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The Sound of Neoliberalism: The Role of Music and Sound in Neoliberal Culture.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The Sound of Neoliberalism: The Role of Music and Sound in Neoliberal Culture./
作者:
Fennessey, Michael J.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2021,
面頁冊數:
51 p.
附註:
Source: Masters Abstracts International, Volume: 83-03.
Contained By:
Masters Abstracts International83-03.
標題:
Music. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28644480
ISBN:
9798535574967
The Sound of Neoliberalism: The Role of Music and Sound in Neoliberal Culture.
Fennessey, Michael J.
The Sound of Neoliberalism: The Role of Music and Sound in Neoliberal Culture.
- Ann Arbor : ProQuest Dissertations & Theses, 2021 - 51 p.
Source: Masters Abstracts International, Volume: 83-03.
Thesis (M.A.)--University of California, Santa Cruz, 2021.
This item must not be sold to any third party vendors.
This paper treats the connections between contemporary popular music and neoliberal ideology through a historical analysis and critique of digital music platforms, lo-fi, and EDM. Following the work of Byung-Chul Han and Philip Mirowski, I explore how the transformation of the disciplinary liberal state into a permissive, post-disciplinary society based on a new subjectivity of "auto-exploitation" intersects with digital music. This disciplinary shift corresponds with the emergence of a new form of entrepreneurial labor, which entails a new form of subjectivity under neoliberalism. As neoliberalism becomes dominant in the political economic sphere, its effects are felt across the social scape. To analyze these effects, I focus on lo-fi and EDM, two musical genres that develop within a hegemonic neoliberalism. My central claim is that under neoliberalism these digital musical forms take on a double character; specifically, they might be understood as countercultures expressing a desire for freedom, and simultaneously, they depend on and at certain moments reinforce the dominant socio-economic code. Mapping out the mediating antagonisms between neoliberal subjectivity and digital music leads me to the construction of a schematic framework for the listening practices of the neoliberal subject.
ISBN: 9798535574967Subjects--Topical Terms:
516178
Music.
Subjects--Index Terms:
EDM music
The Sound of Neoliberalism: The Role of Music and Sound in Neoliberal Culture.
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This paper treats the connections between contemporary popular music and neoliberal ideology through a historical analysis and critique of digital music platforms, lo-fi, and EDM. Following the work of Byung-Chul Han and Philip Mirowski, I explore how the transformation of the disciplinary liberal state into a permissive, post-disciplinary society based on a new subjectivity of "auto-exploitation" intersects with digital music. This disciplinary shift corresponds with the emergence of a new form of entrepreneurial labor, which entails a new form of subjectivity under neoliberalism. As neoliberalism becomes dominant in the political economic sphere, its effects are felt across the social scape. To analyze these effects, I focus on lo-fi and EDM, two musical genres that develop within a hegemonic neoliberalism. My central claim is that under neoliberalism these digital musical forms take on a double character; specifically, they might be understood as countercultures expressing a desire for freedom, and simultaneously, they depend on and at certain moments reinforce the dominant socio-economic code. Mapping out the mediating antagonisms between neoliberal subjectivity and digital music leads me to the construction of a schematic framework for the listening practices of the neoliberal subject.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28644480
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