語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Attending to the Sacred in the Everyday.
~
Key, Dylan.
FindBook
Google Book
Amazon
博客來
Attending to the Sacred in the Everyday.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Attending to the Sacred in the Everyday./
作者:
Key, Dylan.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2019,
面頁冊數:
57 p.
附註:
Source: Masters Abstracts International, Volume: 80-10.
Contained By:
Masters Abstracts International80-10.
標題:
Dance. -
電子資源:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13805938
ISBN:
9781392023679
Attending to the Sacred in the Everyday.
Key, Dylan.
Attending to the Sacred in the Everyday.
- Ann Arbor : ProQuest Dissertations & Theses, 2019 - 57 p.
Source: Masters Abstracts International, Volume: 80-10.
Thesis (M.F.A.)--University of California, San Diego, 2019.
This item must not be sold to any third party vendors.
My time at University of California San Diego (UCSD) has been a moment of intense learning and development of artistry. I hoped to come to UCSD for the purpose of gaining new techniques, skills, and credits, all of which I have received. However, the real learning has been deeply personal and deeply spiritual. Through the classes, productions, and collaborations at UCSD I have learned the multiplicity of powers which are moving through our lives at any given moment, that in addition to the rules of physics, there are always forces of history, politics, metaphysics, philosophy, and spirituality at work in every moment. But I am only occasionally attending to those forces. Through my teachers both formal and informal at UCSD I have learned how those forces ripple through every moment and how the theatre can be a space to create a new concrete world that makes those forces manifest and perceivable in the theatrical form. This paper is an examination of the processes, experiences, and relationships which have taught me what I define directing to be and how I myself can be one-that is, by creating a concept, using the tools of the theatrical form to express my vision of the way the world works through the images, rhythms, and situations of a specific production. This expression of the way the world truly works is what I call revealing the divine and this paper is a reflectios on God, the divine, and using theatre to make God manifest in the theatrical concrete, and therefore our lives.
ISBN: 9781392023679Subjects--Topical Terms:
610547
Dance.
Subjects--Index Terms:
Directing
Attending to the Sacred in the Everyday.
LDR
:02599nmm a2200361 4500
001
2279802
005
20210823091347.5
008
220723s2019 ||||||||||||||||| ||eng d
020
$a
9781392023679
035
$a
(MiAaPQ)AAI13805938
035
$a
(MiAaPQ)ucsd:18133
035
$a
AAI13805938
040
$a
MiAaPQ
$c
MiAaPQ
100
1
$a
Key, Dylan.
$3
3558279
245
1 0
$a
Attending to the Sacred in the Everyday.
260
1
$a
Ann Arbor :
$b
ProQuest Dissertations & Theses,
$c
2019
300
$a
57 p.
500
$a
Source: Masters Abstracts International, Volume: 80-10.
500
$a
Publisher info.: Dissertation/Thesis.
500
$a
Advisor: Castro, Robert.
502
$a
Thesis (M.F.A.)--University of California, San Diego, 2019.
506
$a
This item must not be sold to any third party vendors.
520
$a
My time at University of California San Diego (UCSD) has been a moment of intense learning and development of artistry. I hoped to come to UCSD for the purpose of gaining new techniques, skills, and credits, all of which I have received. However, the real learning has been deeply personal and deeply spiritual. Through the classes, productions, and collaborations at UCSD I have learned the multiplicity of powers which are moving through our lives at any given moment, that in addition to the rules of physics, there are always forces of history, politics, metaphysics, philosophy, and spirituality at work in every moment. But I am only occasionally attending to those forces. Through my teachers both formal and informal at UCSD I have learned how those forces ripple through every moment and how the theatre can be a space to create a new concrete world that makes those forces manifest and perceivable in the theatrical form. This paper is an examination of the processes, experiences, and relationships which have taught me what I define directing to be and how I myself can be one-that is, by creating a concept, using the tools of the theatrical form to express my vision of the way the world works through the images, rhythms, and situations of a specific production. This expression of the way the world truly works is what I call revealing the divine and this paper is a reflectios on God, the divine, and using theatre to make God manifest in the theatrical concrete, and therefore our lives.
590
$a
School code: 0033.
650
4
$a
Dance.
$3
610547
650
4
$a
Theater.
$3
522973
650
4
$a
Theater History.
$3
644289
653
$a
Directing
653
$a
Performance
690
$a
0378
690
$a
0465
690
$a
0644
710
2
$a
University of California, San Diego.
$b
Theatre and Dance.
$3
2094293
773
0
$t
Masters Abstracts International
$g
80-10.
790
$a
0033
791
$a
M.F.A.
792
$a
2019
793
$a
English
856
4 0
$u
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13805938
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9431535
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入