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Rock art and memory in the transmiss...

Zubieta, Leslie F.

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Rock art and memory in the transmission of cultural knowledge

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Rock art and memory in the transmission of cultural knowledge/ edited by Leslie F. Zubieta.
其他作者:	Zubieta, Leslie F.
出版者:	Cham :Springer International Publishing : : 2022.,
面頁冊數:	xxiv, 298 p. :ill., digital ;24 cm.
內容註:	Preface -- Part 1. Theoretical Debates -- Chapter 1. Memories in the Making. Rock Art, Ecology and Differentiation -- Chapter 2. Memories and Rock Art in the Southern Andes: "This was left to us by the Incas" -- Chapter 3. Culture, Memory and Rock Art -- Chapter 4. Creation Processes Behind Rock Art: The Role of Memorization in Passing on Cultural Knowledge -- Part 2. The Memory of Rock Art in Non-Direct Ethnographic Contexts -- Chapter 5. Geographies of the Invisible: Rock Art, Memory and Ancestral Topologies in Western Iberia -- Chapter 6. Most Deserve to be Forgotten - Could the Southern Scandinavian Rock Art Memorialize Heroes? -- Chapter 7. Memories and Materiality. The Construction of Social Memory in Cerro Colorado -- Chapter 8. The Role of Rock Art in the Prevalence of Memory and Cultural Transmission -- Chapter 9. The Memory of Rock Art, Ethnography and Community Participation -- Chapter 10. River, Stone, and 'The Rain's Magic Power': Rock Art and Re-Membering in the Northern Cape, South Africa -- Chapter 11. Padeo Masirĕ - Elements of the Culture of Respect among Humans, Nonhumans and Ʉtã Woritire (Petroglyph Sites) through a Tuyuka Perspective -- Chapter 12. Handprints, Footprints, and Hairwhorls: The Intersection of Petroglyphs, Cultural Identity, and Collective Memory in the American Southwest -- Index.
Contained By:	Springer Nature eBook
標題:	Rock paintings. -
電子資源:	https://doi.org/10.1007/978-3-030-96942-4
ISBN:	9783030969424

Rock art and memory in the transmission of cultural knowledge
Rock art and memory in the transmission of cultural knowledge[electronic resource] /edited by Leslie F. Zubieta. - Cham :Springer International Publishing :2022. - xxiv, 298 p. :ill., digital ;24 cm.

Preface -- Part 1. Theoretical Debates -- Chapter 1. Memories in the Making. Rock Art, Ecology and Differentiation -- Chapter 2. Memories and Rock Art in the Southern Andes: "This was left to us by the Incas" -- Chapter 3. Culture, Memory and Rock Art -- Chapter 4. Creation Processes Behind Rock Art: The Role of Memorization in Passing on Cultural Knowledge -- Part 2. The Memory of Rock Art in Non-Direct Ethnographic Contexts -- Chapter 5. Geographies of the Invisible: Rock Art, Memory and Ancestral Topologies in Western Iberia -- Chapter 6. Most Deserve to be Forgotten - Could the Southern Scandinavian Rock Art Memorialize Heroes? -- Chapter 7. Memories and Materiality. The Construction of Social Memory in Cerro Colorado -- Chapter 8. The Role of Rock Art in the Prevalence of Memory and Cultural Transmission -- Chapter 9. The Memory of Rock Art, Ethnography and Community Participation -- Chapter 10. River, Stone, and 'The Rain's Magic Power': Rock Art and Re-Membering in the Northern Cape, South Africa -- Chapter 11. Padeo Masirĕ - Elements of the Culture of Respect among Humans, Nonhumans and Ʉtã Woritire (Petroglyph Sites) through a Tuyuka Perspective -- Chapter 12. Handprints, Footprints, and Hairwhorls: The Intersection of Petroglyphs, Cultural Identity, and Collective Memory in the American Southwest -- Index.

This book shares timely and thought-provoking methodological and theoretical approaches from perspectives concerning landscape, gender, cognition, neural networks, material culture and ontology in order to comprehend rock art's role in memorisation processes, collective memory, and the intergenerational circulation of knowledge. The case studies offered here stem from human experiences from around the globe-Africa, Australia, Europe, North and South America-, which reflects the authors' diverse interpretative stances. While some of the approaches deal with mnemonics, new digital technologies and statistical analysis, others examine performances, sensory engagement, language, and political disputes, giving the reader a comprehensive view of the myriad connections between memory studies and rock art. Indigenous interlocutors participate as collaborators and authors, creating space for Indigenous narratives of memory. These narratives merge with Western versions of past and recent memories in order to construct jointly novel inter-epistemic understandings of images made on rock. Each chapter demonstrates the commitment of rock art studies to strengthen and enrich the field by exploring how communities and cultures across time have perceived and entangled rock images with a broad range of material culture, nonhumans, people, emotions, performances, sounds and narratives. Such relations are pivotal to understanding the universe behind the intersections of memory and rock art and to generating future interdisciplinary collaborative studies.

ISBN: 9783030969424

Standard No.: 10.1007/978-3-030-96942-4doiSubjects--Topical Terms:

776127
Rock paintings.

LC Class. No.: GN799.P4

Dewey Class. No.: 709.0113

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505 0 $a Preface -- Part 1. Theoretical Debates -- Chapter 1. Memories in the Making. Rock Art, Ecology and Differentiation -- Chapter 2. Memories and Rock Art in the Southern Andes: "This was left to us by the Incas" -- Chapter 3. Culture, Memory and Rock Art -- Chapter 4. Creation Processes Behind Rock Art: The Role of Memorization in Passing on Cultural Knowledge -- Part 2. The Memory of Rock Art in Non-Direct Ethnographic Contexts -- Chapter 5. Geographies of the Invisible: Rock Art, Memory and Ancestral Topologies in Western Iberia -- Chapter 6. Most Deserve to be Forgotten - Could the Southern Scandinavian Rock Art Memorialize Heroes? -- Chapter 7. Memories and Materiality. The Construction of Social Memory in Cerro Colorado -- Chapter 8. The Role of Rock Art in the Prevalence of Memory and Cultural Transmission -- Chapter 9. The Memory of Rock Art, Ethnography and Community Participation -- Chapter 10. River, Stone, and 'The Rain's Magic Power': Rock Art and Re-Membering in the Northern Cape, South Africa -- Chapter 11. Padeo Masirĕ - Elements of the Culture of Respect among Humans, Nonhumans and Ʉtã Woritire (Petroglyph Sites) through a Tuyuka Perspective -- Chapter 12. Handprints, Footprints, and Hairwhorls: The Intersection of Petroglyphs, Cultural Identity, and Collective Memory in the American Southwest -- Index.
520 $a This book shares timely and thought-provoking methodological and theoretical approaches from perspectives concerning landscape, gender, cognition, neural networks, material culture and ontology in order to comprehend rock art's role in memorisation processes, collective memory, and the intergenerational circulation of knowledge. The case studies offered here stem from human experiences from around the globe-Africa, Australia, Europe, North and South America-, which reflects the authors' diverse interpretative stances. While some of the approaches deal with mnemonics, new digital technologies and statistical analysis, others examine performances, sensory engagement, language, and political disputes, giving the reader a comprehensive view of the myriad connections between memory studies and rock art. Indigenous interlocutors participate as collaborators and authors, creating space for Indigenous narratives of memory. These narratives merge with Western versions of past and recent memories in order to construct jointly novel inter-epistemic understandings of images made on rock. Each chapter demonstrates the commitment of rock art studies to strengthen and enrich the field by exploring how communities and cultures across time have perceived and entangled rock images with a broad range of material culture, nonhumans, people, emotions, performances, sounds and narratives. Such relations are pivotal to understanding the universe behind the intersections of memory and rock art and to generating future interdisciplinary collaborative studies.
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