東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

From stage to screen = the legacy of...

Wang, Shuang.

Linked to FindBook

Google Book

Amazon

博客來

From stage to screen = the legacy of traditional Chinese theatre in Chinese martial arts cinema soundtracks /

Record Type:	Electronic resources : Monograph/item
Title/Author:	From stage to screen/ by Shuang Wang.
Reminder of title:	the legacy of traditional Chinese theatre in Chinese martial arts cinema soundtracks /
Author:	Wang, Shuang.
Published:	Singapore :Springer Nature Singapore : : 2023.,
Description:	1 online resource (viii, 161 p.) :ill. (chiefly col.), digital ;24 cm.
[NT 15003449]:	Introduction -- Chapter 1: Musicking The Chinese Martial Arts Cinema -- Chapter 2: Hearing the Theatre Through Four Moods -- Chapter 3: The Politics of Bodily Rhythm in Raining in the Mountain -- Chapter 4: The Drum Beat and its Diegetic Contextualization in Red Cliff II -- Chapter 5: Music and Slow Motion in the Banquet -- Chapter 6: Conclusion.
Contained By:	Springer Nature eBook
Subject:	Film soundtracks - History and criticism. - China -
Online resource:	https://doi.org/10.1007/978-981-19-7037-5
ISBN:	9789811970375

From stage to screen = the legacy of traditional Chinese theatre in Chinese martial arts cinema soundtracks /
Wang, Shuang.

From stage to screenthe legacy of traditional Chinese theatre in Chinese martial arts cinema soundtracks /[electronic resource] :by Shuang Wang. - Singapore :Springer Nature Singapore :2023. - 1 online resource (viii, 161 p.) :ill. (chiefly col.), digital ;24 cm.

Introduction -- Chapter 1: Musicking The Chinese Martial Arts Cinema -- Chapter 2: Hearing the Theatre Through Four Moods -- Chapter 3: The Politics of Bodily Rhythm in Raining in the Mountain -- Chapter 4: The Drum Beat and its Diegetic Contextualization in Red Cliff II -- Chapter 5: Music and Slow Motion in the Banquet -- Chapter 6: Conclusion.

Chinese martial arts cinema is held to be a synthesis drawing on artistic conventions of traditional Chinese theatre. Film sound and music perform as the legitimate heirs of some of the aesthetic ideas and norms of traditional Chinese theatre. This book critically examines the history of this under-explored field of inquiry from a theoretically comparative perspective, demonstrating that the musical codes drawn from traditional theatre are a constantly changing component integral to Chinese martial arts cinema. It explores the interaction between traditional Chinese theatre and Chinese martial arts cinema in how the musical codes of the former have shaped the aesthetics of the latter uniquely. This departs from conventional existing studies that focus on "adaptation." The book's historical and theoretical approach connects film, theatre and music, and re-defines the status of distinctive domains of filmic expression, grounding theatre as the pivot - or "hinge" - of film aesthetics. The book proffers this unique angle of research to rethink and re-imagine film sound and audiovisual synchronisation. Primarily intended for scholars in Chinese cinema, film music, Chinese theatre and visual culture, this monograph also presents introductory and comprehensive material for undergraduate and graduate-level courses in film and media studies, film music, Chinese cinema, and Chinese theatre.

ISBN: 9789811970375

Standard No.: 10.1007/978-981-19-7037-5doiSubjects--Topical Terms:

3634449
Film soundtracks
--History and criticism.--China

LC Class. No.: ML2075

Dewey Class. No.: 781.542

From stage to screen = the legacy of traditional Chinese theatre in Chinese martial arts cinema soundtracks /
LDR:02855nmm a2200337 a 4500 001 2318953
003 DE-He213
005 20230516184826.0
006 m d
007 cr nn 008maaau
008 230902s2023 si s 0 eng d
020 $a 9789811970375 $q (electronic bk.)
020 $a 9789811970368 $q (paper)
024 7 $a 10.1007/978-981-19-7037-5 $2 doi
035 $a 978-981-19-7037-5
040 $a GP $c GP
041 0 $a eng
050 4 $a ML2075
072 7 $a AP $2 bicssc
072 7 $a 1F $2 bicssc
072 7 $a PER000000 $2 bisacsh
072 7 $a AT $x 1F $2 thema
082 0 4 $a 781.542 $2 23
090 $a ML2075 $b .W246 2023
100 1 $a Wang, Shuang. $3 3433284
245 1 0 $a From stage to screen $h [electronic resource] : $b the legacy of traditional Chinese theatre in Chinese martial arts cinema soundtracks / $c by Shuang Wang.
260 $a Singapore : $b Springer Nature Singapore : $b Imprint: Springer, $c 2023.
300 $a 1 online resource (viii, 161 p.) : $b ill. (chiefly col.), digital ; $c 24 cm.
505 0 $a Introduction -- Chapter 1: Musicking The Chinese Martial Arts Cinema -- Chapter 2: Hearing the Theatre Through Four Moods -- Chapter 3: The Politics of Bodily Rhythm in Raining in the Mountain -- Chapter 4: The Drum Beat and its Diegetic Contextualization in Red Cliff II -- Chapter 5: Music and Slow Motion in the Banquet -- Chapter 6: Conclusion.
520 $a Chinese martial arts cinema is held to be a synthesis drawing on artistic conventions of traditional Chinese theatre. Film sound and music perform as the legitimate heirs of some of the aesthetic ideas and norms of traditional Chinese theatre. This book critically examines the history of this under-explored field of inquiry from a theoretically comparative perspective, demonstrating that the musical codes drawn from traditional theatre are a constantly changing component integral to Chinese martial arts cinema. It explores the interaction between traditional Chinese theatre and Chinese martial arts cinema in how the musical codes of the former have shaped the aesthetics of the latter uniquely. This departs from conventional existing studies that focus on "adaptation." The book's historical and theoretical approach connects film, theatre and music, and re-defines the status of distinctive domains of filmic expression, grounding theatre as the pivot - or "hinge" - of film aesthetics. The book proffers this unique angle of research to rethink and re-imagine film sound and audiovisual synchronisation. Primarily intended for scholars in Chinese cinema, film music, Chinese theatre and visual culture, this monograph also presents introductory and comprehensive material for undergraduate and graduate-level courses in film and media studies, film music, Chinese cinema, and Chinese theatre.
650 0 $a Film soundtracks $z China $x History and criticism. $3 3634449
650 0 $a Martial arts films $z China. $3 3634450
650 0 $a Theater $z China $x History. $3 622627
650 1 4 $a Asian Film and TV. $3 3596359
650 2 4 $a Music. $3 516178
650 2 4 $a Theatre History. $3 2181960
650 2 4 $a Film Theory. $3 2191773
650 2 4 $a Philosophy of Music. $3 3270549
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-981-19-7037-5
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)