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Paste-Up Modernity: Visual Depiction...
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Eat, Sambath.
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Paste-Up Modernity: Visual Depiction of Modern Cambodia in the 1960s in the Magazine Kambuja Review.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Paste-Up Modernity: Visual Depiction of Modern Cambodia in the 1960s in the Magazine Kambuja Review./
作者:
Eat, Sambath.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2021,
面頁冊數:
76 p.
附註:
Source: Masters Abstracts International, Volume: 83-02.
Contained By:
Masters Abstracts International83-02.
標題:
Southeast Asian studies. -
電子資源:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28546517
ISBN:
9798535504179
Paste-Up Modernity: Visual Depiction of Modern Cambodia in the 1960s in the Magazine Kambuja Review.
Eat, Sambath.
Paste-Up Modernity: Visual Depiction of Modern Cambodia in the 1960s in the Magazine Kambuja Review.
- Ann Arbor : ProQuest Dissertations & Theses, 2021 - 76 p.
Source: Masters Abstracts International, Volume: 83-02.
Thesis (Master's)--University of Washington, 2021.
This item must not be sold to any third party vendors.
Modernity is central to postcolonial discourse. This paper examines how the state of Cambodia constructs modernity in the public imagination. Reflecting upon Homi Bhabha's discussion on mimicry "almost the same, but not quite", this paper looks at different aspects of modernity that appear in the state-owned magazine Kambuja. While many scholars have examined the political and ideological angles of this modernity, however, few have examined the artistic and visual representation of it. This paper examines how modernity is presented in Kambuja. To accomplish this task, the paper proposes a new concept of "paste-up" modernity as a way to demonstrate a unique character to Cambodia modernity which incorporates heterogeneous elements taken from traditional and Western images in its semiotic representation of modernity. And in doing so, the paper hopes to highlight the fluid nature of modernity as a semiotic signifier in which different meanings can be "cut and paste" to evoke a sense of "imagined community.".
ISBN: 9798535504179Subjects--Topical Terms:
3344898
Southeast Asian studies.
Subjects--Index Terms:
Cambodia
Paste-Up Modernity: Visual Depiction of Modern Cambodia in the 1960s in the Magazine Kambuja Review.
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Modernity is central to postcolonial discourse. This paper examines how the state of Cambodia constructs modernity in the public imagination. Reflecting upon Homi Bhabha's discussion on mimicry "almost the same, but not quite", this paper looks at different aspects of modernity that appear in the state-owned magazine Kambuja. While many scholars have examined the political and ideological angles of this modernity, however, few have examined the artistic and visual representation of it. This paper examines how modernity is presented in Kambuja. To accomplish this task, the paper proposes a new concept of "paste-up" modernity as a way to demonstrate a unique character to Cambodia modernity which incorporates heterogeneous elements taken from traditional and Western images in its semiotic representation of modernity. And in doing so, the paper hopes to highlight the fluid nature of modernity as a semiotic signifier in which different meanings can be "cut and paste" to evoke a sense of "imagined community.".
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