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Revival: Memory and Nostalgia in Con...
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Arizona State University., Art History.
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Revival: Memory and Nostalgia in Contemporary Art.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Revival: Memory and Nostalgia in Contemporary Art./
作者:
Ziesmann, Hannah .
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2020,
面頁冊數:
69 p.
附註:
Source: Masters Abstracts International, Volume: 82-03.
Contained By:
Masters Abstracts International82-03.
標題:
Art history. -
電子資源:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28028621
ISBN:
9798664757064
Revival: Memory and Nostalgia in Contemporary Art.
Ziesmann, Hannah .
Revival: Memory and Nostalgia in Contemporary Art.
- Ann Arbor : ProQuest Dissertations & Theses, 2020 - 69 p.
Source: Masters Abstracts International, Volume: 82-03.
Thesis (M.A.)--Arizona State University, 2020.
This item must not be sold to any third party vendors.
Many contemporary artists have turned to the past in order to negotiate and make sense of their relationship with the present. Similarly, museums have begun to look back in order to push forward and through a revisionist lens they scrutinize their collections and reveal ignored object histories. A prominent method some museums implement is allowing contemporary artists to comb through the vaults and present new relationships between their objects to their visitors. Through a psychological analysis of memory, and theorists' dissection of nostalgia, object agency, and contemporaneity, I argue that artists Spencer Finch, Do Ho Suh, Newsha Tavakolian, Solmaz Daryani, Malekeh Nayiny, Mitra Tabrizian, Mark Dion, Fred Wilson, and Gala Porras-Kim function as revivalists - or artists whose works use memory and nostalgia to bring the past back to life. By attempting to retrieve memories, create nostalgic experiences, and question histories, they make their works tools for remembrance, reconciliation, and renegotiation with the past and present. The concerns these artists bring to the surface through their works build an understanding of how memory and nostalgia function as devices for personal meaning-making, trauma processing, and human-object relationship building.
ISBN: 9798664757064Subjects--Topical Terms:
2122701
Art history.
Subjects--Index Terms:
Art
Revival: Memory and Nostalgia in Contemporary Art.
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Many contemporary artists have turned to the past in order to negotiate and make sense of their relationship with the present. Similarly, museums have begun to look back in order to push forward and through a revisionist lens they scrutinize their collections and reveal ignored object histories. A prominent method some museums implement is allowing contemporary artists to comb through the vaults and present new relationships between their objects to their visitors. Through a psychological analysis of memory, and theorists' dissection of nostalgia, object agency, and contemporaneity, I argue that artists Spencer Finch, Do Ho Suh, Newsha Tavakolian, Solmaz Daryani, Malekeh Nayiny, Mitra Tabrizian, Mark Dion, Fred Wilson, and Gala Porras-Kim function as revivalists - or artists whose works use memory and nostalgia to bring the past back to life. By attempting to retrieve memories, create nostalgic experiences, and question histories, they make their works tools for remembrance, reconciliation, and renegotiation with the past and present. The concerns these artists bring to the surface through their works build an understanding of how memory and nostalgia function as devices for personal meaning-making, trauma processing, and human-object relationship building.
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https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28028621
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