東華大學圖書館 |

Anthony Burgess, Stanley Kubrick and a clockwork orange

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Anthony Burgess, Stanley Kubrick and a clockwork orange/ edited by Matthew Melia, Georgina Orgill.
其他作者:	Melia, Matthew.
出版者:	Cham :Springer International Publishing : : 2023.,
面頁冊數:	xix, 328 p. :ill., digital ;24 cm.
內容註:	Introduction. By Matt Melia and Georgina Orgill -- Part 1: Authorship and A Clockwork Orange -- Chapter 1: Dangerous arts: the clash between Anthony Burgess, Stanley Kubrick, A Clockwork Orange and the World. By Filippo Ulivieri -- Chapter 2: Fresh Juice From A Clockwork Orange: Anthony Burgess's Novel and its Aftermath. By Andrew Biswell -- Chapter 3: Evolving A Clockwork Orange. By Matt Melia -- Part 2: Language and Adaptation -- Chapter 4: "The colours of the real world only seem really real when you viddy them on the screen": The adaptation of Nadsat in Stanley Kubrick's A Clockwork Orange. By Jim Clarke and Benet Vincent -- Chapter 5: 'Language, Language': The Social Politics of 'Goloss' in A Clockwork Orange. By Julian Preece -- Chapter 6: Adapting A Clockwork Orange. By I.Q Hunter -- Part 3: Architectural, Art Historical and Theoretical Approaches to A Clockwork Orange -- Chapter 7: 'The Violence of the Image OR How Stanley Kubrick Visualised Anthony Burgess's Novel'. By Dijana Metlic -- Chapter 8: 'Architecture and Freedom in A Clockwork Orange'. By Joe Darlington -- Chapter 9: Glazzies Wide Open: Spectral Torture, Kubrick and A Clockwork Orange. By Murray Pomerance -- Part 4: 20th Century Contexts for A Clocwkork Orange -- Chapter 10: 'A particularly bad film of, like, a concentration camp': Jews and Germans in A Clockwork Orange'. By Peter Kramer and Nathan Abrams -- Chapter 11: When Burgess met the Stilyagi on a white night: Subcultures, hegemony and resistance in the soviet roots of A Clockwork Orange's droogs.' By Cristian Pasotti -- Chapter 12: 'Alex's voice in A Clockwork Orange: Nadsat, Cinema and Cold War Brainwashing Scares'. By Joy McEntee -- Part 5: A Clockwork Orange in the 21st Century -- Chapter 13: 'A Thing Living and Not Growing'. By Ajay Hothi -- Chapter 14: 'A Clockwork Orange and its representations of Sexual Violence'. By Karen Ritzenhoff.
Contained By:	Springer Nature eBook
標題:	Adaptation Studies. -
電子資源:	https://doi.org/10.1007/978-3-031-05599-7
ISBN:	9783031055997

Anthony Burgess, Stanley Kubrick and a clockwork orange
Anthony Burgess, Stanley Kubrick and a clockwork orange[electronic resource] /edited by Matthew Melia, Georgina Orgill. - Cham :Springer International Publishing :2023. - xix, 328 p. :ill., digital ;24 cm. - Palgrave studies in adaptation and visual culture,2634-6303. - Palgrave studies in adaptation and visual culture..

Introduction. By Matt Melia and Georgina Orgill -- Part 1: Authorship and A Clockwork Orange -- Chapter 1: Dangerous arts: the clash between Anthony Burgess, Stanley Kubrick, A Clockwork Orange and the World. By Filippo Ulivieri -- Chapter 2: Fresh Juice From A Clockwork Orange: Anthony Burgess's Novel and its Aftermath. By Andrew Biswell -- Chapter 3: Evolving A Clockwork Orange. By Matt Melia -- Part 2: Language and Adaptation -- Chapter 4: "The colours of the real world only seem really real when you viddy them on the screen": The adaptation of Nadsat in Stanley Kubrick's A Clockwork Orange. By Jim Clarke and Benet Vincent -- Chapter 5: 'Language, Language': The Social Politics of 'Goloss' in A Clockwork Orange. By Julian Preece -- Chapter 6: Adapting A Clockwork Orange. By I.Q Hunter -- Part 3: Architectural, Art Historical and Theoretical Approaches to A Clockwork Orange -- Chapter 7: 'The Violence of the Image OR How Stanley Kubrick Visualised Anthony Burgess's Novel'. By Dijana Metlic -- Chapter 8: 'Architecture and Freedom in A Clockwork Orange'. By Joe Darlington -- Chapter 9: Glazzies Wide Open: Spectral Torture, Kubrick and A Clockwork Orange. By Murray Pomerance -- Part 4: 20th Century Contexts for A Clocwkork Orange -- Chapter 10: 'A particularly bad film of, like, a concentration camp': Jews and Germans in A Clockwork Orange'. By Peter Kramer and Nathan Abrams -- Chapter 11: When Burgess met the Stilyagi on a white night: Subcultures, hegemony and resistance in the soviet roots of A Clockwork Orange's droogs.' By Cristian Pasotti -- Chapter 12: 'Alex's voice in A Clockwork Orange: Nadsat, Cinema and Cold War Brainwashing Scares'. By Joy McEntee -- Part 5: A Clockwork Orange in the 21st Century -- Chapter 13: 'A Thing Living and Not Growing'. By Ajay Hothi -- Chapter 14: 'A Clockwork Orange and its representations of Sexual Violence'. By Karen Ritzenhoff.

"Being familiar with the vast majority of the other collections already in print, I can safely say that this collection will become the leading one on its subject. It works both as a Kubrick collection and as a wider study of Kubrick, Burgess, and the film project that shares their names, A Clockwork Orange. The attention to the Kubrick and the Burgess archives in the majority of essays helps the editors compile a truly original and fresh contribution." --Graham Allen, University College Cork, Ireland This book brings together a diverse range of contemporary scholarship around both Anthony Burgess's novel (1962) and Stanley Kubrick's film, A Clockwork Orange (US 1971; UK 1972) This is the first book to deal with both together offering a range of groundbreaking perspectives that draw on the most up to date, contemporary archival and critical research carried out at both the Stanley Kubrick Archive, held at University of the Arts London, and the archive of the International Anthony Burgess Foundation. This landmark book marks both the 50th anniversary of Kubrick's film and the 60th anniversary of Burgess's novel by considering the historical, textual and philosophical connections between the two. The chapters are written by a diverse range of contributors covering such subjects as the Burgess/Kubrick relationship; Burgess's recently discovered 'sequel' The Clockwork Condition; the cold war context of both texts; the history of the script; the politics of authorship; and the legacy of both-including their influence on the songwriting and personas of David Bowie! Matthew Melia is a senior lecturer in film, media and English literature at Kingston University, UK. He is co-editor of The Jaws Book: New Perspectives on the Classic Summer Blockbuster (2020) and a special edition of Historical Journal of Film, Radio and Television: '50 Years of A Clockwork Orange' (2022) Georgina Orgill is the Stanley Kubrick Archivist at University of the Arts London, UK, where she is responsible for managing the Stanley Kubrick Archive. She is a qualified archivist with an MA in Archives and Records Management.

ISBN: 9783031055997

Standard No.: 10.1007/978-3-031-05599-7doiSubjects--Personal Names:

3627072
Burgess, Anthony,
1917-1993.Clockwork orange.Subjects--Topical Terms:

3385606
Adaptation Studies.

LC Class. No.: NX161

Dewey Class. No.: 791.436

Anthony Burgess, Stanley Kubrick and a clockwork orange
LDR:05104nmm a2200337 a 4500 001 2315030
003 DE-He213
005 20221216154804.0
006 m d
007 cr nn 008mamaa
008 230902s2023 sz s 0 eng d
020 $a 9783031055997 $q (electronic bk.)
020 $a 9783031055980 $q (paper)
024 7 $a 10.1007/978-3-031-05599-7 $2 doi
035 $a 978-3-031-05599-7
040 $a GP $c GP
041 0 $a eng
050 4 $a NX161
072 7 $a AP $2 bicssc
072 7 $a PER000000 $2 bisacsh
072 7 $a AT $2 thema
082 0 4 $a 791.436 $2 23
090 $a NX161 $b .A628 2023
245 0 0 $a Anthony Burgess, Stanley Kubrick and a clockwork orange $h [electronic resource] / $c edited by Matthew Melia, Georgina Orgill.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2023.
300 $a xix, 328 p. : $b ill., digital ; $c 24 cm.
490 1 $a Palgrave studies in adaptation and visual culture, $x 2634-6303
505 0 $a Introduction. By Matt Melia and Georgina Orgill -- Part 1: Authorship and A Clockwork Orange -- Chapter 1: Dangerous arts: the clash between Anthony Burgess, Stanley Kubrick, A Clockwork Orange and the World. By Filippo Ulivieri -- Chapter 2: Fresh Juice From A Clockwork Orange: Anthony Burgess's Novel and its Aftermath. By Andrew Biswell -- Chapter 3: Evolving A Clockwork Orange. By Matt Melia -- Part 2: Language and Adaptation -- Chapter 4: "The colours of the real world only seem really real when you viddy them on the screen": The adaptation of Nadsat in Stanley Kubrick's A Clockwork Orange. By Jim Clarke and Benet Vincent -- Chapter 5: 'Language, Language': The Social Politics of 'Goloss' in A Clockwork Orange. By Julian Preece -- Chapter 6: Adapting A Clockwork Orange. By I.Q Hunter -- Part 3: Architectural, Art Historical and Theoretical Approaches to A Clockwork Orange -- Chapter 7: 'The Violence of the Image OR How Stanley Kubrick Visualised Anthony Burgess's Novel'. By Dijana Metlic -- Chapter 8: 'Architecture and Freedom in A Clockwork Orange'. By Joe Darlington -- Chapter 9: Glazzies Wide Open: Spectral Torture, Kubrick and A Clockwork Orange. By Murray Pomerance -- Part 4: 20th Century Contexts for A Clocwkork Orange -- Chapter 10: 'A particularly bad film of, like, a concentration camp': Jews and Germans in A Clockwork Orange'. By Peter Kramer and Nathan Abrams -- Chapter 11: When Burgess met the Stilyagi on a white night: Subcultures, hegemony and resistance in the soviet roots of A Clockwork Orange's droogs.' By Cristian Pasotti -- Chapter 12: 'Alex's voice in A Clockwork Orange: Nadsat, Cinema and Cold War Brainwashing Scares'. By Joy McEntee -- Part 5: A Clockwork Orange in the 21st Century -- Chapter 13: 'A Thing Living and Not Growing'. By Ajay Hothi -- Chapter 14: 'A Clockwork Orange and its representations of Sexual Violence'. By Karen Ritzenhoff.
520 $a "Being familiar with the vast majority of the other collections already in print, I can safely say that this collection will become the leading one on its subject. It works both as a Kubrick collection and as a wider study of Kubrick, Burgess, and the film project that shares their names, A Clockwork Orange. The attention to the Kubrick and the Burgess archives in the majority of essays helps the editors compile a truly original and fresh contribution." --Graham Allen, University College Cork, Ireland This book brings together a diverse range of contemporary scholarship around both Anthony Burgess's novel (1962) and Stanley Kubrick's film, A Clockwork Orange (US 1971; UK 1972) This is the first book to deal with both together offering a range of groundbreaking perspectives that draw on the most up to date, contemporary archival and critical research carried out at both the Stanley Kubrick Archive, held at University of the Arts London, and the archive of the International Anthony Burgess Foundation. This landmark book marks both the 50th anniversary of Kubrick's film and the 60th anniversary of Burgess's novel by considering the historical, textual and philosophical connections between the two. The chapters are written by a diverse range of contributors covering such subjects as the Burgess/Kubrick relationship; Burgess's recently discovered 'sequel' The Clockwork Condition; the cold war context of both texts; the history of the script; the politics of authorship; and the legacy of both-including their influence on the songwriting and personas of David Bowie! Matthew Melia is a senior lecturer in film, media and English literature at Kingston University, UK. He is co-editor of The Jaws Book: New Perspectives on the Classic Summer Blockbuster (2020) and a special edition of Historical Journal of Film, Radio and Television: '50 Years of A Clockwork Orange' (2022) Georgina Orgill is the Stanley Kubrick Archivist at University of the Arts London, UK, where she is responsible for managing the Stanley Kubrick Archive. She is a qualified archivist with an MA in Archives and Records Management.
600 1 0 $a Burgess, Anthony, $d 1917-1993. $t Clockwork orange. $3 3627072
600 1 0 $a Burgess, Anthony, $d 1917-1993 $x Film adaptations. $3 3627073
600 1 0 $a Kubrick, Stanley. $t Clockwork orange. $3 3627074
650 1 4 $a Adaptation Studies. $3 3385606
650 2 4 $a Film Studies. $3 3538651
650 2 4 $a Literature. $3 537498
700 1 $a Melia, Matthew. $3 3627075
700 1 $a Orgill, Georgina. $3 3627076
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
830 0 $a Palgrave studies in adaptation and visual culture. $3 3206119
856 4 0 $u https://doi.org/10.1007/978-3-031-05599-7
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)