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Filming Reconciliation: Indigenous S...

Killebrew, K. L.

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Filming Reconciliation: Indigenous Screen Cultures in an Age of Redress.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Filming Reconciliation: Indigenous Screen Cultures in an Age of Redress./
Author:	Killebrew, K. L.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:	188 p.
Notes:	Source: Dissertations Abstracts International, Volume: 82-01, Section: A.
Contained By:	Dissertations Abstracts International82-01A.
Subject:	Film studies. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27830063
ISBN:	9798662324305

Filming Reconciliation: Indigenous Screen Cultures in an Age of Redress.
Killebrew, K. L.

Filming Reconciliation: Indigenous Screen Cultures in an Age of Redress. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 188 p.

Source: Dissertations Abstracts International, Volume: 82-01, Section: A.

Thesis (Ph.D.)--Northern Illinois University, 2020.

This item must not be sold to any third party vendors.

This dissertation examines Indigenous cinematic cultures in the United States and Canada since 1998 in the context of international reconciliation movements between settler and Indigenous states. This project examines the contested intersections of twenty-first century Indigenism and multiculturalism, exploring the ways in which Native voices in media navigate international cultural marketplaces. I focus on Georgina Lightning's Older than America, Igloolik Isuma's Atanarjuat: The Fast Runner, Sherman Alexie and Chris Eyre's Smoke Signals, and Elle-Maija Tailfeathers' A Red Girl's Reasoning. Specifically, I am concerned with Indigenous cinemas and media that envision and enact models of reconciliation, healing, and social justice using cultural and epistemological tools that originate from Native peoples. In this way, my work engages with rapidly developing scholarship on Indigenous methodologies in research and communication as well as Indigenous movements in a variety of cultural and sociological discourses including semiotic and cognitive theories of cinematic meaning-making, gender and sexuality studies, trauma studies, and jurisprudence. I reconsider Euro-Western notions of reconciliation according to holistic and relational Indigenous epistemologies. Throughout, I study the ways Native artists envision social justice, healing, and redress in answer to ongoing reconciliatory dialogues concerning land appropriation, Missing and Murdered Indigenous Women and Girls, residential schools, and other pressing issues.

ISBN: 9798662324305Subjects--Topical Terms:

2122736
Film studies.
Subjects--Index Terms:

Feminism

Filming Reconciliation: Indigenous Screen Cultures in an Age of Redress.
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245 1 0 $a Filming Reconciliation: Indigenous Screen Cultures in an Age of Redress.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2020
300 $a 188 p.
500 $a Source: Dissertations Abstracts International, Volume: 82-01, Section: A.
500 $a Advisor: Adams-Campbell, Melissa;Balcerzak, Scott.
502 $a Thesis (Ph.D.)--Northern Illinois University, 2020.
506 $a This item must not be sold to any third party vendors.
506 $a This item must not be added to any third party search indexes.
520 $a This dissertation examines Indigenous cinematic cultures in the United States and Canada since 1998 in the context of international reconciliation movements between settler and Indigenous states. This project examines the contested intersections of twenty-first century Indigenism and multiculturalism, exploring the ways in which Native voices in media navigate international cultural marketplaces. I focus on Georgina Lightning's Older than America, Igloolik Isuma's Atanarjuat: The Fast Runner, Sherman Alexie and Chris Eyre's Smoke Signals, and Elle-Maija Tailfeathers' A Red Girl's Reasoning. Specifically, I am concerned with Indigenous cinemas and media that envision and enact models of reconciliation, healing, and social justice using cultural and epistemological tools that originate from Native peoples. In this way, my work engages with rapidly developing scholarship on Indigenous methodologies in research and communication as well as Indigenous movements in a variety of cultural and sociological discourses including semiotic and cognitive theories of cinematic meaning-making, gender and sexuality studies, trauma studies, and jurisprudence. I reconsider Euro-Western notions of reconciliation according to holistic and relational Indigenous epistemologies. Throughout, I study the ways Native artists envision social justice, healing, and redress in answer to ongoing reconciliatory dialogues concerning land appropriation, Missing and Murdered Indigenous Women and Girls, residential schools, and other pressing issues.
590 $a School code: 0162.
650 4 $a Film studies. $3 2122736
650 4 $a Native American studies. $3 2122730
653 $a Feminism
653 $a Film and media
653 $a Indigenous film
653 $a Indigenous literature
653 $a Reconciliation
653 $a Visual sovereignty
690 $a 0900
690 $a 0740
710 2 $a Northern Illinois University. $b English. $3 1682206
773 0 $t Dissertations Abstracts International $g 82-01A.
790 $a 0162
791 $a Ph.D.
792 $a 2020
793 $a English
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27830063