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Ligeti's macroharmonies = a graphica...
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Namoradze, Nicolas.
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Ligeti's macroharmonies = a graphical-statistical analysis of Book 3 of the piano etudes /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Ligeti's macroharmonies/ by Nicolas Namoradze.
其他題名:
a graphical-statistical analysis of Book 3 of the piano etudes /
作者:
Namoradze, Nicolas.
出版者:
Cham :Springer International Publishing : : 2022.,
面頁冊數:
x, 203 p. :ill., digital ;24 cm.
內容註:
Introduction -- Alternating Diatonic Qualities in Etude 15, White on White -- Gradual Disintegrations in Etude 16, Pour Irina -- Articulating Ternary Structures in Etude 17, A bout de souffle -- Tonal Procedures in Etude 18, Canon -- Conclusion -- Appendix 1: Scrolling Videos -- Appendix 2: Maximal Forces on Fourier Balances -- Bibliography.
Contained By:
Springer Nature eBook
標題:
Mathematics in Music. -
電子資源:
https://doi.org/10.1007/978-3-030-85694-6
ISBN:
9783030856946
Ligeti's macroharmonies = a graphical-statistical analysis of Book 3 of the piano etudes /
Namoradze, Nicolas.
Ligeti's macroharmonies
a graphical-statistical analysis of Book 3 of the piano etudes /[electronic resource] :by Nicolas Namoradze. - Cham :Springer International Publishing :2022. - x, 203 p. :ill., digital ;24 cm. - Computational music science,1868-0313. - Computational music science..
Introduction -- Alternating Diatonic Qualities in Etude 15, White on White -- Gradual Disintegrations in Etude 16, Pour Irina -- Articulating Ternary Structures in Etude 17, A bout de souffle -- Tonal Procedures in Etude 18, Canon -- Conclusion -- Appendix 1: Scrolling Videos -- Appendix 2: Maximal Forces on Fourier Balances -- Bibliography.
In the third and final book of his iconic piano etudes Gyorgy Ligeti charts a new path relative to the rest of his musical output, representing a significant arrival in a composer's oeuvre known for its stylistic transformations. This monograph is the first dedicated study of these capstone works, investigating them through a novel lens of statistical-graphical analysis that illuminates their compositional uniqueness as well as broader questions regarding the perception of stability in musical texture. With nearly 200 graphical illustrations and a detailed commentary, this examination reveals the unique manner in which Ligeti treads between tonality and atonality-a key idea in his late style-and the centrality of processes related to broader scale areas (or "macroharmony") in articulating structures and narratives. The analytical techniques developed here are a powerful tool for investigating macroharmonic stability that can be applied to a wide range of repertoire beyond these works. This book is intended for graduate-level and professional music theorists, musicologists, performers and mathematicians.
ISBN: 9783030856946
Standard No.: 10.1007/978-3-030-85694-6doiSubjects--Personal Names:
3594594
Ligeti, Gyorgy,
1923-2006--Criticism and interpretation.Subjects--Topical Terms:
1619562
Mathematics in Music.
LC Class. No.: ML410.L645 / N35 2022
Dewey Class. No.: 780.0519
Ligeti's macroharmonies = a graphical-statistical analysis of Book 3 of the piano etudes /
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Introduction -- Alternating Diatonic Qualities in Etude 15, White on White -- Gradual Disintegrations in Etude 16, Pour Irina -- Articulating Ternary Structures in Etude 17, A bout de souffle -- Tonal Procedures in Etude 18, Canon -- Conclusion -- Appendix 1: Scrolling Videos -- Appendix 2: Maximal Forces on Fourier Balances -- Bibliography.
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In the third and final book of his iconic piano etudes Gyorgy Ligeti charts a new path relative to the rest of his musical output, representing a significant arrival in a composer's oeuvre known for its stylistic transformations. This monograph is the first dedicated study of these capstone works, investigating them through a novel lens of statistical-graphical analysis that illuminates their compositional uniqueness as well as broader questions regarding the perception of stability in musical texture. With nearly 200 graphical illustrations and a detailed commentary, this examination reveals the unique manner in which Ligeti treads between tonality and atonality-a key idea in his late style-and the centrality of processes related to broader scale areas (or "macroharmony") in articulating structures and narratives. The analytical techniques developed here are a powerful tool for investigating macroharmonic stability that can be applied to a wide range of repertoire beyond these works. This book is intended for graduate-level and professional music theorists, musicologists, performers and mathematicians.
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