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Campus cinephilia in neoliberal Sout...
~
Sohn, Josie Jung Yeon.
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Campus cinephilia in neoliberal South Korea = a different kind of fun /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Campus cinephilia in neoliberal South Korea/ by Josie Jung Yeon Sohn.
其他題名:
a different kind of fun /
作者:
Sohn, Josie Jung Yeon.
出版者:
Cham :Springer International Publishing : : 2022.,
面頁冊數:
xx, 209 p. :ill. (chiefly col.), digital ;24 cm.
內容註:
Chapter 1: Introduction -- Chapter 2: A History of Youth Culture: Politics and Generations in Transition -- Chapter 3: A History of Cinepol: Film Cultures in Transition -- Chapter 4: Seoul: A Cinephile City -- Chapter 5: Privately Worldwide: Film as an Everyday Practice -- Chapter 6: The Bordwell Regime: 'A Different Kind of Fun' -- Chapter 7: The Godard Regimen: Film Diet and Affective Cinephilia -- Chapter 8: Conclusion.
Contained By:
Springer Nature eBook
標題:
Motion pictures - Study and teaching (Higher) - Korea (South) -
電子資源:
https://doi.org/10.1007/978-3-030-95143-6
ISBN:
9783030951436
Campus cinephilia in neoliberal South Korea = a different kind of fun /
Sohn, Josie Jung Yeon.
Campus cinephilia in neoliberal South Korea
a different kind of fun /[electronic resource] :by Josie Jung Yeon Sohn. - Cham :Springer International Publishing :2022. - xx, 209 p. :ill. (chiefly col.), digital ;24 cm. - East Asian popular culture,2634-5943. - East Asian popular culture..
Chapter 1: Introduction -- Chapter 2: A History of Youth Culture: Politics and Generations in Transition -- Chapter 3: A History of Cinepol: Film Cultures in Transition -- Chapter 4: Seoul: A Cinephile City -- Chapter 5: Privately Worldwide: Film as an Everyday Practice -- Chapter 6: The Bordwell Regime: 'A Different Kind of Fun' -- Chapter 7: The Godard Regimen: Film Diet and Affective Cinephilia -- Chapter 8: Conclusion.
Taking a transnational approach to the study of film culture, this book draws on ethnographic fieldwork in a South Korean university film club to explore a cosmopolitan cinephile subculture that thrived in an ironic unevenness between the highly nationalistic mood of commercial film culture and the intense neoliberal milieu of the 2000s. As these time-poor students devoted themselves to the study of film that is unlikely to help them in the job market, they experienced what a student described as 'a different kind of fun', while they appreciated their voracious consumption of international art films as a very private matter at a time of unprecedented boom in the domestic film industry. This unexpectedly vibrant cosmopolitan subculture of student cinephiles in neoliberal South Korea makes the nation's film culture more complex and interesting than a simple nationalistic affair. Josie Jung Yeon Sohn is an independent scholar. She received her PhD in East Asian Languages and Cultures with a graduate minor in Cinema Studies from the University of Illinois at Urbana-Champaign and has taught Korean Studies at the Catholic University of Korea and Monash University, Australia.
ISBN: 9783030951436
Standard No.: 10.1007/978-3-030-95143-6doiSubjects--Topical Terms:
3599345
Motion pictures
--Study and teaching (Higher)--Korea (South)
LC Class. No.: PN1993.8.K6
Dewey Class. No.: 791.43071
Campus cinephilia in neoliberal South Korea = a different kind of fun /
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Chapter 1: Introduction -- Chapter 2: A History of Youth Culture: Politics and Generations in Transition -- Chapter 3: A History of Cinepol: Film Cultures in Transition -- Chapter 4: Seoul: A Cinephile City -- Chapter 5: Privately Worldwide: Film as an Everyday Practice -- Chapter 6: The Bordwell Regime: 'A Different Kind of Fun' -- Chapter 7: The Godard Regimen: Film Diet and Affective Cinephilia -- Chapter 8: Conclusion.
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Taking a transnational approach to the study of film culture, this book draws on ethnographic fieldwork in a South Korean university film club to explore a cosmopolitan cinephile subculture that thrived in an ironic unevenness between the highly nationalistic mood of commercial film culture and the intense neoliberal milieu of the 2000s. As these time-poor students devoted themselves to the study of film that is unlikely to help them in the job market, they experienced what a student described as 'a different kind of fun', while they appreciated their voracious consumption of international art films as a very private matter at a time of unprecedented boom in the domestic film industry. This unexpectedly vibrant cosmopolitan subculture of student cinephiles in neoliberal South Korea makes the nation's film culture more complex and interesting than a simple nationalistic affair. Josie Jung Yeon Sohn is an independent scholar. She received her PhD in East Asian Languages and Cultures with a graduate minor in Cinema Studies from the University of Illinois at Urbana-Champaign and has taught Korean Studies at the Catholic University of Korea and Monash University, Australia.
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