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Claiming the Louvre: Kingship, Revolution, and Empire in Early Modern France = = Revendiquer le Louvre: royaute, revolution et empire au debut de la France moderne.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Claiming the Louvre: Kingship, Revolution, and Empire in Early Modern France =/
其他題名:	Revendiquer le Louvre: royaute, revolution et empire au debut de la France moderne.
作者:	Chestnut, Shannon M.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2021,
面頁冊數:	154 p.
附註:	Source: Masters Abstracts International, Volume: 83-02.
Contained By:	Masters Abstracts International83-02.
標題:	Art history. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28498287
ISBN:	9798534694802

Claiming the Louvre: Kingship, Revolution, and Empire in Early Modern France = = Revendiquer le Louvre: royaute, revolution et empire au debut de la France moderne.
Chestnut, Shannon M.

Claiming the Louvre: Kingship, Revolution, and Empire in Early Modern France =Revendiquer le Louvre: royaute, revolution et empire au debut de la France moderne. - Ann Arbor : ProQuest Dissertations & Theses, 2021 - 154 p.

Source: Masters Abstracts International, Volume: 83-02.

Thesis (M.A.)--University of California, Riverside, 2021.

This item must not be sold to any third party vendors.

Impacted by changes to the surrounding environment and its affect on the citizens of Paris, the Louvre stands at the center of the city as a transformative architectural monument that has influenced artwork interpretation since its erection. The Louvre and the art displayed within it play a crucial role in the development of national identity during the early modern period. The Louvre and its art collection displays and reflects the political landscape of France at different points of ownership during the latter half of the eighteenth into the beginning of the nineteenth century. With King Louis XVI's lack of leadership, I argue that the Louvre and its art demonstrate the tense separation between the monarch and his subjects at the start of the French Revolution. Once the Louvre is claimed as a national museum for the people of France, I examine how the New Republic's agenda is displayed through its architectural restorations and art exhibitions. Finally, I showcase the imperialistic power of Napoleon Bonaparte's effect on the Louvre and displayed art. Whether king, revolutionaries, or emperor, the adaptability of the Louvre within the urban landscape of Paris mirrors its occupants and recontextualizes displayed artworks.

ISBN: 9798534694802Subjects--Topical Terms:

2122701
Art history.
Subjects--Index Terms:

Gros, Antoine Jean

Claiming the Louvre: Kingship, Revolution, and Empire in Early Modern France = = Revendiquer le Louvre: royaute, revolution et empire au debut de la France moderne.
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520 $a Impacted by changes to the surrounding environment and its affect on the citizens of Paris, the Louvre stands at the center of the city as a transformative architectural monument that has influenced artwork interpretation since its erection. The Louvre and the art displayed within it play a crucial role in the development of national identity during the early modern period. The Louvre and its art collection displays and reflects the political landscape of France at different points of ownership during the latter half of the eighteenth into the beginning of the nineteenth century. With King Louis XVI's lack of leadership, I argue that the Louvre and its art demonstrate the tense separation between the monarch and his subjects at the start of the French Revolution. Once the Louvre is claimed as a national museum for the people of France, I examine how the New Republic's agenda is displayed through its architectural restorations and art exhibitions. Finally, I showcase the imperialistic power of Napoleon Bonaparte's effect on the Louvre and displayed art. Whether king, revolutionaries, or emperor, the adaptability of the Louvre within the urban landscape of Paris mirrors its occupants and recontextualizes displayed artworks.
520 $a Impacte par les changements de l'environnement environnant et ses effets sur les citoyens de Paris, le Louvre se dresse au centre de la ville comme un monument architectural transformateur qui a influence l'interpretation des oeuvres d'art depuis son erection. Le Louvre et l'art qui y est expose jouent un role crucial dans le developpement de l'identite nationale au debut de la periode moderne. Le Louvre et sa collection d'art presentent et refletent le paysage politique de la France a differents points de propriete de la seconde moitie du XVIIIe au debut du XIXe siecle. Avec le manque de leadership du roi Louis XVI, je soutiens que le Louvre et son art demontrent la separation tendue entre le monarque et ses sujets au debut de la Revolution francaise. Une fois que le Louvre est revendique comme musee national pour le peuple francais, j'examine comment l'agenda de la Nouvelle Republique est presente a travers ses restaurations architecturales et ses expositions d'art. Enfin, je presente la puissance imperialiste de l'effet de Napoleon Bonaparte sur le Louvre et l'art expose. Qu'il soit roi, revolutionnaire ou empereur, l'adaptabilite du Louvre au paysage urbain parisien reflete ses occupants et recontextualise les oeuvres exposees.
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