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Understanding conflict imaginaries =...
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Philpott, Simon.
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Understanding conflict imaginaries = provocations from Colombia and Indonesia /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Understanding conflict imaginaries/ by Simon Philpott, Nicholas Morgan.
其他題名:
provocations from Colombia and Indonesia /
作者:
Philpott, Simon.
其他作者:
Morgan, Nicholas.
出版者:
Cham :Springer International Publishing : : 2022.,
面頁冊數:
ix, 133 p. :ill., digital ;24 cm.
內容註:
Chapter 1: Concepts -- Chapter 2: Contexts -- Chapter 3: Encounters -- Chapter 4: Concluding Thoughts.
Contained By:
Springer Nature eBook
標題:
Political violence - Indonesia. -
標題:
Indonesia - Social conditions. -
電子資源:
https://doi.org/10.1007/978-3-031-03976-8
ISBN:
9783031039768
Understanding conflict imaginaries = provocations from Colombia and Indonesia /
Philpott, Simon.
Understanding conflict imaginaries
provocations from Colombia and Indonesia /[electronic resource] :by Simon Philpott, Nicholas Morgan. - Cham :Springer International Publishing :2022. - ix, 133 p. :ill., digital ;24 cm. - Rethinking peace and conflict studies,2752-857X. - Rethinking peace and conflict studies..
Chapter 1: Concepts -- Chapter 2: Contexts -- Chapter 3: Encounters -- Chapter 4: Concluding Thoughts.
This Palgrave Pivot argues that if we are to understand civil conflict we need to grasp how everyday life is shaped by local conflict imaginaries. In order to examine this claim the book sets out to explore the contours of conflict imaginaries from two very different sites of conflict. Both Colombia and Indonesia have suffered from the collective trauma of political violence but in very different social, cultural and political contexts. Sketching out what they mean by a conflict imaginary, and explaining the relationship of this key concept to social imaginaries more broadly, the authors provide a historical overview of how political violence has been represented in both countries. They go on to outline the original qualitative research methods used to provide empirical evidence for the importance of conflict imaginaries, methods which allow them to explore the images and metaphors that underpin the spatial, chronological and emotional cartographies through which people make sense of political violence. With an emphasis on the construction of place-based knowledge, they consider the role of the local, the national and the global in the imagining of civil conflict, and show how film can be used to explore the imaginative worlds of social actors living alongside violence, revealing in the process the need to take seriously their hopes, fears, dreams and fantasies. Simon Philpott is Reader in Postcolonial Politics and Popular Culture in the School of Geography, Politics and Sociology at Newcastle University, UK. Nicholas Morgan is Lecturer in Latin American Studies and Director of the Centre for Latin American and Caribbean Studies at Newcastle University, UK.
ISBN: 9783031039768
Standard No.: 10.1007/978-3-031-03976-8doiSubjects--Topical Terms:
1313778
Political violence
--Indonesia.Subjects--Geographical Terms:
863779
Indonesia
--Social conditions.
LC Class. No.: HN710.Z9
Dewey Class. No.: 303.609598
Understanding conflict imaginaries = provocations from Colombia and Indonesia /
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This Palgrave Pivot argues that if we are to understand civil conflict we need to grasp how everyday life is shaped by local conflict imaginaries. In order to examine this claim the book sets out to explore the contours of conflict imaginaries from two very different sites of conflict. Both Colombia and Indonesia have suffered from the collective trauma of political violence but in very different social, cultural and political contexts. Sketching out what they mean by a conflict imaginary, and explaining the relationship of this key concept to social imaginaries more broadly, the authors provide a historical overview of how political violence has been represented in both countries. They go on to outline the original qualitative research methods used to provide empirical evidence for the importance of conflict imaginaries, methods which allow them to explore the images and metaphors that underpin the spatial, chronological and emotional cartographies through which people make sense of political violence. With an emphasis on the construction of place-based knowledge, they consider the role of the local, the national and the global in the imagining of civil conflict, and show how film can be used to explore the imaginative worlds of social actors living alongside violence, revealing in the process the need to take seriously their hopes, fears, dreams and fantasies. Simon Philpott is Reader in Postcolonial Politics and Popular Culture in the School of Geography, Politics and Sociology at Newcastle University, UK. Nicholas Morgan is Lecturer in Latin American Studies and Director of the Centre for Latin American and Caribbean Studies at Newcastle University, UK.
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