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Impact of Dress: An Interpretative Phenomenological Analysis of the Costume Designer's Process.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Impact of Dress: An Interpretative Phenomenological Analysis of the Costume Designer's Process./
作者:
Striebel, Heather M.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2022,
面頁冊數:
171 p.
附註:
Source: Dissertations Abstracts International, Volume: 83-11, Section: B.
Contained By:
Dissertations Abstracts International83-11B.
標題:
Fashion. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29166354
ISBN:
9798426836594
Impact of Dress: An Interpretative Phenomenological Analysis of the Costume Designer's Process.
Striebel, Heather M.
Impact of Dress: An Interpretative Phenomenological Analysis of the Costume Designer's Process.
- Ann Arbor : ProQuest Dissertations & Theses, 2022 - 171 p.
Source: Dissertations Abstracts International, Volume: 83-11, Section: B.
Thesis (Ph.D.)--The University of Nebraska - Lincoln, 2022.
This item must not be sold to any third party vendors.
Theatre is a collaborative art and one that is often known as a team sport. Without individuals working in a collaborative fashion, a theatrical production does not have hope to live up to its potential. This research aims to understand and synthesize a costume designer's process and how that process serves to influence the actor's creative process. The collaboration between a costume designer and an actor is often intertwined and for both parties to have a successful experience they must, to a certain degree, rely on the other. This research utilizes the Qualitative research methodology of Interpretative Phenomenological Analysis (IPA). Professional theatrical costume designers are interviewed using a semi-structured, open ended questioning model. The data is analyzed using the IPA methodology and five Super-Ordinate themes (communication, resources, practice-based learning, time and dress as character development) are developed to draw conclusions from this data. Three analytic categories were developed using the study's conceptual framework as a guide. Data driven conclusions are 1) costume designer's do have an individualized design process but this process can vary greatly between designers and 2) costume design process is influenced by the many "voices" that are part of the collaboration process of theatre. Recommendations from this study are outlined for current costume designers, actors, students of design, emerging designers and for future research. This research draws from apparel design research and will support the future development of a design process best practices guide for costume designers. This future guide will be used to support design process development for professionals within the theater industry.
ISBN: 9798426836594Subjects--Topical Terms:
549143
Fashion.
Subjects--Index Terms:
Apparel design
Impact of Dress: An Interpretative Phenomenological Analysis of the Costume Designer's Process.
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Theatre is a collaborative art and one that is often known as a team sport. Without individuals working in a collaborative fashion, a theatrical production does not have hope to live up to its potential. This research aims to understand and synthesize a costume designer's process and how that process serves to influence the actor's creative process. The collaboration between a costume designer and an actor is often intertwined and for both parties to have a successful experience they must, to a certain degree, rely on the other. This research utilizes the Qualitative research methodology of Interpretative Phenomenological Analysis (IPA). Professional theatrical costume designers are interviewed using a semi-structured, open ended questioning model. The data is analyzed using the IPA methodology and five Super-Ordinate themes (communication, resources, practice-based learning, time and dress as character development) are developed to draw conclusions from this data. Three analytic categories were developed using the study's conceptual framework as a guide. Data driven conclusions are 1) costume designer's do have an individualized design process but this process can vary greatly between designers and 2) costume design process is influenced by the many "voices" that are part of the collaboration process of theatre. Recommendations from this study are outlined for current costume designers, actors, students of design, emerging designers and for future research. This research draws from apparel design research and will support the future development of a design process best practices guide for costume designers. This future guide will be used to support design process development for professionals within the theater industry.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29166354
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