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Fashionable Surrealism: The Photogra...

Bilodeau, Lauren.

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Fashionable Surrealism: The Photography of Andre Durst (1930-1940).

Record Type:	Electronic resources : Monograph/item
Title/Author:	Fashionable Surrealism: The Photography of Andre Durst (1930-1940)./
Author:	Bilodeau, Lauren.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:	82 p.
Notes:	Source: Masters Abstracts International, Volume: 81-10.
Contained By:	Masters Abstracts International81-10.
Subject:	Fashion. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27838077
ISBN:	9798641783451

Fashionable Surrealism: The Photography of Andre Durst (1930-1940).
Bilodeau, Lauren.

Fashionable Surrealism: The Photography of Andre Durst (1930-1940). - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 82 p.

Source: Masters Abstracts International, Volume: 81-10.

Thesis (M.A.)--Fashion Institute of Technology, State University of New York, 2020.

This item must not be sold to any third party vendors.

Fashion editor Bettina Ballard wrote in the April 1960 issue of Town & Country, "Andre was the first to bring Surrealism to fashion pictures." Although her claim may be debatable, the published work of photographer Andre Durst establishes a distinct point of view and provides visual representations of the most important couturiers, milliners, and designers of the period, yet history has not remembered him to the same extent as his peers. Andre Durst (1907- 1949) was born to a prominent French family and according to some, the heir to a Marseilles Soap, or Savon de Marseille, fortune, but he would become the primary photographer for French Vogue during the later part of the 1930s. Despite extensively photographing for notable fashion publications such as Harper's Bazaar and Vogue throughout the decade, little is known or written about the photographer Andre Durst. The photographs by Andre Durst discussed here illustrate how surrealistic elements and motifs enhanced the popular fashions of the 1930s. The three subsequently discussed themes represented by the dreamscape, classism, and nature point to three essential facets of the ideal woman of the decade. They show the psychological impact of the gowns' physical nature and how Durst translates those ideologies to the viewer. He was able to effectively compose images that brought forth intellectual and artistic narratives to the fashionable masses through his appropriation of Surrealism. The impact of this may be subtle, but not without value to fashion photography and history.

ISBN: 9798641783451Subjects--Topical Terms:

549143
Fashion.
Subjects--Index Terms:

Art

Fashionable Surrealism: The Photography of Andre Durst (1930-1940).
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520 $a Fashion editor Bettina Ballard wrote in the April 1960 issue of Town & Country, "Andre was the first to bring Surrealism to fashion pictures." Although her claim may be debatable, the published work of photographer Andre Durst establishes a distinct point of view and provides visual representations of the most important couturiers, milliners, and designers of the period, yet history has not remembered him to the same extent as his peers. Andre Durst (1907- 1949) was born to a prominent French family and according to some, the heir to a Marseilles Soap, or Savon de Marseille, fortune, but he would become the primary photographer for French Vogue during the later part of the 1930s. Despite extensively photographing for notable fashion publications such as Harper's Bazaar and Vogue throughout the decade, little is known or written about the photographer Andre Durst. The photographs by Andre Durst discussed here illustrate how surrealistic elements and motifs enhanced the popular fashions of the 1930s. The three subsequently discussed themes represented by the dreamscape, classism, and nature point to three essential facets of the ideal woman of the decade. They show the psychological impact of the gowns' physical nature and how Durst translates those ideologies to the viewer. He was able to effectively compose images that brought forth intellectual and artistic narratives to the fashionable masses through his appropriation of Surrealism. The impact of this may be subtle, but not without value to fashion photography and history.
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