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Art history for comics = past, prese...

Horton, Ian.

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Art history for comics = past, present and potential futures /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Art history for comics/ by Ian Horton, Maggie Gray.
Reminder of title:	past, present and potential futures /
Author:	Horton, Ian.
other author:	Gray, Maggie.
Published:	Cham :Springer International Publishing : : 2022.,
Description:	xv, 241 p. :ill. (some col.), digital ;24 cm.
Contained By:	Springer Nature eBook
Subject:	Comic books, strips, etc. - History and criticism -
Online resource:	https://doi.org/10.1007/978-3-031-07353-3
ISBN:	9783031073533

Art history for comics = past, present and potential futures /
Horton, Ian.

Art history for comicspast, present and potential futures /[electronic resource] :by Ian Horton, Maggie Gray. - Cham :Springer International Publishing :2022. - xv, 241 p. :ill. (some col.), digital ;24 cm. - Palgrave studies in comics and graphic novels,2634-6389. - Palgrave studies in comics and graphic novels..

This book looks at comics through the lens of Art History, examining the past influence of art-historical methodologies on comics scholarship to scope how they can be applied to Comics Studies in the present and future. It unearths how early comics scholars deployed art-historical approaches, including stylistic analysis, iconography, Cultural History and the social history of art, and proposes how such methodologies, updated in light of disciplinary developments within Art History, could be usefully adopted in the study of comics today. Through a series of indicative case studies of British and American comics like Eagle, The Mighty Thor, 2000AD, Escape and Heartbreak Hotel, it argues that art-historical methods better address overlooked aspects of visual and material form. Bringing Art History back into the interdisciplinary nexus of comics scholarship raises some fundamental questions about the categories, frameworks and values underlying contemporary Comics Studies. Ian Horton is Reader in Graphic Communication at the University of the Arts London, UK. Maggie Gray is Senior Lecturer in Critical & Historical Studies at Kingston University, UK.

ISBN: 9783031073533

Standard No.: 10.1007/978-3-031-07353-3doiSubjects--Topical Terms:

3602134
Comic books, strips, etc.
--History and criticism

LC Class. No.: PN6710

Dewey Class. No.: 741.59

Art history for comics = past, present and potential futures /
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520 $a This book looks at comics through the lens of Art History, examining the past influence of art-historical methodologies on comics scholarship to scope how they can be applied to Comics Studies in the present and future. It unearths how early comics scholars deployed art-historical approaches, including stylistic analysis, iconography, Cultural History and the social history of art, and proposes how such methodologies, updated in light of disciplinary developments within Art History, could be usefully adopted in the study of comics today. Through a series of indicative case studies of British and American comics like Eagle, The Mighty Thor, 2000AD, Escape and Heartbreak Hotel, it argues that art-historical methods better address overlooked aspects of visual and material form. Bringing Art History back into the interdisciplinary nexus of comics scholarship raises some fundamental questions about the categories, frameworks and values underlying contemporary Comics Studies. Ian Horton is Reader in Graphic Communication at the University of the Arts London, UK. Maggie Gray is Senior Lecturer in Critical & Historical Studies at Kingston University, UK.
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