東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

The Politics and Aesthetics of Haunt...

Gauthier, Darcy.

Linked to FindBook

Google Book

Amazon

博客來

The Politics and Aesthetics of Haunting in 1950s Japan.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Politics and Aesthetics of Haunting in 1950s Japan./
Author:	Gauthier, Darcy.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:	292 p.
Notes:	Source: Dissertations Abstracts International, Volume: 82-06, Section: A.
Contained By:	Dissertations Abstracts International82-06A.
Subject:	Comparative literature. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27831920
ISBN:	9798698543824

The Politics and Aesthetics of Haunting in 1950s Japan.
Gauthier, Darcy.

The Politics and Aesthetics of Haunting in 1950s Japan. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 292 p.

Source: Dissertations Abstracts International, Volume: 82-06, Section: A.

Thesis (Ph.D.)--University of Toronto (Canada), 2020.

This item must not be sold to any third party vendors.

This thesis examines the politics and aesthetics of haunting in 1950s Japan. A distinct historical conjuncture separate from the social upheaval of the immediate postwar as well as the overt politicization of the 1960s, the 1950s is characterized by a narrative of national rebuilding and return that marginalized discrepant experiences of the present-producing a disjointedness that I articulate as a form of 'haunting.' In order to develop this, I turn to two triptychs of creators (two writers, two filmmakers, two composers) who collaborated to document the 'haunted' reality of 1950s Japan: Marguerite Duras, Alain Resnais, and Giovanni Fusco; and Abe Kobo, Teshigahara Hiroshi, and Takemitsu Toru. Collectively, these artists articulate a crisis where concrete lived experiences did not correspond with national narratives of recovery and the economic, social, and political modes of structuring that regulated people's lives. Their fiction and theory attempted to bring this crisis into focus by representing the ghostly estrangement of modern subjects and also by theorizing alternative methods of historicization following a logic of 'haunting,' one that challenged the accepted reality-the taken-for-grantedness-of celebratory narratives of postwar life.

ISBN: 9798698543824Subjects--Topical Terms:

570001
Comparative literature.
Subjects--Index Terms:

Cinema

The Politics and Aesthetics of Haunting in 1950s Japan.
LDR:02414nmm a2200397 4500 001 2280706
005 20210913091938.5
008 220723s2020 ||||||||||||||||| ||eng d
020 $a 9798698543824
035 $a (MiAaPQ)AAI27831920
035 $a AAI27831920
040 $a MiAaPQ $c MiAaPQ
100 1 $a Gauthier, Darcy. $3 3559250
245 1 4 $a The Politics and Aesthetics of Haunting in 1950s Japan.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2020
300 $a 292 p.
500 $a Source: Dissertations Abstracts International, Volume: 82-06, Section: A.
500 $a Advisor: Sakaki, Atsuko.
502 $a Thesis (Ph.D.)--University of Toronto (Canada), 2020.
506 $a This item must not be sold to any third party vendors.
520 $a This thesis examines the politics and aesthetics of haunting in 1950s Japan. A distinct historical conjuncture separate from the social upheaval of the immediate postwar as well as the overt politicization of the 1960s, the 1950s is characterized by a narrative of national rebuilding and return that marginalized discrepant experiences of the present-producing a disjointedness that I articulate as a form of 'haunting.' In order to develop this, I turn to two triptychs of creators (two writers, two filmmakers, two composers) who collaborated to document the 'haunted' reality of 1950s Japan: Marguerite Duras, Alain Resnais, and Giovanni Fusco; and Abe Kobo, Teshigahara Hiroshi, and Takemitsu Toru. Collectively, these artists articulate a crisis where concrete lived experiences did not correspond with national narratives of recovery and the economic, social, and political modes of structuring that regulated people's lives. Their fiction and theory attempted to bring this crisis into focus by representing the ghostly estrangement of modern subjects and also by theorizing alternative methods of historicization following a logic of 'haunting,' one that challenged the accepted reality-the taken-for-grantedness-of celebratory narratives of postwar life.
590 $a School code: 0779.
650 4 $a Comparative literature. $3 570001
650 4 $a Asian studies. $3 1571829
650 4 $a Film studies. $3 2122736
650 4 $a Aesthetics. $3 523036
653 $a Cinema
653 $a Ghosts
653 $a Haunting
653 $a Japan
653 $a Literature
653 $a Postwar
690 $a 0295
690 $a 0342
690 $a 0900
690 $a 0650
710 2 $a University of Toronto (Canada). $b Comparative Literature. $3 3430938
773 0 $t Dissertations Abstracts International $g 82-06A.
790 $a 0779
791 $a Ph.D.
792 $a 2020
793 $a English
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27831920