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Memory made, hacked, and outsourced ...

Tseng, Chia-Chieh Mavis.

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Memory made, hacked, and outsourced = how the 21st Century Anglophone novels remember and forget /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Memory made, hacked, and outsourced/ by Chia-Chieh Mavis Tseng.
其他題名:	how the 21st Century Anglophone novels remember and forget /
作者:	Tseng, Chia-Chieh Mavis.
出版者:	Singapore :Springer Nature Singapore : : 2023.,
面頁冊數:	xi, 148 p. :ill., digital ;24 cm.
內容註:	Chapter 1: Introduction: Memory and Fiction in the 21st Century -- Chapter 2: Memory Made: Photography, Latency, and Contingency in Penelope Lively's The Photograph -- Chapter 3: Memory in Seriality: Remainder, Repetition, and Authenticity in Tom McCarthy's Remainder -- Chapter 4: Memory Hacking: Remembering, Storytelling, and Unreliable Narrators in Julian Barnes' The Sense of an Ending and The Only Story -- Chapter 5: Remember Like Humans: (Post-)human Memories, Forgetting, and Space of Latency in Kazuo Ishiguro's Never Let Me Go -- Chapter 6: Memory Outsourced: New Memory in the Digital Age in Felicia Yap's Yesterday -- Chapter 7: Conclusion: The Future of 21st Century Memory.
Contained By:	Springer Nature eBook
標題:	English fiction - History and criticism. - 21st century -
電子資源:	https://doi.org/10.1007/978-981-19-9251-3
ISBN:	9789811992513

Memory made, hacked, and outsourced = how the 21st Century Anglophone novels remember and forget /
Tseng, Chia-Chieh Mavis.

Memory made, hacked, and outsourcedhow the 21st Century Anglophone novels remember and forget /[electronic resource] :by Chia-Chieh Mavis Tseng. - Singapore :Springer Nature Singapore :2023. - xi, 148 p. :ill., digital ;24 cm.

Chapter 1: Introduction: Memory and Fiction in the 21st Century -- Chapter 2: Memory Made: Photography, Latency, and Contingency in Penelope Lively's The Photograph -- Chapter 3: Memory in Seriality: Remainder, Repetition, and Authenticity in Tom McCarthy's Remainder -- Chapter 4: Memory Hacking: Remembering, Storytelling, and Unreliable Narrators in Julian Barnes' The Sense of an Ending and The Only Story -- Chapter 5: Remember Like Humans: (Post-)human Memories, Forgetting, and Space of Latency in Kazuo Ishiguro's Never Let Me Go -- Chapter 6: Memory Outsourced: New Memory in the Digital Age in Felicia Yap's Yesterday -- Chapter 7: Conclusion: The Future of 21st Century Memory.

This book probes the complex relationship between memory and storytelling in contemporary literature. It not only examines how memory is constantly made and remade through words and stories but also explores how literary practices and imagination are shaping new concepts of memory in the 21st century. By analyzing the selected novels - Penelope Lively's The Photograph, Tom McCarthy's Remainder, Julian Barnes' The Sense of an Ending and The Only Story, Kazuo Ishiguro's Never Let Me Go, and Felicia Yap's Yesterday - this book explores the dynamic interplay of remembering and forgetting, and redefines the relationship between fiction and memory in the 21st century. Chia-Chieh Mavis Tseng is the director and associate professor in the Language Center at Taipei Medical University. She received her Ph.D. in Comparative Literature at Rutgers, The State University of New Jersey. Her publications have addressed memory studies, film studies, visual culture, urban modernity, Amy Levy, Kate Chopin, Virginia Woolf, Kazuo Ishiguro, Walter Benjamin, and Jacques Tati's works. Her several research projects (2017-2023), funded by the National Science and Technology Council in Taiwan, R.O.C., focus on representations of memory in contemporary novels and films.

ISBN: 9789811992513

Standard No.: 10.1007/978-981-19-9251-3doiSubjects--Topical Terms:

885161
English fiction
--History and criticism.--21st century

LC Class. No.: PR889

Dewey Class. No.: 823.9209353

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