語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Towards a comparative economic histo...
~
Sedgwick, John.
FindBook
Google Book
Amazon
博客來
Towards a comparative economic history of cinema, 1930-1970
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Towards a comparative economic history of cinema, 1930-1970/ edited by John Sedgwick.
其他作者:
Sedgwick, John.
出版者:
Cham :Springer International Publishing : : 2022.,
面頁冊數:
xii, 356 p. :ill., digital ;24 cm.
Contained By:
Springer Nature eBook
標題:
Motion picture industry - Economic aspects - 20th century. -
電子資源:
https://doi.org/10.1007/978-3-031-05770-0
ISBN:
9783031057700
Towards a comparative economic history of cinema, 1930-1970
Towards a comparative economic history of cinema, 1930-1970
[electronic resource] /edited by John Sedgwick. - Cham :Springer International Publishing :2022. - xii, 356 p. :ill., digital ;24 cm. - Frontiers in economic history,2662-978X. - Frontiers in economic history..
This book examines the economic circumstances in which films were produced, distributed, exhibited, and consumed during the spoken era of film production until 1970. The periodisation covers the years between the onset of sound and the demise of the phased distribution of films. Films are generally appreciated for their aesthetic qualities. But they are also commodities. This work of economic history presents a new approach, considering consumption behaviour as significant as supply-side decision-making. Audiences' tastes are considered central, with box-office an indicator of what they liked. The POPSTAT Index of Film Popularity is used as a proxy where box office knowledge is missing. Comparative analysis is conducted through the tool RelPOP. The book comprises original case studies covering film consumption in Great Britain, the Netherlands, Sweden, and the United States during the 1930s; Australia and occupied Belgium during the Second World War; and Italy, the United States, Poland and Czechoslovakia during the Post-war. An overriding theme is how the classical American business model, which emerged during the 1910s linking production to distribution and exhibition, adapted to local circumstances, including the two countries behind the Iron Curtain during the years of 'High Stalinism'.
ISBN: 9783031057700
Standard No.: 10.1007/978-3-031-05770-0doiSubjects--Topical Terms:
3605914
Motion picture industry
--Economic aspects--20th century.
LC Class. No.: PN1993.5.A1 / T68 2022
Dewey Class. No.: 384.8309045
Towards a comparative economic history of cinema, 1930-1970
LDR
:02352nmm a2200325 a 4500
001
2304040
003
DE-He213
005
20220909140024.0
006
m d
007
cr nn 008maaau
008
230409s2022 sz s 0 eng d
020
$a
9783031057700
$q
(electronic bk.)
020
$a
9783031057694
$q
(paper)
024
7
$a
10.1007/978-3-031-05770-0
$2
doi
035
$a
978-3-031-05770-0
040
$a
GP
$c
GP
041
0
$a
eng
050
4
$a
PN1993.5.A1
$b
T68 2022
072
7
$a
KCZ
$2
bicssc
072
7
$a
BUS023000
$2
bisacsh
072
7
$a
KCZ
$2
thema
082
0 4
$a
384.8309045
$2
23
090
$a
PN1993.5.A1
$b
T737 2022
245
0 0
$a
Towards a comparative economic history of cinema, 1930-1970
$h
[electronic resource] /
$c
edited by John Sedgwick.
260
$a
Cham :
$b
Springer International Publishing :
$b
Imprint: Springer,
$c
2022.
300
$a
xii, 356 p. :
$b
ill., digital ;
$c
24 cm.
490
1
$a
Frontiers in economic history,
$x
2662-978X
520
$a
This book examines the economic circumstances in which films were produced, distributed, exhibited, and consumed during the spoken era of film production until 1970. The periodisation covers the years between the onset of sound and the demise of the phased distribution of films. Films are generally appreciated for their aesthetic qualities. But they are also commodities. This work of economic history presents a new approach, considering consumption behaviour as significant as supply-side decision-making. Audiences' tastes are considered central, with box-office an indicator of what they liked. The POPSTAT Index of Film Popularity is used as a proxy where box office knowledge is missing. Comparative analysis is conducted through the tool RelPOP. The book comprises original case studies covering film consumption in Great Britain, the Netherlands, Sweden, and the United States during the 1930s; Australia and occupied Belgium during the Second World War; and Italy, the United States, Poland and Czechoslovakia during the Post-war. An overriding theme is how the classical American business model, which emerged during the 1910s linking production to distribution and exhibition, adapted to local circumstances, including the two countries behind the Iron Curtain during the years of 'High Stalinism'.
650
0
$a
Motion picture industry
$x
Economic aspects
$x
History
$y
20th century.
$3
3605914
650
0
$a
Motion picture audiences
$x
History
$y
20th century.
$3
3605915
650
1 4
$a
Economic History.
$3
2182102
650
2 4
$a
Film and TV History.
$3
3603317
650
2 4
$a
Art History.
$3
635474
650
2 4
$a
Sector and Industry Studies.
$3
3595170
650
2 4
$a
Social History.
$3
2181942
650
2 4
$a
Film Studies.
$3
3538651
700
1
$a
Sedgwick, John.
$3
863972
710
2
$a
SpringerLink (Online service)
$3
836513
773
0
$t
Springer Nature eBook
830
0
$a
Frontiers in economic history.
$3
3501022
856
4 0
$u
https://doi.org/10.1007/978-3-031-05770-0
950
$a
Economics and Finance (SpringerNature-41170)
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9445589
電子資源
11.線上閱覽_V
電子書
EB PN1993.5.A1 T68 2022
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入