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PastForward: Philippine Likhang-Baya...

De Jesus Icasiano, Carmita Eliza.

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PastForward: Philippine Likhang-Bayan as Intangible Cultural Heritage.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	PastForward: Philippine Likhang-Bayan as Intangible Cultural Heritage./
作者:	De Jesus Icasiano, Carmita Eliza.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
面頁冊數:	306 p.
附註:	Source: Dissertations Abstracts International, Volume: 82-10, Section: A.
Contained By:	Dissertations Abstracts International82-10A.
標題:	Cultural anthropology. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28154525
ISBN:	9798597074955

PastForward: Philippine Likhang-Bayan as Intangible Cultural Heritage.
De Jesus Icasiano, Carmita Eliza.

PastForward: Philippine Likhang-Bayan as Intangible Cultural Heritage. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 306 p.

Source: Dissertations Abstracts International, Volume: 82-10, Section: A.

Thesis (Ph.D.)--State University of New York at Binghamton, 2020.

This item must not be sold to any third party vendors.

This dissertation is about the production, display, and consumption of Philippine likhang-bayan, a class of objects comprising woodcarving, paper craft, earthenware, and textiles that lean on a tradition of artisanal making, and the ways in which the concept of heritage enables and/or constrains these processes. I studied the woodcarving and taka [paper craft] of Paete (Laguna), damili [pottery] of San Nicolas (Ilocos Norte), and the likhang-bayan fairs in Metro Manila that most notably featured indigenous textiles.As heritage goods, these objects form part of state heritage discourse to which a municipal or regional cultural identity is tethered and mobilized in various programs celebrating the town craft and promoting tourism. Although well meaning, state interventions tend to inadequately ensure the continuity of traditional artisanal making either by an inability to resolve continued scarcity of raw materials for making likhang-bayan or by focusing on innovation and the recrafting of likhang-bayan at the expense of references to tradition, either in terms of artisanal techniques or forms.As artisanal products, likhang-bayan objects belong to an economic system that relies on technology transfer, circulation in markets, cultivation of taste, and sustainable consumption to meet artisans' needs, primarily the well-being of their families. In this study, I note the vital role of social entrepreneurs as "heritage brokers" who are currently driving the revitalization of likhang-bayan textiles. Their modes of engagement and collaboration with indigenous weaving communities present an ideal model that can guide efforts to help sustain other likhang-bayan practices and production.In discussing the production, display, and consumption of likhang-bayan, I also highlight the properties of materials and objects that make possible a dialogic engagement with their human makers and consumers, and show that by approaching objects in this way-not simply as human creations but as things with capacities to affect and connect with people--likhang-bayan and artisans may be accorded with greater respect and recognition, and even be reckoned as a wellspring of national pride.

ISBN: 9798597074955Subjects--Topical Terms:

2122764
Cultural anthropology.
Subjects--Index Terms:

Artisanal communities

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