東華大學圖書館 |

C. G. Jung's Reception of Picasso and Abstract Art.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	C. G. Jung's Reception of Picasso and Abstract Art./
作者:	Hill, Lucinda.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
面頁冊數:	257 p.
附註:	Source: Dissertations Abstracts International, Volume: 82-03, Section: B.
Contained By:	Dissertations Abstracts International82-03B.
標題:	Art history. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28197957
ISBN:	9798684642715

C. G. Jung's Reception of Picasso and Abstract Art.
Hill, Lucinda.

C. G. Jung's Reception of Picasso and Abstract Art. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 257 p.

Source: Dissertations Abstracts International, Volume: 82-03, Section: B.

Thesis (Ph.D.)--Bangor University (United Kingdom), 2020.

This item must not be sold to any third party vendors.

In 1932 C. G. Jung (1875-1961) wrote a controversial essay on the famed Spanish artist Pablo Picasso (1881-1973). Jung's essay refers to the first ever museum retrospective of Picasso's work, which was held at the Kunsthaus in Zurich. Jung's essay appeared in print, on what was the last day of the exhibition in the Neue Zurcher Zeitung, a Swiss, German language daily newspaper which was circulated throughout Zurich. In his essay Jung claimed that Picasso had a 'schizoid' personality, and he sought to analyse Picasso's artwork alongside the pictorial expressions of his patients. Jung's comments caused an international furore, and criticism was rife over the derogatory nature of his claims. However, Jung's reception of Picasso was by no means an isolated case in his attitude towards art. It is well known, for instance, that Jung took a dislike to modern art. He confessed in a letter written in 1947 that he was: 'only prejudiced against all forms of modern art' finding them 'mostly morbid and evil.' I find Jung's view of modern art perplexing since he is very open to innovative thought and discovery-which are the hallmarks of modern art movements. Indeed, Jung is regarded as one of the greatest explorers of the human mind, and he was committed to seeking forms of inspiration from beyond conventional 'scientific' boundaries. Modern art parallels Jung's interests: it embraces the spirit of experimentation, and uses new imagery and techniques in order to challenge creative conceptions. On the surface one would assume therefore that Jung would have been keen to build a fruitful relationship with modern artists and modern art movements. But, instead, Jung seems to express a striking prejudice towards modern art. In my study I explore the nature and extent of this seeming prejudice and possible reasons for it.Jung's relationship with art has been relatively overlooked. Jung was a keen collector of art and artefacts and was himself a competent artist. Ulrich Hoerni, Jung's grandson and co-editor of The Art of C.G. Jung (2018), recently confirmed that for decades few people were aware of the significant role art played in Jung's life. Furthermore, Jung's understanding of artistic expression was influenced by the creation of his own collection of paintings. We also find, between 1913-1930, that Jung conducted a self-experiment known as his 'confrontation with the unconscious,' the results of which he recorded in written text, drawings and paintings. Jung engaged in a lengthy process of psychological development before transferring these writings and images into the book, Liber Novus. The book was bound in red leather and contained several of Jung's elaborate and highly finished paintings. Jung's book has since then always been known as the Red Book. Significantly, Jung's choice of medium to express his profound experiences brings to light his deeply personal relationship with art and artistic forms of expression. Jung's intense reaction to Picasso's art therefore reveals the complexity of his own creative life in relation to art. My study seeks to address and provide important context to Jung's understanding of modern art. In addition to exploring possible reasons for Jung's apparent prejudice towards modern art, I will address the impact that Jung's unwillingness to engage in a deeper exploration of modern artforms had on the development of his psychological ideas. In responding to these questions, I hope to show that Jung the 'artist' had more to say than he explicitly said in his writings.

ISBN: 9798684642715Subjects--Topical Terms:

2122701
Art history.
Subjects--Index Terms:

Jung, Carl

C. G. Jung's Reception of Picasso and Abstract Art.
LDR:04677nmm a2200337 4500 001 2345332
005 20230119153222.5
008 241004s2020 ||||||||||||||||| ||eng d
020 $a 9798684642715
035 $a (MiAaPQ)AAI28197957
035 $a (MiAaPQ)Bangor_studentthesescb51e2ce-e558-4a66-bfcc-ed6a3ff4ad38
035 $a AAI28197957
040 $a MiAaPQ $c MiAaPQ
100 1 $a Hill, Lucinda. $3 3684249
245 1 0 $a C. G. Jung's Reception of Picasso and Abstract Art.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2020
300 $a 257 p.
500 $a Source: Dissertations Abstracts International, Volume: 82-03, Section: B.
502 $a Thesis (Ph.D.)--Bangor University (United Kingdom), 2020.
506 $a This item must not be sold to any third party vendors.
506 $a This item must not be sold to any third party vendors.
520 $a In 1932 C. G. Jung (1875-1961) wrote a controversial essay on the famed Spanish artist Pablo Picasso (1881-1973). Jung's essay refers to the first ever museum retrospective of Picasso's work, which was held at the Kunsthaus in Zurich. Jung's essay appeared in print, on what was the last day of the exhibition in the Neue Zurcher Zeitung, a Swiss, German language daily newspaper which was circulated throughout Zurich. In his essay Jung claimed that Picasso had a 'schizoid' personality, and he sought to analyse Picasso's artwork alongside the pictorial expressions of his patients. Jung's comments caused an international furore, and criticism was rife over the derogatory nature of his claims. However, Jung's reception of Picasso was by no means an isolated case in his attitude towards art. It is well known, for instance, that Jung took a dislike to modern art. He confessed in a letter written in 1947 that he was: 'only prejudiced against all forms of modern art' finding them 'mostly morbid and evil.' I find Jung's view of modern art perplexing since he is very open to innovative thought and discovery-which are the hallmarks of modern art movements. Indeed, Jung is regarded as one of the greatest explorers of the human mind, and he was committed to seeking forms of inspiration from beyond conventional 'scientific' boundaries. Modern art parallels Jung's interests: it embraces the spirit of experimentation, and uses new imagery and techniques in order to challenge creative conceptions. On the surface one would assume therefore that Jung would have been keen to build a fruitful relationship with modern artists and modern art movements. But, instead, Jung seems to express a striking prejudice towards modern art. In my study I explore the nature and extent of this seeming prejudice and possible reasons for it.Jung's relationship with art has been relatively overlooked. Jung was a keen collector of art and artefacts and was himself a competent artist. Ulrich Hoerni, Jung's grandson and co-editor of The Art of C.G. Jung (2018), recently confirmed that for decades few people were aware of the significant role art played in Jung's life. Furthermore, Jung's understanding of artistic expression was influenced by the creation of his own collection of paintings. We also find, between 1913-1930, that Jung conducted a self-experiment known as his 'confrontation with the unconscious,' the results of which he recorded in written text, drawings and paintings. Jung engaged in a lengthy process of psychological development before transferring these writings and images into the book, Liber Novus. The book was bound in red leather and contained several of Jung's elaborate and highly finished paintings. Jung's book has since then always been known as the Red Book. Significantly, Jung's choice of medium to express his profound experiences brings to light his deeply personal relationship with art and artistic forms of expression. Jung's intense reaction to Picasso's art therefore reveals the complexity of his own creative life in relation to art. My study seeks to address and provide important context to Jung's understanding of modern art. In addition to exploring possible reasons for Jung's apparent prejudice towards modern art, I will address the impact that Jung's unwillingness to engage in a deeper exploration of modern artforms had on the development of his psychological ideas. In responding to these questions, I hope to show that Jung the 'artist' had more to say than he explicitly said in his writings.
590 $a School code: 8864.
650 4 $a Art history. $3 2122701
650 4 $a Cubism. $3 529199
650 4 $a Psychology. $3 519075
650 4 $a Artists. $3 524768
650 4 $a Collaboration. $3 3556296
650 4 $a Autobiographies. $3 516577
650 4 $a Investigations. $3 3561159
650 4 $a Sketches. $3 3684250
650 4 $a Modern art. $3 1978553
650 4 $a Publications. $3 3681877
650 4 $a Abstract art. $3 3684251
650 4 $a Prejudice. $3 616716
650 4 $a Preferences. $3 3560350
650 4 $a Essays. $3 642973
650 4 $a Modernism. $3 3556282
650 4 $a Consciousness. $3 517079
650 4 $a Psychiatrists. $3 888013
650 4 $a Attitudes. $3 1973410
650 4 $a Book reviews. $3 3556298
650 4 $a Museums. $3 569592
650 4 $a Painting. $3 524049
653 $a Jung, Carl
653 $a Picasso, Pablo
690 $a 0377
690 $a 0621
710 2 $a Bangor University (United Kingdom). $3 3546296
773 0 $t Dissertations Abstracts International $g 82-03B.
790 $a 8864
791 $a Ph.D.
792 $a 2020
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28197957