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Analysis as Dialogue: Bakhtinian Narrative Theory in the Music of Dmitri Shostakovich.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Analysis as Dialogue: Bakhtinian Narrative Theory in the Music of Dmitri Shostakovich./
作者:	Webber, Miriam Brack.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2021,
面頁冊數:	259 p.
附註:	Source: Dissertations Abstracts International, Volume: 82-12, Section: A.
Contained By:	Dissertations Abstracts International82-12A.
標題:	Music theory. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28539890
ISBN:	9798505541616

Analysis as Dialogue: Bakhtinian Narrative Theory in the Music of Dmitri Shostakovich.
Webber, Miriam Brack.

Analysis as Dialogue: Bakhtinian Narrative Theory in the Music of Dmitri Shostakovich. - Ann Arbor : ProQuest Dissertations & Theses, 2021 - 259 p.

Source: Dissertations Abstracts International, Volume: 82-12, Section: A.

Thesis (Ph.D.)--University of Kansas, 2021.

This item must not be sold to any third party vendors.

Although recent scholarship has begun to consider the writings of Mikhail Bakhtin in connection with the music of Dmitri Shostakovich, little of the published work to date addresses the two with regard to the topic of musical narratology. The present study examines various ways in which Bakhtin's literary thought might be applied to Shostakovich's music, addressing a range of established music-theoretical methodologies located within the broader context of Bakhtinian narrative theory. My analytical approach is consequently multifaceted and engages multiple musical parameters, including pitch organization, rhythm, form, topical content, and emotional valence. In particular, five key terms deriving from Bakhtin's critical writings form the template in relation to which Shostakovich's approach to the act of musical narration may be codified: carnival, chronotope, heteroglossia, polyphony, and novelization. Several songs are presented as preliminary case studies that together provide a framework for the interpretation of individual scenes from The Nose and Lady Macbeth of Mtsensk District, as well as aspects of the purely instrumental symphonic repertoire. Issues such as nonclosure are deemed neither to be problematic nor to require any extrinsic accounting for and are instead taken to be wholly Bakhtinian in both conception and practice. Nor does the methodology adopted here seek to disclose any kind of immanent narrative subtext; rather, it argues for modes of musical comprehension shaped in conjunction with Bakhtinian narratological thought.

ISBN: 9798505541616Subjects--Topical Terms:

547155
Music theory.
Subjects--Index Terms:

Bakhtin

Analysis as Dialogue: Bakhtinian Narrative Theory in the Music of Dmitri Shostakovich.
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