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Feeling Large: Visual Self-Presentat...
~
Chen, Jingyu.
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Feeling Large: Visual Self-Presentation through Personal Aesthetic Choice of Women in China.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Feeling Large: Visual Self-Presentation through Personal Aesthetic Choice of Women in China./
作者:
Chen, Jingyu.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2021,
面頁冊數:
42 p.
附註:
Source: Masters Abstracts International, Volume: 83-01.
Contained By:
Masters Abstracts International83-01.
標題:
Asian studies. -
電子資源:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28545228
ISBN:
9798516904844
Feeling Large: Visual Self-Presentation through Personal Aesthetic Choice of Women in China.
Chen, Jingyu.
Feeling Large: Visual Self-Presentation through Personal Aesthetic Choice of Women in China.
- Ann Arbor : ProQuest Dissertations & Theses, 2021 - 42 p.
Source: Masters Abstracts International, Volume: 83-01.
Thesis (M.F.A.)--Pratt Institute, 2021.
This item must not be sold to any third party vendors.
Chinese women's agency over their aesthetic choices has undergone many transformations in the past 30 years. During feudal society, Chinese women had the right to make very few decisions about their visual self-presentation. Although they could independently adjust some details, they ought to follow women's dressing rules made by men, derived from the idea that women were regarded as men's possession. After the end of the Qing dynasty and the beginning of the Republic of China, women's right to aesthetic choice gradually increased, and previous dressing rules no longer restricted them. The influence of men's power on women's aesthetic expression had gradually diminished. Even though many factors show that a male-dominated society still influences women's visual self-expression, Chinese women have reclaimed most of their ability to define their own aesthetic choices. However, in contemporary China many are the ways that men still influence women's ability to choose for themselves. The development of global digital technology and changes in the domestic political system have had a considerable impact on liberating Chinese women's aesthetic choices. Similarly, male-dominated media landscape deceives women's preferences in often subtle but pervasive and abusive ways. This thesis analyses and discusses these tools and modes used to exert patriarchal influence on women's freedom of self expression.
ISBN: 9798516904844Subjects--Topical Terms:
1571829
Asian studies.
Subjects--Index Terms:
Aesthetic
Feeling Large: Visual Self-Presentation through Personal Aesthetic Choice of Women in China.
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Chinese women's agency over their aesthetic choices has undergone many transformations in the past 30 years. During feudal society, Chinese women had the right to make very few decisions about their visual self-presentation. Although they could independently adjust some details, they ought to follow women's dressing rules made by men, derived from the idea that women were regarded as men's possession. After the end of the Qing dynasty and the beginning of the Republic of China, women's right to aesthetic choice gradually increased, and previous dressing rules no longer restricted them. The influence of men's power on women's aesthetic expression had gradually diminished. Even though many factors show that a male-dominated society still influences women's visual self-expression, Chinese women have reclaimed most of their ability to define their own aesthetic choices. However, in contemporary China many are the ways that men still influence women's ability to choose for themselves. The development of global digital technology and changes in the domestic political system have had a considerable impact on liberating Chinese women's aesthetic choices. Similarly, male-dominated media landscape deceives women's preferences in often subtle but pervasive and abusive ways. This thesis analyses and discusses these tools and modes used to exert patriarchal influence on women's freedom of self expression.
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