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Adaptations of Ovid's Metamorphoses ...

Macey, Morgan J.

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Adaptations of Ovid's Metamorphoses in Late Medieval France: Material and Moral Recontextualization in the Tapestry of Narcissus at the Fountain.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Adaptations of Ovid's Metamorphoses in Late Medieval France: Material and Moral Recontextualization in the Tapestry of Narcissus at the Fountain./
作者:	Macey, Morgan J.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2019,
面頁冊數:	33 p.
附註:	Source: Masters Abstracts International, Volume: 81-06.
Contained By:	Masters Abstracts International81-06.
標題:	Art history. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27545968
ISBN:	9781392683071

Adaptations of Ovid's Metamorphoses in Late Medieval France: Material and Moral Recontextualization in the Tapestry of Narcissus at the Fountain.
Macey, Morgan J.

Adaptations of Ovid's Metamorphoses in Late Medieval France: Material and Moral Recontextualization in the Tapestry of Narcissus at the Fountain. - Ann Arbor : ProQuest Dissertations & Theses, 2019 - 33 p.

Source: Masters Abstracts International, Volume: 81-06.

Thesis (M.A.)--University of South Florida, 2019.

This item is not available from ProQuest Dissertations & Theses.

As a result of Ovid's prominence in Northern Europe from the twelfth through thesixteenth centuries, French adaptations of and commentaries on the Metamorphoses from the latemedieval period abound. Here, I address the physical and moral transformation of the Narcissusmyth in the tapestry of Narcissus at the Fountain. Specifically, I explore how the tapestry'spresentation of the youth transforms Ovid's verse in a tantalizing yet moralizing image. To aid inthis endeavour, I survey the intermediate sources which inspired said transformation. I argue thelavish clothing, lush garden, ornate fountain, and solemn reflection featured in the tapestry areboth decorative and didactic. Whereas the material re-contextualization of the myth evokesempathy, the moral re-contextualization encourages prudence. Thus, the tapestry embodies apeculiar ambivalence: it displays the patron's status and engages the viewer's sensorium, whilesimultaneously alluding to the dangers of pride and sensation.

ISBN: 9781392683071Subjects--Topical Terms:

2122701
Art history.
Subjects--Index Terms:

decorative

Adaptations of Ovid's Metamorphoses in Late Medieval France: Material and Moral Recontextualization in the Tapestry of Narcissus at the Fountain.
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520 $a As a result of Ovid's prominence in Northern Europe from the twelfth through thesixteenth centuries, French adaptations of and commentaries on the Metamorphoses from the latemedieval period abound. Here, I address the physical and moral transformation of the Narcissusmyth in the tapestry of Narcissus at the Fountain. Specifically, I explore how the tapestry'spresentation of the youth transforms Ovid's verse in a tantalizing yet moralizing image. To aid inthis endeavour, I survey the intermediate sources which inspired said transformation. I argue thelavish clothing, lush garden, ornate fountain, and solemn reflection featured in the tapestry areboth decorative and didactic. Whereas the material re-contextualization of the myth evokesempathy, the moral re-contextualization encourages prudence. Thus, the tapestry embodies apeculiar ambivalence: it displays the patron's status and engages the viewer's sensorium, whilesimultaneously alluding to the dangers of pride and sensation.
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