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The Politics and Aesthetics of Haunt...

Gauthier, Darcy.

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The Politics and Aesthetics of Haunting in 1950s Japan.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Politics and Aesthetics of Haunting in 1950s Japan./
作者:	Gauthier, Darcy.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
面頁冊數:	292 p.
附註:	Source: Dissertations Abstracts International, Volume: 82-06, Section: A.
Contained By:	Dissertations Abstracts International82-06A.
標題:	Comparative literature. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27831920
ISBN:	9798698543824

The Politics and Aesthetics of Haunting in 1950s Japan.
Gauthier, Darcy.

The Politics and Aesthetics of Haunting in 1950s Japan. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 292 p.

Source: Dissertations Abstracts International, Volume: 82-06, Section: A.

Thesis (Ph.D.)--University of Toronto (Canada), 2020.

This item must not be sold to any third party vendors.

This thesis examines the politics and aesthetics of haunting in 1950s Japan. A distinct historical conjuncture separate from the social upheaval of the immediate postwar as well as the overt politicization of the 1960s, the 1950s is characterized by a narrative of national rebuilding and return that marginalized discrepant experiences of the present-producing a disjointedness that I articulate as a form of 'haunting.' In order to develop this, I turn to two triptychs of creators (two writers, two filmmakers, two composers) who collaborated to document the 'haunted' reality of 1950s Japan: Marguerite Duras, Alain Resnais, and Giovanni Fusco; and Abe Kobo, Teshigahara Hiroshi, and Takemitsu Toru. Collectively, these artists articulate a crisis where concrete lived experiences did not correspond with national narratives of recovery and the economic, social, and political modes of structuring that regulated people's lives. Their fiction and theory attempted to bring this crisis into focus by representing the ghostly estrangement of modern subjects and also by theorizing alternative methods of historicization following a logic of 'haunting,' one that challenged the accepted reality-the taken-for-grantedness-of celebratory narratives of postwar life.

ISBN: 9798698543824Subjects--Topical Terms:

570001
Comparative literature.
Subjects--Index Terms:

Cinema

The Politics and Aesthetics of Haunting in 1950s Japan.
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500 $a Source: Dissertations Abstracts International, Volume: 82-06, Section: A.
500 $a Advisor: Sakaki, Atsuko.
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506 $a This item must not be sold to any third party vendors.
520 $a This thesis examines the politics and aesthetics of haunting in 1950s Japan. A distinct historical conjuncture separate from the social upheaval of the immediate postwar as well as the overt politicization of the 1960s, the 1950s is characterized by a narrative of national rebuilding and return that marginalized discrepant experiences of the present-producing a disjointedness that I articulate as a form of 'haunting.' In order to develop this, I turn to two triptychs of creators (two writers, two filmmakers, two composers) who collaborated to document the 'haunted' reality of 1950s Japan: Marguerite Duras, Alain Resnais, and Giovanni Fusco; and Abe Kobo, Teshigahara Hiroshi, and Takemitsu Toru. Collectively, these artists articulate a crisis where concrete lived experiences did not correspond with national narratives of recovery and the economic, social, and political modes of structuring that regulated people's lives. Their fiction and theory attempted to bring this crisis into focus by representing the ghostly estrangement of modern subjects and also by theorizing alternative methods of historicization following a logic of 'haunting,' one that challenged the accepted reality-the taken-for-grantedness-of celebratory narratives of postwar life.
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653 $a Japan
653 $a Literature
653 $a Postwar
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