東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

FindBook

Google Book

Amazon

博客來

All Roads Lead to Chicago: Encyclopaedia Britannica Films, the Institute of Design, and Nontheatrical Film.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	All Roads Lead to Chicago: Encyclopaedia Britannica Films, the Institute of Design, and Nontheatrical Film./
作者:	Beste, Amy.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2012,
面頁冊數:	323 p.
附註:	Source: Dissertations Abstracts International, Volume: 74-07, Section: A.
Contained By:	Dissertations Abstracts International74-07A.
標題:	American history. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3547812
ISBN:	9781267829320

All Roads Lead to Chicago: Encyclopaedia Britannica Films, the Institute of Design, and Nontheatrical Film.
Beste, Amy.

All Roads Lead to Chicago: Encyclopaedia Britannica Films, the Institute of Design, and Nontheatrical Film. - Ann Arbor : ProQuest Dissertations & Theses, 2012 - 323 p.

Source: Dissertations Abstracts International, Volume: 74-07, Section: A.

Thesis (Ph.D.)--Northwestern University, 2012.

This item must not be sold to any third party vendors.

Chicago has long been viewed as the "Hollywood" of nontheatrical film. In the same way that the physical site of Hollywood has come to stand for an industry based around the production of feature-length narrative entertainments, Chicago is often invoked by scholars to help define an array of production, distribution, and exhibition practices associated with everything outside the theater. Despite Chicago's reputation as a major center for educational, institutional, and industrial film, there is little scholarly investigation into the organizations that produced these films or their supporting infrastructure. This dissertation takes seriously Chicago's reputation and examines two very different institutions and their affiliated organizations for the production of nontheatrical film in the city: 1) Encyclopaedia Britannica Films, the world's largest educational film producer for much of the postwar period and its antecedents at the University of Chicago; 2) the Institute of Design, the American iteration of the German Bauhaus and one of the first US schools to teach film production within the context of art, design, and commercial-nontheatrical film and its alumni outpost Goldsholl Design Associates. Through archival sources, primary materials, and close analysis of films, this project maps each organization's histories, aesthetics, and conceptions about film from the 1920s through the 1950s. This spans a period generally seen to be one of emergence, consolidation, and growth for the nontheatrical field overall. In doing so, this dissertation not only expands our understanding of nontheatrical practice in Chicago, it also illuminates some of the ways the actors within each organization sought to use film as a tool for social engagement and change. At the same time, by using the social and political context of Chicago as a backdrop for its analysis, this dissertation reveals the many issues that problematize the ways these institutions and the individuals within them imagined film to work. Finally, as a site where ideas about nontheatrical film were being defined, tested, and converging, it proposes that Chicago can serve as more than a rhetorical device when invoking nontheatrical film; rather, it might be understood as a microcosm for the nontheatrical field overall.

ISBN: 9781267829320Subjects--Topical Terms:

2122692
American history.
Subjects--Index Terms:

Avant-garde

All Roads Lead to Chicago: Encyclopaedia Britannica Films, the Institute of Design, and Nontheatrical Film.
LDR:03708nmm a2200433 4500 001 2348881
005 20220908125441.5
008 241004s2012 ||||||||||||||||| ||eng d
020 $a 9781267829320
035 $a (MiAaPQ)AAI3547812
035 $a (MiAaPQ)northwestern:11597
035 $a AAI3547812
040 $a MiAaPQ $c MiAaPQ
100 1 $a Beste, Amy. $3 3688263
245 1 0 $a All Roads Lead to Chicago: Encyclopaedia Britannica Films, the Institute of Design, and Nontheatrical Film.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2012
300 $a 323 p.
500 $a Source: Dissertations Abstracts International, Volume: 74-07, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Stewart, Jacqueline.
502 $a Thesis (Ph.D.)--Northwestern University, 2012.
506 $a This item must not be sold to any third party vendors.
520 $a Chicago has long been viewed as the "Hollywood" of nontheatrical film. In the same way that the physical site of Hollywood has come to stand for an industry based around the production of feature-length narrative entertainments, Chicago is often invoked by scholars to help define an array of production, distribution, and exhibition practices associated with everything outside the theater. Despite Chicago's reputation as a major center for educational, institutional, and industrial film, there is little scholarly investigation into the organizations that produced these films or their supporting infrastructure. This dissertation takes seriously Chicago's reputation and examines two very different institutions and their affiliated organizations for the production of nontheatrical film in the city: 1) Encyclopaedia Britannica Films, the world's largest educational film producer for much of the postwar period and its antecedents at the University of Chicago; 2) the Institute of Design, the American iteration of the German Bauhaus and one of the first US schools to teach film production within the context of art, design, and commercial-nontheatrical film and its alumni outpost Goldsholl Design Associates. Through archival sources, primary materials, and close analysis of films, this project maps each organization's histories, aesthetics, and conceptions about film from the 1920s through the 1950s. This spans a period generally seen to be one of emergence, consolidation, and growth for the nontheatrical field overall. In doing so, this dissertation not only expands our understanding of nontheatrical practice in Chicago, it also illuminates some of the ways the actors within each organization sought to use film as a tool for social engagement and change. At the same time, by using the social and political context of Chicago as a backdrop for its analysis, this dissertation reveals the many issues that problematize the ways these institutions and the individuals within them imagined film to work. Finally, as a site where ideas about nontheatrical film were being defined, tested, and converging, it proposes that Chicago can serve as more than a rhetorical device when invoking nontheatrical film; rather, it might be understood as a microcosm for the nontheatrical field overall.
590 $a School code: 0163.
650 4 $a American history. $3 2122692
650 4 $a Film studies. $3 2122736
653 $a Avant-garde
653 $a Chicago
653 $a Design
653 $a Educational film
653 $a Encyclopaedia Britannica Films
653 $a Illinois
653 $a Institute of Design
653 $a Instructional flm
653 $a Nontheatrical
690 $a 0337
690 $a 0900
710 2 $a Northwestern University. $b Screen Cultures. $3 2093381
773 0 $t Dissertations Abstracts International $g 74-07A.
790 $a 0163
791 $a Ph.D.
792 $a 2012
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3547812