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Communities, performance and practic...
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Schaefer, Kerrie.
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Communities, performance and practice = enacting communities /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Communities, performance and practice/ by Kerrie Schaefer.
其他題名:
enacting communities /
作者:
Schaefer, Kerrie.
出版者:
Cham :Springer International Publishing : : 2022.,
面頁冊數:
vii, 201 p. :ill., digital ;24 cm.
內容註:
1. Preface - Enacting Community -- 2. Historical and theoretical perspectives on community-based theatre and performance practice -- 3. acta Community Theatre, the 'cycle of engagement' and a 'community of [community theatre] practice' -- 4. Yijala Yala - Creative Producing Cultural Livelihoods in the Pilbara -- 5. The Crossings (part of the Islands of Milwaukee): the agency of older bodies enacting pedestrian crossings -- 6. Articulating a community-engagement methodology in an authoritarian communitarian democracy - Drama Box's IgnorLAND Of Its Time performing the 'HDB nation' at Bukit Ho Swee. -- 7. Epilogue.
Contained By:
Springer Nature eBook
標題:
Communities - Philosophy. -
電子資源:
https://doi.org/10.1007/978-3-030-95757-5
ISBN:
9783030957575
Communities, performance and practice = enacting communities /
Schaefer, Kerrie.
Communities, performance and practice
enacting communities /[electronic resource] :by Kerrie Schaefer. - Cham :Springer International Publishing :2022. - vii, 201 p. :ill., digital ;24 cm.
1. Preface - Enacting Community -- 2. Historical and theoretical perspectives on community-based theatre and performance practice -- 3. acta Community Theatre, the 'cycle of engagement' and a 'community of [community theatre] practice' -- 4. Yijala Yala - Creative Producing Cultural Livelihoods in the Pilbara -- 5. The Crossings (part of the Islands of Milwaukee): the agency of older bodies enacting pedestrian crossings -- 6. Articulating a community-engagement methodology in an authoritarian communitarian democracy - Drama Box's IgnorLAND Of Its Time performing the 'HDB nation' at Bukit Ho Swee. -- 7. Epilogue.
This book examines how a predominantly negative view of community has presented a challenge to critical analysis of community performance practice. The concept of community as a form of class-based solidarity has been hollowed out by postmodernism's questioning of grand narratives and poststructuralism's celebration of difference. Alongside the critique of a notion of community has been a critical re-signification of community, following the thinking of philosopher Jean-Luc Nancy who conceives of community not as common being but as being-in-common. The concept of community as being-in-common generates questions that have been taken up by feminist geographers, J.K. Gibson-Graham, in theorising a post-capitalist approach to community-based development. These questions and approaches guide the analyses in researched case studies of community performance practice. The book revises theoretical debates that have defined the field of community theatre and performance. It asks how the critical re-signification of community aligns with these debates and, at the same time, opens new modes of critical analysis of community theatre and performance practice. Kerrie Schaefer has a PhD in Performance Studies from the University of Sydney, Australia. Before relocating to the UK in 2007, she was Lecturer in Drama at the University of Newcastle, NSW. She is currently an Associate Professor in Drama at the University of Exeter, UK.
ISBN: 9783030957575
Standard No.: 10.1007/978-3-030-95757-5doiSubjects--Topical Terms:
1580369
Communities
--Philosophy.
LC Class. No.: HM756 / .S33 2022
Dewey Class. No.: 307.01
Communities, performance and practice = enacting communities /
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1. Preface - Enacting Community -- 2. Historical and theoretical perspectives on community-based theatre and performance practice -- 3. acta Community Theatre, the 'cycle of engagement' and a 'community of [community theatre] practice' -- 4. Yijala Yala - Creative Producing Cultural Livelihoods in the Pilbara -- 5. The Crossings (part of the Islands of Milwaukee): the agency of older bodies enacting pedestrian crossings -- 6. Articulating a community-engagement methodology in an authoritarian communitarian democracy - Drama Box's IgnorLAND Of Its Time performing the 'HDB nation' at Bukit Ho Swee. -- 7. Epilogue.
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This book examines how a predominantly negative view of community has presented a challenge to critical analysis of community performance practice. The concept of community as a form of class-based solidarity has been hollowed out by postmodernism's questioning of grand narratives and poststructuralism's celebration of difference. Alongside the critique of a notion of community has been a critical re-signification of community, following the thinking of philosopher Jean-Luc Nancy who conceives of community not as common being but as being-in-common. The concept of community as being-in-common generates questions that have been taken up by feminist geographers, J.K. Gibson-Graham, in theorising a post-capitalist approach to community-based development. These questions and approaches guide the analyses in researched case studies of community performance practice. The book revises theoretical debates that have defined the field of community theatre and performance. It asks how the critical re-signification of community aligns with these debates and, at the same time, opens new modes of critical analysis of community theatre and performance practice. Kerrie Schaefer has a PhD in Performance Studies from the University of Sydney, Australia. Before relocating to the UK in 2007, she was Lecturer in Drama at the University of Newcastle, NSW. She is currently an Associate Professor in Drama at the University of Exeter, UK.
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