東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

FindBook

Google Book

Amazon

博客來

Screening Nostalgia: Time, Memory, and the Moving Image.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Screening Nostalgia: Time, Memory, and the Moving Image./
作者:	Huggins, J. Blake.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2021,
面頁冊數:	370 p.
附註:	Source: Dissertations Abstracts International, Volume: 83-04, Section: A.
Contained By:	Dissertations Abstracts International83-04A.
標題:	Religion. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28265027
ISBN:	9798538152322

Screening Nostalgia: Time, Memory, and the Moving Image.
Huggins, J. Blake.

Screening Nostalgia: Time, Memory, and the Moving Image. - Ann Arbor : ProQuest Dissertations & Theses, 2021 - 370 p.

Source: Dissertations Abstracts International, Volume: 83-04, Section: A.

Thesis (Ph.D.)--Boston University, 2021.

This item must not be sold to any third party vendors.

Modern understandings of nostalgia sharply distinguish it from memory and often construe its relationship to the past as reactionary, fanciful, or retrograde. This dissertation reconsiders that valuation by engaging the formative sources that contribute to philosophical understandings of nostalgia and provide resources for thinking it otherwise. It reexamines time and memory in continental philosophy and U.S. cinema to argue that nostalgia does important work often overlooked in present conceptions, work that repositions relations with the past to generative, animating effect. The project analyzes the temporal issues nostalgia elicits, highlights its affective contours, and repositions its power to mediate and rework memory. It maintains that the role nostalgia plays in human experience is more propulsive than regressive, making it more attuned to time's tensions and demands than previously thought.Chapter one narrates the history of nostalgia, beginning with the work of Johannes Hofer. Origins in medical nosology establish a diagnostic frame of reference that grounds nostalgia's reception as pathology while also revealing its persistent instabilities. Martin Heidegger and, especially, Jacques Derrida bring the temporal vectors of those instabilities into sharper focus. Chapter two shows how Heidegger's work provides a useful understanding of time and moods, but ultimately remains tethered to a nostalgia for presence (nostos). Chapter three brings Derrida's thinking on time and the trace into conversation with psychoanalysis to isolate a more capacious approach, one that indulges nostalgic desire but also frustrates it (algos).The remaining chapters turn to film and develop an understanding of the moving image based on its ability to capture passing time, the eminent object of modern nostalgic experience. Chapter four engages critical literature on the uses of nostalgia in film and reconsiders George Lucas's American Graffiti (1973), a pivotal work often reproached by critics and scholars. Chapter five advances a close reading of Terrence Malick's The Tree of Life (2011) and his estranged relationship with philosophy. That relationship informs his work and often takes nostalgic recollection as an orienting concern. The film in question situates nostalgia as a propulsive screen affect that facilitates the work of mourning in the wake of loss and discontinuity. The dissertation concludes by sketching out horizons for future research and turning to insights contained in Augustine's Confessions that further illustrate the form of nostalgia explored throughout.

ISBN: 9798538152322Subjects--Topical Terms:

516493
Religion.
Subjects--Index Terms:

Affect

Screening Nostalgia: Time, Memory, and the Moving Image.
LDR:03801nmm a2200409 4500 001 2350982
005 20221107085223.5
008 241004s2021 ||||||||||||||||| ||eng d
020 $a 9798538152322
035 $a (MiAaPQ)AAI28265027
035 $a AAI28265027
040 $a MiAaPQ $c MiAaPQ
100 1 $a Huggins, J. Blake. $0 (orcid)0000-0003-3387-337X $3 3690521
245 1 0 $a Screening Nostalgia: Time, Memory, and the Moving Image.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2021
300 $a 370 p.
500 $a Source: Dissertations Abstracts International, Volume: 83-04, Section: A.
500 $a Advisor: Rambo, Shelly L.;Petro, Anthony M.
502 $a Thesis (Ph.D.)--Boston University, 2021.
506 $a This item must not be sold to any third party vendors.
520 $a Modern understandings of nostalgia sharply distinguish it from memory and often construe its relationship to the past as reactionary, fanciful, or retrograde. This dissertation reconsiders that valuation by engaging the formative sources that contribute to philosophical understandings of nostalgia and provide resources for thinking it otherwise. It reexamines time and memory in continental philosophy and U.S. cinema to argue that nostalgia does important work often overlooked in present conceptions, work that repositions relations with the past to generative, animating effect. The project analyzes the temporal issues nostalgia elicits, highlights its affective contours, and repositions its power to mediate and rework memory. It maintains that the role nostalgia plays in human experience is more propulsive than regressive, making it more attuned to time's tensions and demands than previously thought.Chapter one narrates the history of nostalgia, beginning with the work of Johannes Hofer. Origins in medical nosology establish a diagnostic frame of reference that grounds nostalgia's reception as pathology while also revealing its persistent instabilities. Martin Heidegger and, especially, Jacques Derrida bring the temporal vectors of those instabilities into sharper focus. Chapter two shows how Heidegger's work provides a useful understanding of time and moods, but ultimately remains tethered to a nostalgia for presence (nostos). Chapter three brings Derrida's thinking on time and the trace into conversation with psychoanalysis to isolate a more capacious approach, one that indulges nostalgic desire but also frustrates it (algos).The remaining chapters turn to film and develop an understanding of the moving image based on its ability to capture passing time, the eminent object of modern nostalgic experience. Chapter four engages critical literature on the uses of nostalgia in film and reconsiders George Lucas's American Graffiti (1973), a pivotal work often reproached by critics and scholars. Chapter five advances a close reading of Terrence Malick's The Tree of Life (2011) and his estranged relationship with philosophy. That relationship informs his work and often takes nostalgic recollection as an orienting concern. The film in question situates nostalgia as a propulsive screen affect that facilitates the work of mourning in the wake of loss and discontinuity. The dissertation concludes by sketching out horizons for future research and turning to insights contained in Augustine's Confessions that further illustrate the form of nostalgia explored throughout.
590 $a School code: 0017.
650 4 $a Religion. $3 516493
650 4 $a Philosophy. $3 516511
650 4 $a Film studies. $3 2122736
650 4 $a Psychoanalysis. $3 519030
650 4 $a Disease. $3 705846
650 4 $a Epidemics. $3 588395
650 4 $a Dissertations & theses. $3 3560115
650 4 $a Nostalgia. $3 601795
650 4 $a Families & family life. $3 3422406
650 4 $a Meditation. $3 562643
650 4 $a Speeches. $3 3564740
650 4 $a Modernity. $2 lcstt $3 3266067
650 4 $a Book reviews. $3 3556298
650 4 $a 20th century. $3 1972782
650 4 $a Populism. $3 587384
650 4 $a Military personnel. $3 3563442
650 4 $a Aesthetics. $3 523036
653 $a Affect
653 $a Derrida, Jacques
653 $a Memory
653 $a Nostalgia
653 $a Malick, Terrence
653 $a Time
653 $a Temporality
690 $a 0318
690 $a 0422
690 $a 0900
690 $a 0650
710 2 $a Boston University. $b Religious Studies GRS. $3 3194892
773 0 $t Dissertations Abstracts International $g 83-04A.
790 $a 0017
791 $a Ph.D.
792 $a 2021
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28265027