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Beyond the Space of Painting and Poetry: Mallarme and the Embodied Gesture.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Beyond the Space of Painting and Poetry: Mallarme and the Embodied Gesture./
作者:	O'Toole, Mary-Bernadette.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
面頁冊數:	552 p.
附註:	Source: Dissertations Abstracts International, Volume: 83-11, Section: A.
Contained By:	Dissertations Abstracts International83-11A.
標題:	Art history. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29070851
ISBN:	9798426869462

Beyond the Space of Painting and Poetry: Mallarme and the Embodied Gesture.
O'Toole, Mary-Bernadette.

Beyond the Space of Painting and Poetry: Mallarme and the Embodied Gesture. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 552 p.

Source: Dissertations Abstracts International, Volume: 83-11, Section: A.

Thesis (Ph.D.)--Sheffield Hallam University (United Kingdom), 2020.

This item must not be sold to any third party vendors.

Painting cannot be bound by definition; painting's entanglement with art history, theory, and philosophy is a game of conjecture leading to a proliferation of terms as colourful and singular as a brush mark. This research re-evaluates the terms of painting in the 'expanded-field'. Rosalind Krauss considers the expanded-field the domain of post-modernism, equating it with 'the post-medium condition' opposing Clement Greenberg's modernist aesthetic which limits painting to the conventions of its 'proper medium'. Today the expanded-field opens onto digital space David Joselit imagines painting as a network, Isabel Graw proposes a 'residual-specificity' embedded in a 'medium-unspecific' concept of painting.This research re-imagines the space of painting through the space of poetry: through a network of reciprocal relations manifest in Stephane Mallarme's poem Un coup de Des jamais n'abolira le Hasard, (A throw of the Dice will never abolish Chance). The striking innovation of Mallarme's generative poem lies in its capacity for multiple and simultaneous readings, signified in a weaving of word, image, and sound, which Mallarme presents as a constellation. Through a close reading of Un coup de Des I suggest a new critical space for painting, demonstrated in Mallarme's spatial poetics. I propose that the poem marks the transition from a Modernist 'absorptive' mode of looking/reading to a postmodern performative mode, and that Mallarme is crucial to understanding the relation between content and form. I demonstrate Mallarme's relevance to articulating a reductive tendency in painting through a re-appraisal of the structural and spatial organisation of the text, the grid, blank page, and the subsequent sculptural turn that led to a re-negotiation of the space between the object and viewer.Through performative strategies I engage with the text, drawing attention to the metaphoric possibilities of the space of the page and of the book; these include painting, sculpture, video, digital media, installation, and mathematics. Through a formal investigation of line, space, and gesture, painting is presented as a language with its own syntax. My artwork shows that what animates this relation is the embodiment of gesture, as a movement towards the idea perceived, and that the viewer's relation to the object is negotiated as a gap or a virtual space where meaning constantly unfolds.The distinction between practice and theory, between academic writing and writing as practice, breaks down; research, conceived as a series of dialogues with Mallarme, re-frames and re-articulates Un coup de Des. Visual and textual forms are woven together, establishing a direct relation between literature and the plastic arts. This research makes a contribution to Mallarmean studies, and to current discourses relating to painting in the expanded-field, through a reevaluation of the relation between the space of painting and poetry, and discourses that underpin spatial and temporal readings of the text. I demonstrate the importance of Mallarme to trans-disciplinary research; extant material from one field applied to another generates new forms embodied in this gesture.

ISBN: 9798426869462Subjects--Topical Terms:

2122701
Art history.

Beyond the Space of Painting and Poetry: Mallarme and the Embodied Gesture.
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