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Iris Murdoch and Harry Weinberger = ...

Moden, Rebecca.

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Iris Murdoch and Harry Weinberger = imaginations and images /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Iris Murdoch and Harry Weinberger/ by Rebecca Moden.
Reminder of title:	imaginations and images /
Author:	Moden, Rebecca.
Published:	Cham :Springer International Publishing : : 2023.,
Description:	xxvii, 391 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Writer Meets Painter -- 2. Murdoch and Visual Art -- 3. Murdoch and Visual Artists -- 4. Kindred Spirits -- 5. 'All Your Colours Are So Triumphant': The Rhetoric of Colour -- 6. 'Shadow-Bound Consciousness': The Mask as Icon -- 7. 'More than a Likeness': The Ethics of Portraiture -- 8. 'Something in a Dark Picture': Reconceptualising Angels.
Contained By:	Springer Nature eBook
Subject:	Art and literature. -
Online resource:	https://doi.org/10.1007/978-3-031-17945-7
ISBN:	9783031179457

Iris Murdoch and Harry Weinberger = imaginations and images /
Moden, Rebecca.

Iris Murdoch and Harry Weinbergerimaginations and images /[electronic resource] :by Rebecca Moden. - Cham :Springer International Publishing :2023. - xxvii, 391 p. :ill., digital ;24 cm. - Iris Murdoch today,2731-3328. - Iris Murdoch today..

1. Writer Meets Painter -- 2. Murdoch and Visual Art -- 3. Murdoch and Visual Artists -- 4. Kindred Spirits -- 5. 'All Your Colours Are So Triumphant': The Rhetoric of Colour -- 6. 'Shadow-Bound Consciousness': The Mask as Icon -- 7. 'More than a Likeness': The Ethics of Portraiture -- 8. 'Something in a Dark Picture': Reconceptualising Angels.

The novelist and philosopher Iris Murdoch and the painter Harry Weinberger engaged in over twenty years of close friendship and intellectual discourse, centred on sustained discussion of the practice, teaching and morality of art. This book presents a reappraisal of Murdoch's novels - chiefly, three mature novels, The Sea, The Sea (1978), Nuns and Soldiers (1980) and The Good Apprentice (1985), and two enigmatic late novels, The Green Knight (1993) and Jackson's Dilemma (1995) - perceived through the prism of her discourse with Weinberger. It draws upon a run of almost 400 letters from Murdoch to Weinberger, and upon Murdoch's philosophical writings, Weinberger's private writings, the remarks of both artists in interviews, and other material relating to their views on art and art history, much of which is unpublished and has received no previous critical attention. Scrutiny of their shared values, methods and the imagistic dialogue that takes place in their art provides original perspectives on Murdoch's creativity, and new ways of understanding her experimentation with the visual arts. This book offers a new line of enquiry into Murdoch's novels, and into the relationship between literature and the visual arts.

ISBN: 9783031179457

Standard No.: 10.1007/978-3-031-17945-7doiSubjects--Personal Names:

809215
Murdoch, Iris
--Criticism and interpretation.Subjects--Topical Terms:

710954
Art and literature.

LC Class. No.: PR6063.U7

Dewey Class. No.: 823.91409

Iris Murdoch and Harry Weinberger = imaginations and images /
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505 0 $a 1. Writer Meets Painter -- 2. Murdoch and Visual Art -- 3. Murdoch and Visual Artists -- 4. Kindred Spirits -- 5. 'All Your Colours Are So Triumphant': The Rhetoric of Colour -- 6. 'Shadow-Bound Consciousness': The Mask as Icon -- 7. 'More than a Likeness': The Ethics of Portraiture -- 8. 'Something in a Dark Picture': Reconceptualising Angels.
520 $a The novelist and philosopher Iris Murdoch and the painter Harry Weinberger engaged in over twenty years of close friendship and intellectual discourse, centred on sustained discussion of the practice, teaching and morality of art. This book presents a reappraisal of Murdoch's novels - chiefly, three mature novels, The Sea, The Sea (1978), Nuns and Soldiers (1980) and The Good Apprentice (1985), and two enigmatic late novels, The Green Knight (1993) and Jackson's Dilemma (1995) - perceived through the prism of her discourse with Weinberger. It draws upon a run of almost 400 letters from Murdoch to Weinberger, and upon Murdoch's philosophical writings, Weinberger's private writings, the remarks of both artists in interviews, and other material relating to their views on art and art history, much of which is unpublished and has received no previous critical attention. Scrutiny of their shared values, methods and the imagistic dialogue that takes place in their art provides original perspectives on Murdoch's creativity, and new ways of understanding her experimentation with the visual arts. This book offers a new line of enquiry into Murdoch's novels, and into the relationship between literature and the visual arts.
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