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Ang Lee's America: A Study of Adapta...
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Hsieh, Yu-Yun.
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Ang Lee's America: A Study of Adaptation and Transculturation.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Ang Lee's America: A Study of Adaptation and Transculturation./
作者:
Hsieh, Yu-Yun.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2019,
面頁冊數:
194 p.
附註:
Source: Dissertations Abstracts International, Volume: 80-12, Section: A.
Contained By:
Dissertations Abstracts International80-12A.
標題:
American studies. -
電子資源:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13896175
ISBN:
9781392232088
Ang Lee's America: A Study of Adaptation and Transculturation.
Hsieh, Yu-Yun.
Ang Lee's America: A Study of Adaptation and Transculturation.
- Ann Arbor : ProQuest Dissertations & Theses, 2019 - 194 p.
Source: Dissertations Abstracts International, Volume: 80-12, Section: A.
Thesis (Ph.D.)--City University of New York, 2019.
This item is not available from ProQuest Dissertations & Theses.
In Ang Lee's America: A Study of Adaptation and Transculturation, I examine how Ang Lee, a Taiwanese filmmaker in the US, represents historic America while reflecting on a culturally hybrid Taiwanese identity in his five American-themed films-The Ice Storm (1997), Ride with the Devil (1999), Hulk (2003), Brokeback Mountain (2005), and Taking Woodstock (2009). By focusing on his American adaptations, I notice how Lee adopts a comparative framework to interpret American history and American texts, drawing from his Taiwanese background and familiarity with Chinese and Hong Kong cinemas. These mixed cultural references speak to a larger phenomenon: what I am calling is transnational eclecticism, a unique blend of an Eastern sensibility with Western subjects-a method I attempt to introduce here to supplement current discourses on the Taiwan issue in Comparative Literature, Film Studies, Transnational American Studies, and Adaptation Studies. The Chinese connection and American influences on post-WWII Taiwan are equally considered in this dissertation for me to examine Taiwan's historical complexity and cultural hybridity. In Ang Lee's America, I include intertextual and contextual readings of source texts and adaptations, bring in Fernando Ortiz's idea of transculturation, Edouard Glissant's notion of creolization, etc., to enrich my theoretical framework, and argue that it is Lee's hybrid background that accounts for the adaptability and cultural blending in his representation of an imagined America.
ISBN: 9781392232088Subjects--Topical Terms:
2122720
American studies.
Subjects--Index Terms:
Adaptation
Ang Lee's America: A Study of Adaptation and Transculturation.
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In Ang Lee's America: A Study of Adaptation and Transculturation, I examine how Ang Lee, a Taiwanese filmmaker in the US, represents historic America while reflecting on a culturally hybrid Taiwanese identity in his five American-themed films-The Ice Storm (1997), Ride with the Devil (1999), Hulk (2003), Brokeback Mountain (2005), and Taking Woodstock (2009). By focusing on his American adaptations, I notice how Lee adopts a comparative framework to interpret American history and American texts, drawing from his Taiwanese background and familiarity with Chinese and Hong Kong cinemas. These mixed cultural references speak to a larger phenomenon: what I am calling is transnational eclecticism, a unique blend of an Eastern sensibility with Western subjects-a method I attempt to introduce here to supplement current discourses on the Taiwan issue in Comparative Literature, Film Studies, Transnational American Studies, and Adaptation Studies. The Chinese connection and American influences on post-WWII Taiwan are equally considered in this dissertation for me to examine Taiwan's historical complexity and cultural hybridity. In Ang Lee's America, I include intertextual and contextual readings of source texts and adaptations, bring in Fernando Ortiz's idea of transculturation, Edouard Glissant's notion of creolization, etc., to enrich my theoretical framework, and argue that it is Lee's hybrid background that accounts for the adaptability and cultural blending in his representation of an imagined America.
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