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The Western and political thought = ...
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Picariello, Damien K.
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The Western and political thought = a fistful of politics /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The Western and political thought/ edited by Damien K. Picariello.
其他題名:
a fistful of politics /
其他作者:
Picariello, Damien K.
出版者:
Cham :Springer International Publishing : : 2023.,
面頁冊數:
ix, 231 p. :ill., digital ;24 cm.
內容註:
Introduction:Thus in the beginning all the World was America -- Part I: Foundings, Law, Lawlessness, and John Ford -- Chapter 1. Virtue, Tyranny, and Political Rule in David Milch's Deadwood -- Chapter 2. Print the Legend: Violence, Virtue, and the Social Contract in Hang 'Em High and The Man Who Shot Liberty Valance -- Chapter 3. John Ford's Legendary Western Ambiguity and White Settler Colonialism -- Chapter 4. This is Our Town': Political Community in High Noon and The Man Who Shot Liberty Valance -- Part II: The Western as Mirror and Teacher -- Chapter 5. Simmering Madness: Mob Justice and The Ox-Bow Incident -- Chapter 6. The Loner on the 'Frontier of Unfilled Hopes and Unfilled Threats': Serling's Old West in Kennedy's New Frontier -- Chapter 7. No Man's Land: Film Cycles, Femininity, and Female Empowerment in the Modern Western -- Chapter 8. Horse Operas Talk Back: History, Memory, and the Black Cowboy Performing -- Chapter 9. Aristophanes in Spurs: Blazing Saddles, Attic Comedy, HBO, and the Politics of Democratic Laughter -- Part III: The Adaptable, International West -- Chapter 10. Towards Assimilationist Politics on the Filmic Frontier: Mid-Twentieth Century Westerns in Australia -- Chapter 11.Ideological Uses of the Western in Film Depictions of Post-War Polish Borderlands -- Chapter 12.Magnificent Strangers: Violence and Difference.
Contained By:
Springer Nature eBook
標題:
American fiction - History and criticism. - West (U.S.) -
電子資源:
https://doi.org/10.1007/978-3-031-27284-4
ISBN:
9783031272844
The Western and political thought = a fistful of politics /
The Western and political thought
a fistful of politics /[electronic resource] :edited by Damien K. Picariello. - Cham :Springer International Publishing :2023. - ix, 231 p. :ill., digital ;24 cm.
Introduction:Thus in the beginning all the World was America -- Part I: Foundings, Law, Lawlessness, and John Ford -- Chapter 1. Virtue, Tyranny, and Political Rule in David Milch's Deadwood -- Chapter 2. Print the Legend: Violence, Virtue, and the Social Contract in Hang 'Em High and The Man Who Shot Liberty Valance -- Chapter 3. John Ford's Legendary Western Ambiguity and White Settler Colonialism -- Chapter 4. This is Our Town': Political Community in High Noon and The Man Who Shot Liberty Valance -- Part II: The Western as Mirror and Teacher -- Chapter 5. Simmering Madness: Mob Justice and The Ox-Bow Incident -- Chapter 6. The Loner on the 'Frontier of Unfilled Hopes and Unfilled Threats': Serling's Old West in Kennedy's New Frontier -- Chapter 7. No Man's Land: Film Cycles, Femininity, and Female Empowerment in the Modern Western -- Chapter 8. Horse Operas Talk Back: History, Memory, and the Black Cowboy Performing -- Chapter 9. Aristophanes in Spurs: Blazing Saddles, Attic Comedy, HBO, and the Politics of Democratic Laughter -- Part III: The Adaptable, International West -- Chapter 10. Towards Assimilationist Politics on the Filmic Frontier: Mid-Twentieth Century Westerns in Australia -- Chapter 11.Ideological Uses of the Western in Film Depictions of Post-War Polish Borderlands -- Chapter 12.Magnificent Strangers: Violence and Difference.
ISBN: 9783031272844
Standard No.: 10.1007/978-3-031-27284-4doiSubjects--Topical Terms:
773475
American fiction
--History and criticism.--West (U.S.)
LC Class. No.: PS374.W4
Dewey Class. No.: 813.087409
The Western and political thought = a fistful of politics /
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Introduction:Thus in the beginning all the World was America -- Part I: Foundings, Law, Lawlessness, and John Ford -- Chapter 1. Virtue, Tyranny, and Political Rule in David Milch's Deadwood -- Chapter 2. Print the Legend: Violence, Virtue, and the Social Contract in Hang 'Em High and The Man Who Shot Liberty Valance -- Chapter 3. John Ford's Legendary Western Ambiguity and White Settler Colonialism -- Chapter 4. This is Our Town': Political Community in High Noon and The Man Who Shot Liberty Valance -- Part II: The Western as Mirror and Teacher -- Chapter 5. Simmering Madness: Mob Justice and The Ox-Bow Incident -- Chapter 6. The Loner on the 'Frontier of Unfilled Hopes and Unfilled Threats': Serling's Old West in Kennedy's New Frontier -- Chapter 7. No Man's Land: Film Cycles, Femininity, and Female Empowerment in the Modern Western -- Chapter 8. Horse Operas Talk Back: History, Memory, and the Black Cowboy Performing -- Chapter 9. Aristophanes in Spurs: Blazing Saddles, Attic Comedy, HBO, and the Politics of Democratic Laughter -- Part III: The Adaptable, International West -- Chapter 10. Towards Assimilationist Politics on the Filmic Frontier: Mid-Twentieth Century Westerns in Australia -- Chapter 11.Ideological Uses of the Western in Film Depictions of Post-War Polish Borderlands -- Chapter 12.Magnificent Strangers: Violence and Difference.
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