語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
The Palgrave handbook of screenwriti...
~
Davies, Rosamund.
FindBook
Google Book
Amazon
博客來
The Palgrave handbook of screenwriting studies
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The Palgrave handbook of screenwriting studies/ edited by Rosamund Davies, Paolo Russo, Claus Tieber.
其他作者:
Davies, Rosamund.
出版者:
Cham :Springer International Publishing : : 2023.,
面頁冊數:
xli, 818 p. :ill. (some col.), digital ;24 cm.
內容註:
1.Introduction -- Part I: What Screenwriting ontology: Defining the screenplay and screenwriting -- 2. How to Think about Screenwriting -- 3. Screenplectics: Screenwriting as a Complex Adaptive System -- 4. Collaboration, Cooperation, and Authorship in Screenwriting aka How Many People Does It Take to Create an Author? -- 5. Acts of Reading: The Demands on Screenplay Reading -- 6. The Reality of (Screen) Characters -- 7. "We Come to Realize": Screenwriting and Representations of Time -- 8. The Motion-Picture Screenplay as Data: Quantifying the Stylistic Differences Between Dialogue and Scene Text -- 9. Writer/Reader as Performer: Creating a Negotiated Narrative -- 10. An Ontology of the Interactive Scripts -- PART II: When/Where Screenwriting Historiography -- 11. Historiographies of Screenwriting -- 12. They Actually Had Scripts in Silent Films? Researching Screenwriting in the Silent Era -- 13. Silent Screenwriting in Europe: Discourses on Authorship, Form, and Literature -- 14. When Women Wrote Hollywood: How Early Female Screenwriters Disappeared from the History of the Industry They Created. A Case Study of Four Female Screenwriters -- 15. Narrating with Music: Screenwriting Musical Numbers -- 16. Women Screenwriters of Early Sinophone Cinema: 1916-1949 -- 17. A Historiography of Japanese Screenwriting -- 18. Writing Social Relevance: U.S. Television Dramas in the Civil Rights Era -- 19. Horror Bubbles: Andrés Caicedo's Weird Screenplays -- 20. Writers as Workers: The Making of a Film Trade Union in India -- 21. The Evolving Depictions of Black South Africans in the Post-Apartheid Screenwriting Tradition -- PART III: Who Screenwriting and the Screen Industries -- 22. The International Writers' Room: A Transnational Approach to Serial Drama Development from an Italian Perspective -- 23. Writing Online Drama for Public Service Media in the Era of Streaming Platform -- 24. Screenwriting for Children and Young Audiences -- 25. Imitations of Life? A Challenge for Black Screenwriters -- 26. Beauties and Beasts: The Representation of National Identity through Characterization in Syrian-Lebanese Pan-Arab Dramas -- 27. "That's a Chick's Movie!": How Women Are Excluded from Screenwriting Work -- 28. The Different American Legal Structures for Unionization of Writers for Stage and Screen -- PART IV: How Approaches to Screen Storytelling -- 29. Random Access Memories: Screenwriting for Games -- 30. "Everybody Chips in Ten Cents, and Somehow It Seems to Add Up to a Dollar": Exploring the Visual Toolbox for Animation Story Design -- 31. The Short-Form Scripted Serial Drama: The Novice Showrunner's New Opportunity -- 32. The Plural Protagonist. Or: How To Be Many and Why -- 33. The Haptic Encounter: Scripting Female Subjectivity -- 34. Script Development from the Inside Looking Out. Telling a Transnational Story in the Australian Films 33 Postcards (Chan, 2011) and Strange Colours (Lodkina, 2017) -- 35. Extended How? Narrative Structure in the Short and Long Versions of The Lord of the Rings, Kingdom of Heaven, and Dances with Wolves -- PART V: How To Researching and Teaching Screenwriting: Discourses and Methods -- 36. Film Dramaturgy: A Practice and a Tool for Researchers -- 37. Screenwriting Pedagogy in the United States: In Search of the Missing Pieces -- 38. Screenwriting Manuals and Pedagogy in Italy from the 1930s to the End of the 20th Century -- 39. Screenwriting, Short Film, and Pedagogy -- 40. Screenwriters in the Academy: The Opportunities of Research-Led Practice.
Contained By:
Springer Nature eBook
標題:
Motion picture authorship. -
電子資源:
https://doi.org/10.1007/978-3-031-20769-3
ISBN:
9783031207693
The Palgrave handbook of screenwriting studies
The Palgrave handbook of screenwriting studies
[electronic resource] /edited by Rosamund Davies, Paolo Russo, Claus Tieber. - Cham :Springer International Publishing :2023. - xli, 818 p. :ill. (some col.), digital ;24 cm.
1.Introduction -- Part I: What Screenwriting ontology: Defining the screenplay and screenwriting -- 2. How to Think about Screenwriting -- 3. Screenplectics: Screenwriting as a Complex Adaptive System -- 4. Collaboration, Cooperation, and Authorship in Screenwriting aka How Many People Does It Take to Create an Author? -- 5. Acts of Reading: The Demands on Screenplay Reading -- 6. The Reality of (Screen) Characters -- 7. "We Come to Realize": Screenwriting and Representations of Time -- 8. The Motion-Picture Screenplay as Data: Quantifying the Stylistic Differences Between Dialogue and Scene Text -- 9. Writer/Reader as Performer: Creating a Negotiated Narrative -- 10. An Ontology of the Interactive Scripts -- PART II: When/Where Screenwriting Historiography -- 11. Historiographies of Screenwriting -- 12. They Actually Had Scripts in Silent Films? Researching Screenwriting in the Silent Era -- 13. Silent Screenwriting in Europe: Discourses on Authorship, Form, and Literature -- 14. When Women Wrote Hollywood: How Early Female Screenwriters Disappeared from the History of the Industry They Created. A Case Study of Four Female Screenwriters -- 15. Narrating with Music: Screenwriting Musical Numbers -- 16. Women Screenwriters of Early Sinophone Cinema: 1916-1949 -- 17. A Historiography of Japanese Screenwriting -- 18. Writing Social Relevance: U.S. Television Dramas in the Civil Rights Era -- 19. Horror Bubbles: Andrés Caicedo's Weird Screenplays -- 20. Writers as Workers: The Making of a Film Trade Union in India -- 21. The Evolving Depictions of Black South Africans in the Post-Apartheid Screenwriting Tradition -- PART III: Who Screenwriting and the Screen Industries -- 22. The International Writers' Room: A Transnational Approach to Serial Drama Development from an Italian Perspective -- 23. Writing Online Drama for Public Service Media in the Era of Streaming Platform -- 24. Screenwriting for Children and Young Audiences -- 25. Imitations of Life? A Challenge for Black Screenwriters -- 26. Beauties and Beasts: The Representation of National Identity through Characterization in Syrian-Lebanese Pan-Arab Dramas -- 27. "That's a Chick's Movie!": How Women Are Excluded from Screenwriting Work -- 28. The Different American Legal Structures for Unionization of Writers for Stage and Screen -- PART IV: How Approaches to Screen Storytelling -- 29. Random Access Memories: Screenwriting for Games -- 30. "Everybody Chips in Ten Cents, and Somehow It Seems to Add Up to a Dollar": Exploring the Visual Toolbox for Animation Story Design -- 31. The Short-Form Scripted Serial Drama: The Novice Showrunner's New Opportunity -- 32. The Plural Protagonist. Or: How To Be Many and Why -- 33. The Haptic Encounter: Scripting Female Subjectivity -- 34. Script Development from the Inside Looking Out. Telling a Transnational Story in the Australian Films 33 Postcards (Chan, 2011) and Strange Colours (Lodkina, 2017) -- 35. Extended How? Narrative Structure in the Short and Long Versions of The Lord of the Rings, Kingdom of Heaven, and Dances with Wolves -- PART V: How To Researching and Teaching Screenwriting: Discourses and Methods -- 36. Film Dramaturgy: A Practice and a Tool for Researchers -- 37. Screenwriting Pedagogy in the United States: In Search of the Missing Pieces -- 38. Screenwriting Manuals and Pedagogy in Italy from the 1930s to the End of the 20th Century -- 39. Screenwriting, Short Film, and Pedagogy -- 40. Screenwriters in the Academy: The Opportunities of Research-Led Practice.
This book provides an overview of the growing field of screenwriting research and is essential reading for both those new to the field and established screenwriting scholars. It covers topics and concepts central to the study of screenwriting and the screenplay in relation to film, television, web series, animation, games and other interactive media, and includes a range of approaches, from theoretical perspectives to in-depth case studies. 44 scholars from around the globe demonstrate the range and depths of this new and expanding area of study. As the chapters of this Handbook demonstrate, shifting the focus from the finished film to the process of screenwriting and the text of the screenplay facilitates valuable new insights. This Handbook is the first of its kind, an indispensable compendium for both academics and practitioners. Rosamund Davies has a background of professional practice in the screen industries and is Senior Lecturer at the University of Greenwich, UK. Paolo Russo is Senior Lecturer in Film at Oxford Brookes University, UK, and a former Chairperson of the Screenwriting Research Network. He is also a professional screenwriter. Claus Tieber teaches Film Studies at universities in Vienna, Brno, Kiel, and Salamanca and is a former Chairperson of the Screenwriting Research Network.
ISBN: 9783031207693
Standard No.: 10.1007/978-3-031-20769-3doiSubjects--Topical Terms:
607579
Motion picture authorship.
LC Class. No.: PN1996
Dewey Class. No.: 808.23
The Palgrave handbook of screenwriting studies
LDR
:05930nmm a2200349 a 4500
001
2333183
003
DE-He213
005
20230727084800.0
006
m d
007
cr nn 008maaau
008
240402s2023 sz s 0 eng d
020
$a
9783031207693
$q
(electronic bk.)
020
$a
9783031207686
$q
(paper)
024
7
$a
10.1007/978-3-031-20769-3
$2
doi
035
$a
978-3-031-20769-3
040
$a
GP
$c
GP
041
0
$a
eng
050
4
$a
PN1996
072
7
$a
APFD
$2
bicssc
072
7
$a
CBVS
$2
bicssc
072
7
$a
PER004050
$2
bisacsh
072
7
$a
ATFD
$2
thema
072
7
$a
CBVS
$2
thema
082
0 4
$a
808.23
$2
23
090
$a
PN1996
$b
.P161 2023
245
0 4
$a
The Palgrave handbook of screenwriting studies
$h
[electronic resource] /
$c
edited by Rosamund Davies, Paolo Russo, Claus Tieber.
260
$a
Cham :
$b
Springer International Publishing :
$b
Imprint: Palgrave Macmillan,
$c
2023.
300
$a
xli, 818 p. :
$b
ill. (some col.), digital ;
$c
24 cm.
505
0
$a
1.Introduction -- Part I: What Screenwriting ontology: Defining the screenplay and screenwriting -- 2. How to Think about Screenwriting -- 3. Screenplectics: Screenwriting as a Complex Adaptive System -- 4. Collaboration, Cooperation, and Authorship in Screenwriting aka How Many People Does It Take to Create an Author? -- 5. Acts of Reading: The Demands on Screenplay Reading -- 6. The Reality of (Screen) Characters -- 7. "We Come to Realize": Screenwriting and Representations of Time -- 8. The Motion-Picture Screenplay as Data: Quantifying the Stylistic Differences Between Dialogue and Scene Text -- 9. Writer/Reader as Performer: Creating a Negotiated Narrative -- 10. An Ontology of the Interactive Scripts -- PART II: When/Where Screenwriting Historiography -- 11. Historiographies of Screenwriting -- 12. They Actually Had Scripts in Silent Films? Researching Screenwriting in the Silent Era -- 13. Silent Screenwriting in Europe: Discourses on Authorship, Form, and Literature -- 14. When Women Wrote Hollywood: How Early Female Screenwriters Disappeared from the History of the Industry They Created. A Case Study of Four Female Screenwriters -- 15. Narrating with Music: Screenwriting Musical Numbers -- 16. Women Screenwriters of Early Sinophone Cinema: 1916-1949 -- 17. A Historiography of Japanese Screenwriting -- 18. Writing Social Relevance: U.S. Television Dramas in the Civil Rights Era -- 19. Horror Bubbles: Andrés Caicedo's Weird Screenplays -- 20. Writers as Workers: The Making of a Film Trade Union in India -- 21. The Evolving Depictions of Black South Africans in the Post-Apartheid Screenwriting Tradition -- PART III: Who Screenwriting and the Screen Industries -- 22. The International Writers' Room: A Transnational Approach to Serial Drama Development from an Italian Perspective -- 23. Writing Online Drama for Public Service Media in the Era of Streaming Platform -- 24. Screenwriting for Children and Young Audiences -- 25. Imitations of Life? A Challenge for Black Screenwriters -- 26. Beauties and Beasts: The Representation of National Identity through Characterization in Syrian-Lebanese Pan-Arab Dramas -- 27. "That's a Chick's Movie!": How Women Are Excluded from Screenwriting Work -- 28. The Different American Legal Structures for Unionization of Writers for Stage and Screen -- PART IV: How Approaches to Screen Storytelling -- 29. Random Access Memories: Screenwriting for Games -- 30. "Everybody Chips in Ten Cents, and Somehow It Seems to Add Up to a Dollar": Exploring the Visual Toolbox for Animation Story Design -- 31. The Short-Form Scripted Serial Drama: The Novice Showrunner's New Opportunity -- 32. The Plural Protagonist. Or: How To Be Many and Why -- 33. The Haptic Encounter: Scripting Female Subjectivity -- 34. Script Development from the Inside Looking Out. Telling a Transnational Story in the Australian Films 33 Postcards (Chan, 2011) and Strange Colours (Lodkina, 2017) -- 35. Extended How? Narrative Structure in the Short and Long Versions of The Lord of the Rings, Kingdom of Heaven, and Dances with Wolves -- PART V: How To Researching and Teaching Screenwriting: Discourses and Methods -- 36. Film Dramaturgy: A Practice and a Tool for Researchers -- 37. Screenwriting Pedagogy in the United States: In Search of the Missing Pieces -- 38. Screenwriting Manuals and Pedagogy in Italy from the 1930s to the End of the 20th Century -- 39. Screenwriting, Short Film, and Pedagogy -- 40. Screenwriters in the Academy: The Opportunities of Research-Led Practice.
520
$a
This book provides an overview of the growing field of screenwriting research and is essential reading for both those new to the field and established screenwriting scholars. It covers topics and concepts central to the study of screenwriting and the screenplay in relation to film, television, web series, animation, games and other interactive media, and includes a range of approaches, from theoretical perspectives to in-depth case studies. 44 scholars from around the globe demonstrate the range and depths of this new and expanding area of study. As the chapters of this Handbook demonstrate, shifting the focus from the finished film to the process of screenwriting and the text of the screenplay facilitates valuable new insights. This Handbook is the first of its kind, an indispensable compendium for both academics and practitioners. Rosamund Davies has a background of professional practice in the screen industries and is Senior Lecturer at the University of Greenwich, UK. Paolo Russo is Senior Lecturer in Film at Oxford Brookes University, UK, and a former Chairperson of the Screenwriting Research Network. He is also a professional screenwriter. Claus Tieber teaches Film Studies at universities in Vienna, Brno, Kiel, and Salamanca and is a former Chairperson of the Screenwriting Research Network.
650
0
$a
Motion picture authorship.
$3
607579
650
1 4
$a
Screenwriting.
$3
3201014
650
2 4
$a
Film and Television Industry.
$3
3599347
650
2 4
$a
Film Theory.
$3
2191773
700
1
$a
Davies, Rosamund.
$3
2051162
700
1
$a
Russo, Paolo.
$3
3663745
700
1
$a
Tieber, Claus.
$3
3632288
710
2
$a
SpringerLink (Online service)
$3
836513
773
0
$t
Springer Nature eBook
856
4 0
$u
https://doi.org/10.1007/978-3-031-20769-3
950
$a
Literature, Cultural and Media Studies (SpringerNature-41173)
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9459388
電子資源
11.線上閱覽_V
電子書
EB PN1996
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入