東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

FindBook

Google Book

Amazon

博客來

As the Flesh Moves: Lon Fontaine, Black Dance, and Strategies for Rendering Presence.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	As the Flesh Moves: Lon Fontaine, Black Dance, and Strategies for Rendering Presence./
作者:	Brannum, Barry.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2021,
面頁冊數:	250 p.
附註:	Source: Dissertations Abstracts International, Volume: 83-04, Section: A.
Contained By:	Dissertations Abstracts International83-04A.
標題:	Dance. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28768161
ISBN:	9798460427802

As the Flesh Moves: Lon Fontaine, Black Dance, and Strategies for Rendering Presence.
Brannum, Barry.

As the Flesh Moves: Lon Fontaine, Black Dance, and Strategies for Rendering Presence. - Ann Arbor : ProQuest Dissertations & Theses, 2021 - 250 p.

Source: Dissertations Abstracts International, Volume: 83-04, Section: A.

Thesis (Ph.D.)--University of California, Los Angeles, 2021.

This item must not be sold to any third party vendors.

My project surveys the work of Lon Fontaine, a dancer who performed, taught, and choreographed for many of the twentieth century's most prominent black American entertainers. Though Fontaine collaborated with several important black social, commercial, and political institutions, his work has been largely overlooked-and was, in his opinion, underappreciated in his own day. I take Fontaine's anxieties about (a lack of) representation seriously, especially because they resonated with similar concerns within Fontaine's broader context of the Civil Rights era. To this end, Fontaine's work helps me ask how the question of representation informed black cultural politics (specifically within the United States) during the Civil Rights movement. I center my investigation around the distinction between 'body' and 'flesh,' as theorized by black studies scholars like Hortense Spillers, that conditions black ontology in the wake of chattel enslavement. I argue that the former realm is the domain of subjecthood, agency, and representational politics (and a politics of representation), while the latter-which marks black being after chattel enslavement-eludes conventional understandings of these concepts. Importantly, I argue that distinctions between embodiment and enfleshment are not given, but produced through various means of 'doing' corporeality-a process I refer to as rendering presence. I therefore investigate the array of practices Fontaine and his peers adopted in the process of learning, making, performing, and teaching dance. Three case studies focus on a specific decade in Fontaine's career, each asking how he and his projects (Larry's Steele's Smart Affairs, the NAACP, and the Temptations, respectively) addressed urgent concerns about sense-making, aesthetic production, sociocultural identity, and (black) being. This project's core data is drawn from archival research, interviews, and choreographic analysis. My analytic framework is grounded in critical dance studies scholarship and is bolstered by insights from queer/black studies and critical race studies. These lenses expose the stakes of carving out space for oneself as a 'legitimate' black choreographer-whether of dance or social movement(s)-in a context where integration, representation, and legibility are not obvious or given political aims, as is commonly presumed in mainstream accounts of the Civil Rights movement. Such legitimacy is tenuous, not least because antiblackness' operations extend well into the present day. I track more recent manifestations of the phenomenon by reflecting on my own dancing experience. In particular, I revisit my work with choreographer Deborah Hay, asking how her creative practices enact their own strategies for rendering presence. I conclude that, while the body/flesh distinction continues to hamper dancemaking, it also offers antidotes to the antiblackness deeply engrained in conventional doings of embodiment.

ISBN: 9798460427802Subjects--Topical Terms:

610547
Dance.
Subjects--Index Terms:

Blackness

As the Flesh Moves: Lon Fontaine, Black Dance, and Strategies for Rendering Presence.
LDR:04130nmm a2200373 4500 001 2352946
005 20221209093040.5
008 241004s2021 ||||||||||||||||| ||eng d
020 $a 9798460427802
035 $a (MiAaPQ)AAI28768161
035 $a AAI28768161
040 $a MiAaPQ $c MiAaPQ
100 1 $a Brannum, Barry. $3 3692624
245 1 0 $a As the Flesh Moves: Lon Fontaine, Black Dance, and Strategies for Rendering Presence.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2021
300 $a 250 p.
500 $a Source: Dissertations Abstracts International, Volume: 83-04, Section: A.
500 $a Advisor: Foster, Susan Leigh.
502 $a Thesis (Ph.D.)--University of California, Los Angeles, 2021.
506 $a This item must not be sold to any third party vendors.
520 $a My project surveys the work of Lon Fontaine, a dancer who performed, taught, and choreographed for many of the twentieth century's most prominent black American entertainers. Though Fontaine collaborated with several important black social, commercial, and political institutions, his work has been largely overlooked-and was, in his opinion, underappreciated in his own day. I take Fontaine's anxieties about (a lack of) representation seriously, especially because they resonated with similar concerns within Fontaine's broader context of the Civil Rights era. To this end, Fontaine's work helps me ask how the question of representation informed black cultural politics (specifically within the United States) during the Civil Rights movement. I center my investigation around the distinction between 'body' and 'flesh,' as theorized by black studies scholars like Hortense Spillers, that conditions black ontology in the wake of chattel enslavement. I argue that the former realm is the domain of subjecthood, agency, and representational politics (and a politics of representation), while the latter-which marks black being after chattel enslavement-eludes conventional understandings of these concepts. Importantly, I argue that distinctions between embodiment and enfleshment are not given, but produced through various means of 'doing' corporeality-a process I refer to as rendering presence. I therefore investigate the array of practices Fontaine and his peers adopted in the process of learning, making, performing, and teaching dance. Three case studies focus on a specific decade in Fontaine's career, each asking how he and his projects (Larry's Steele's Smart Affairs, the NAACP, and the Temptations, respectively) addressed urgent concerns about sense-making, aesthetic production, sociocultural identity, and (black) being. This project's core data is drawn from archival research, interviews, and choreographic analysis. My analytic framework is grounded in critical dance studies scholarship and is bolstered by insights from queer/black studies and critical race studies. These lenses expose the stakes of carving out space for oneself as a 'legitimate' black choreographer-whether of dance or social movement(s)-in a context where integration, representation, and legibility are not obvious or given political aims, as is commonly presumed in mainstream accounts of the Civil Rights movement. Such legitimacy is tenuous, not least because antiblackness' operations extend well into the present day. I track more recent manifestations of the phenomenon by reflecting on my own dancing experience. In particular, I revisit my work with choreographer Deborah Hay, asking how her creative practices enact their own strategies for rendering presence. I conclude that, while the body/flesh distinction continues to hamper dancemaking, it also offers antidotes to the antiblackness deeply engrained in conventional doings of embodiment.
590 $a School code: 0031.
650 4 $a Dance. $3 610547
650 4 $a Black studies. $3 2122689
653 $a Blackness
653 $a Choreography
653 $a Civil rights movement
653 $a Dance history
653 $a Embodiment
653 $a Ontology
690 $a 0378
690 $a 0325
710 2 $a University of California, Los Angeles. $b Culture & Performance Studies 0378. $3 2097764
773 0 $t Dissertations Abstracts International $g 83-04A.
790 $a 0031
791 $a Ph.D.
792 $a 2021
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28768161