text (PQDT)
ISBN:	9798662272163

Towards a Semiotic Poetics : = A Chinese Model in a Comparative Perspective.
Ku, Tim-Hung.

Towards a Semiotic Poetics :A Chinese Model in a Comparative Perspective. - 1 online resource (181 pages)

Source: Dissertations Abstracts International, Volume: 42-07, Section: A.

Thesis (Ph.D.)--University of California, San Diego, 1981.

Includes bibliographical references

Semiotics has been briefly defined as "a science that studies all possible varieties of signs, the rules governing their generation and production, transmission and exchange, reception and interpretation." (Thomas Sebeok, Sight, Sound, and Sense, 1978) This dissertation is a study of the signification of a poetic text, aiming at its general laws and features. Titles of the five chapters indicate the range of subjects to be redefined from a semiotic perspective: (1) "Linguistic Iconicity;" (2) "Figurative, non-Figurative, and Motive Functions;" (3) "Semiotic Shiftings: Meaning and Significance;" (4) "The Making of Poetic Shape: the Analogy of the Potter's Wheel;" (5) "The Semiotic Reading of Poetry." These critical dimensions are investigated on the basis of classical Chinese critical postulates as well as on the basis of semiotic concepts developed during the last century in the West. Examples are primarily drawn from classical Chinese poetry. The argument's single focus on the constituents of poetic language brings together ancient and modern, East and West, in a comparatist synthesis. Indeed, just as semiotics is by nature comparative since it studies all possible varieties of signs, including literature and the fine arts, so is semiotic poetics comparative. The application of cinematography to poetry and the analogy of ceramic pot-throwing to the making of shape in poetic composition are also manifestations of this comparative intent.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798662272163Subjects--Topical Terms:

570001
Comparative literature.
Index Terms--Genre/Form:

542853
Electronic books.

Towards a Semiotic Poetics : = A Chinese Model in a Comparative Perspective.
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100 1 $a Ku, Tim-Hung. $3 3693941
245 1 0 $a Towards a Semiotic Poetics : $b A Chinese Model in a Comparative Perspective.
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300 $a 1 online resource (181 pages)
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500 $a Source: Dissertations Abstracts International, Volume: 42-07, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
502 $a Thesis (Ph.D.)--University of California, San Diego, 1981.
504 $a Includes bibliographical references
520 $a Semiotics has been briefly defined as "a science that studies all possible varieties of signs, the rules governing their generation and production, transmission and exchange, reception and interpretation." (Thomas Sebeok, Sight, Sound, and Sense, 1978) This dissertation is a study of the signification of a poetic text, aiming at its general laws and features. Titles of the five chapters indicate the range of subjects to be redefined from a semiotic perspective: (1) "Linguistic Iconicity;" (2) "Figurative, non-Figurative, and Motive Functions;" (3) "Semiotic Shiftings: Meaning and Significance;" (4) "The Making of Poetic Shape: the Analogy of the Potter's Wheel;" (5) "The Semiotic Reading of Poetry." These critical dimensions are investigated on the basis of classical Chinese critical postulates as well as on the basis of semiotic concepts developed during the last century in the West. Examples are primarily drawn from classical Chinese poetry. The argument's single focus on the constituents of poetic language brings together ancient and modern, East and West, in a comparatist synthesis. Indeed, just as semiotics is by nature comparative since it studies all possible varieties of signs, including literature and the fine arts, so is semiotic poetics comparative. The application of cinematography to poetry and the analogy of ceramic pot-throwing to the making of shape in poetic composition are also manifestations of this comparative intent.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2023
538 $a Mode of access: World Wide Web
650 4 $a Comparative literature. $3 570001
655 7 $a Electronic books. $2 lcsh $3 542853
690 $a 0295
710 2 $a ProQuest Information and Learning Co. $3 783688
710 2 $a University of California, San Diego. $3 1018093
773 0 $t Dissertations Abstracts International $g 42-07A.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8120533 $z click for full text (PQDT)