東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

The art of copying art

Jackson, Penelope.

FindBook

Google Book

Amazon

博客來

The art of copying art

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The art of copying art/ by Penelope Jackson.
作者:	Jackson, Penelope.
出版者:	Cham :Springer International Publishing : : 2022.,
面頁冊數:	xx, 242 p. :ill., digital ;24 cm.
內容註:	1. Introduction: A Case for Copies -- 2. Apprentice Artists -- 3. Copies for the Colonies -- 4. Paintings-within-Paintings -- 5. Education and Entertainment. - 6. Copies in Public Collections. - 7. Protecting the Past. - 8. Cash for Copies. - 9. Conclusion: Sorting the Wheat from the Chaff.
Contained By:	Springer Nature eBook
標題:	Art - Reproduction -
電子資源:	https://doi.org/10.1007/978-3-030-88915-9
ISBN:	9783030889159

The art of copying art
Jackson, Penelope.

The art of copying art[electronic resource] /by Penelope Jackson. - Cham :Springer International Publishing :2022. - xx, 242 p. :ill., digital ;24 cm.

1. Introduction: A Case for Copies -- 2. Apprentice Artists -- 3. Copies for the Colonies -- 4. Paintings-within-Paintings -- 5. Education and Entertainment. - 6. Copies in Public Collections. - 7. Protecting the Past. - 8. Cash for Copies. - 9. Conclusion: Sorting the Wheat from the Chaff.

This book is a study of the history, role and significance of copying art. Copies have enjoyed a different status from authentic artworks and though often acknowledged, very rarely have they been considered collectively as a genre in their own right. This volume showcases a variety of examples-from copies of famous artworks made and used as props in movies to those made innocently by student artists as part of their training. Examining the motivations for making copies, and reflecting on the reception of copies, is central to this book. Copies have historically filled voids in collections, where some sadly languish, and have become a curatorial burden. In other cases, having a copy assists in conservation projects and fills the place of a lost work. Ultimately by interrogating a copy's role and intent we might ask ourselves if viewing a copy changes our experience and perception of an artwork. Penelope Jackson is a former public art gallery curator and director. Jackson is the chair of the New Zealand Art Crime Research Trust. She is the author of Art Thieves, Fakers & Fraudsters: The New Zealand Story (2016), Females in the Frame: Women, Art, and Crime (Palgrave, 2019) and has contributed to Art Crime and its Prevention (2016) and the Journal of Art Crime. In 2020 she was the recipient of a University of Auckland/Michael King Writers Centre Residency.

ISBN: 9783030889159

Standard No.: 10.1007/978-3-030-88915-9doiSubjects--Topical Terms:

3604660
Art
--Reproduction

LC Class. No.: N8580

Dewey Class. No.: 702.872

The art of copying art
LDR:02584nmm a2200313 a 4500 001 2303409
003 DE-He213
005 20220826194837.0
007 cr nn 008maaau
008 230409s2022 sz s 0 eng d
020 $a 9783030889159 $q (electronic bk.)
020 $a 9783030889173 $q (paper)
024 7 $a 10.1007/978-3-030-88915-9 $2 doi
035 $a 978-3-030-88915-9
040 $a GP $c GP
041 0 $a eng
050 4 $a N8580
072 7 $a JFC $2 bicssc
072 7 $a PER004000 $2 bisacsh
072 7 $a JBCC $2 thema
082 0 4 $a 702.872 $2 23
090 $a N8580 $b .J13 2022
100 1 $a Jackson, Penelope. $3 3524808
245 1 4 $a The art of copying art $h [electronic resource] / $c by Penelope Jackson.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2022.
300 $a xx, 242 p. : $b ill., digital ; $c 24 cm.
505 0 $a 1. Introduction: A Case for Copies -- 2. Apprentice Artists -- 3. Copies for the Colonies -- 4. Paintings-within-Paintings -- 5. Education and Entertainment. - 6. Copies in Public Collections. - 7. Protecting the Past. - 8. Cash for Copies. - 9. Conclusion: Sorting the Wheat from the Chaff.
520 $a This book is a study of the history, role and significance of copying art. Copies have enjoyed a different status from authentic artworks and though often acknowledged, very rarely have they been considered collectively as a genre in their own right. This volume showcases a variety of examples-from copies of famous artworks made and used as props in movies to those made innocently by student artists as part of their training. Examining the motivations for making copies, and reflecting on the reception of copies, is central to this book. Copies have historically filled voids in collections, where some sadly languish, and have become a curatorial burden. In other cases, having a copy assists in conservation projects and fills the place of a lost work. Ultimately by interrogating a copy's role and intent we might ask ourselves if viewing a copy changes our experience and perception of an artwork. Penelope Jackson is a former public art gallery curator and director. Jackson is the chair of the New Zealand Art Crime Research Trust. She is the author of Art Thieves, Fakers & Fraudsters: The New Zealand Story (2016), Females in the Frame: Women, Art, and Crime (Palgrave, 2019) and has contributed to Art Crime and its Prevention (2016) and the Journal of Art Crime. In 2020 she was the recipient of a University of Auckland/Michael King Writers Centre Residency.
650 0 $a Art $x Reproduction $x History. $3 3604660
650 0 $a Copying. $3 3604661
650 1 4 $a Visual Culture. $3 3593302
650 2 4 $a Fine Art. $3 3591880
650 2 4 $a Art History. $3 635474
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-030-88915-9
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)