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Crowds = the stadium as a ritual of intensity /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Crowds/ Hans Ulrich Gumbrecht ; translated by Emily Goodling.
其他題名:	the stadium as a ritual of intensity /
作者:	Gumbrecht, Hans Ulrich.
其他作者:	Goodling, Emily.
出版者:	Stanford, Ca. :Stanford University Press, : c2021.,
面頁冊數:	1 online resource.
附註:	Translation of: Crowds : das Stadion als Ritual von Intensität.
內容註:	Empty stadiums -- Stadium-masses -- The contempt for the masses -- Masses of the past -- In the crowd--laterally : swarms, mirror neurons, primates -- In the crowd--vertically : mystical bodies, intensity, transfiguration -- The stadium as ritual of the crowd -- "You'll never walk alone" (Dortmund, March 13th, 2016).
標題:	Crowds. -
電子資源:	https://www.degruyter.com/isbn/9781503630284
ISBN:	9781503630284

Crowds = the stadium as a ritual of intensity /
Gumbrecht, Hans Ulrich.

Crowdsthe stadium as a ritual of intensity /[electronic resource] :Hans Ulrich Gumbrecht ; translated by Emily Goodling. - Stanford, Ca. :Stanford University Press,c2021. - 1 online resource.

Translation of: Crowds : das Stadion als Ritual von Intensität.

Empty stadiums -- Stadium-masses -- The contempt for the masses -- Masses of the past -- In the crowd--laterally : swarms, mirror neurons, primates -- In the crowd--vertically : mystical bodies, intensity, transfiguration -- The stadium as ritual of the crowd -- "You'll never walk alone" (Dortmund, March 13th, 2016).

"Anyone who has ever experienced a sporting event in a large stadium knows the energy that emanates from stands full of fans cheering on their teams. Although "the masses" have long held a thoroughly bad reputation in politics and culture, literary critic and avid sports fan Hans Ulrich Gumbrecht finds powerful, as yet unexplored reasons to sing the praises of crowds. Drawing on his experiences as a spectator in the stadiums of South America, Germany, and the US, Gumbrecht presents the stadium as "a ritual of intensity," thereby offering a different lens through which we might capture and even appreciate the dynamic of the masses. In presenting this alternate view, Gumbrecht enters into conversation with thinkers who were more critical of the potential of the masses, such as Gustave Le Bon, Friedrich Nietzsche, Sigmund Freud, Josâe Ortega y Gasset, Elias Canetti, Siegfried Kracauer, T. W. Adorno, or Max Horkheimer. A preface explores college crowds as a uniquely specific phenomenon of American culture. Pairing philosophical rigor with the enthusiasm of a true fan, Gumbrecht writes from the inside and suggests that being part of a crowd opens us up to an experience beyond ourselves"--

Translated from German.

ISBN: 9781503630284

LCCN: 2021009065Subjects--Topical Terms:

906958
Crowds.

LC Class. No.: HM871

Dewey Class. No.: 302.33

Crowds = the stadium as a ritual of intensity /
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520 $a "Anyone who has ever experienced a sporting event in a large stadium knows the energy that emanates from stands full of fans cheering on their teams. Although "the masses" have long held a thoroughly bad reputation in politics and culture, literary critic and avid sports fan Hans Ulrich Gumbrecht finds powerful, as yet unexplored reasons to sing the praises of crowds. Drawing on his experiences as a spectator in the stadiums of South America, Germany, and the US, Gumbrecht presents the stadium as "a ritual of intensity," thereby offering a different lens through which we might capture and even appreciate the dynamic of the masses. In presenting this alternate view, Gumbrecht enters into conversation with thinkers who were more critical of the potential of the masses, such as Gustave Le Bon, Friedrich Nietzsche, Sigmund Freud, Josâe Ortega y Gasset, Elias Canetti, Siegfried Kracauer, T. W. Adorno, or Max Horkheimer. A preface explores college crowds as a uniquely specific phenomenon of American culture. Pairing philosophical rigor with the enthusiasm of a true fan, Gumbrecht writes from the inside and suggests that being part of a crowd opens us up to an experience beyond ourselves"-- $c Provided by publisher.
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