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The Bhava Process: An Approach to Un...
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Leukhardt, Joshua M.
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The Bhava Process: An Approach to Understanding the Process of Characterization in the Naṭyasastra.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The Bhava Process: An Approach to Understanding the Process of Characterization in the Naṭyasastra./
作者:
Leukhardt, Joshua M.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2019,
面頁冊數:
235 p.
附註:
Source: Dissertations Abstracts International, Volume: 81-02, Section: A.
Contained By:
Dissertations Abstracts International81-02A.
標題:
Theater. -
電子資源:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13862731
ISBN:
9781085575270
The Bhava Process: An Approach to Understanding the Process of Characterization in the Naṭyasastra.
Leukhardt, Joshua M.
The Bhava Process: An Approach to Understanding the Process of Characterization in the Naṭyasastra.
- Ann Arbor : ProQuest Dissertations & Theses, 2019 - 235 p.
Source: Dissertations Abstracts International, Volume: 81-02, Section: A.
Thesis (Ph.D.)--University of Hawai'i at Manoa, 2019.
This item must not be sold to any third party vendors.
This dissertation analyzes and applies the characterization process found in the Naṭyasastra to introduce and promote accessibility to Sanskrit play production, or theatre performance connected with the terminology and characterization concepts in the Naṭyasastra. The aim of this work is to provide an accessible guide for theatre practitioners unfamiliar or unacquainted with this genre of theatre. This study first lays out a context and theoretical foundation of rasa and bhava, specifying their roles as theatrical elements and systemizing their procedural objectives in a production. This analysis presents Rasa Theory to practitioners or theatre scholars not accustomed with Sanskrit poetics, or philosophy.Then the "Bhava Process" of characterization, developed from chapters 6 and 7 of the Naṭyasastra, is correlated with terms and concepts from the Stanislavski System in order to relate the Natyasastra terminology to Western acting terms and concepts. Based on those concepts and prescriptions, two application models, the "Generic Temperament Chart" and an "Individualized Temperament Chart," provide specific attributes, traits, and action choices the performer employs in developing characterization. These models are put into practice using examples primarily from the classical Sanskrit play, Sakuntala.The findings reveal similarities of the "Bhava Process" to contemporary Western characterization approaches. The findings also show the usefulness of the Temperament Charts in deciphering the codification found in the Naṭyasastra and reveal that the creation of an archetypal character has more flexibility than the restrictiveness suggested in the Naṭyasastra. The dissertation prompts a re-thinking of using this ancient process, moving forward to application and production.
ISBN: 9781085575270Subjects--Topical Terms:
522973
Theater.
Subjects--Index Terms:
Bhava
The Bhava Process: An Approach to Understanding the Process of Characterization in the Naṭyasastra.
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This dissertation analyzes and applies the characterization process found in the Naṭyasastra to introduce and promote accessibility to Sanskrit play production, or theatre performance connected with the terminology and characterization concepts in the Naṭyasastra. The aim of this work is to provide an accessible guide for theatre practitioners unfamiliar or unacquainted with this genre of theatre. This study first lays out a context and theoretical foundation of rasa and bhava, specifying their roles as theatrical elements and systemizing their procedural objectives in a production. This analysis presents Rasa Theory to practitioners or theatre scholars not accustomed with Sanskrit poetics, or philosophy.Then the "Bhava Process" of characterization, developed from chapters 6 and 7 of the Naṭyasastra, is correlated with terms and concepts from the Stanislavski System in order to relate the Natyasastra terminology to Western acting terms and concepts. Based on those concepts and prescriptions, two application models, the "Generic Temperament Chart" and an "Individualized Temperament Chart," provide specific attributes, traits, and action choices the performer employs in developing characterization. These models are put into practice using examples primarily from the classical Sanskrit play, Sakuntala.The findings reveal similarities of the "Bhava Process" to contemporary Western characterization approaches. The findings also show the usefulness of the Temperament Charts in deciphering the codification found in the Naṭyasastra and reveal that the creation of an archetypal character has more flexibility than the restrictiveness suggested in the Naṭyasastra. The dissertation prompts a re-thinking of using this ancient process, moving forward to application and production.
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https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13862731
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