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Preserving Queer Legacies in Archive...

Carroll, Michael Jeffrey.

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Preserving Queer Legacies in Archives and Art.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Preserving Queer Legacies in Archives and Art./
作者:	Carroll, Michael Jeffrey.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2019,
面頁冊數:	116 p.
附註:	Source: Masters Abstracts International, Volume: 81-03.
Contained By:	Masters Abstracts International81-03.
標題:	Art history. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=22584887
ISBN:	9781085703161

Preserving Queer Legacies in Archives and Art.
Carroll, Michael Jeffrey.

Preserving Queer Legacies in Archives and Art. - Ann Arbor : ProQuest Dissertations & Theses, 2019 - 116 p.

Source: Masters Abstracts International, Volume: 81-03.

Thesis (M.A.)--Temple University, 2019.

This item must not be sold to any third party vendors.

Queer artists have engaged archives throughout modern and contemporary American art, but art historical discourse of their work has centered the writing of Jacques Derrida and Michel Foucault to theorize these spaces without considering archival scholarship. This text takes up Gabriel Martinez's Archive series as a case study to critique archival selection theory and better understand how prejudice has affected the preservation of queer folx's collections. Martinez's series is situated amongst other Western artworks that center archival records and queer themes throughout the last century. This section places his artwork in dialogue with other artists for whom the archive is the subject of their artwork. The artworks detailed exemplify the multiplicity of ways that queer folx critique and interpret the histories preserved in these institutions.Following this survey of art is an analysis of how archival records are selected for preservation and the inherent subjectivity of this task. Pedagogical writing on archival selection by Frank Boles, Richard Cox, and James O'Toole are consulted to better understand how archivists working in the field are taught to handle this type of work. Most of their writing is focused on traditional archives and fails to articulate the challenges facing counterarchives, spaces formed to compensate for the erasure of queer persons in traditional institutions. This review of archival scholarship ends with a critique of how queer counterarchives have fallen short of their inclusive aims.The final section of this text is dedicated to a close study of Martinez's Archive series. His photographs document the Harry R. Eberlin photograph collection and the John J. Wilcox, Jr. Archives in Philadelphia. The historical context of the Eberlin collection and the founding of its host repository are presented in conjunction with Archive series because Martinez's compositions are inseparable from these histories. Philadelphia queer culture in the 1970s and 1980s is revealed through the retelling of these histories and by examining who was visualized in the images themselves. These images of bars and events simultaneously reveal the gender and racial disparity of patronage within these spaces and exemplify long-standing tensions in the city's queer spaces. Lastly, this text posits a practice called "pseudo-processing" where artists document and preserve facsimiles of archival records to question the divisions of archival labor from that of an artist performing comparable tasks.

ISBN: 9781085703161Subjects--Topical Terms:

2122701
Art history.
Subjects--Index Terms:

Archives

Preserving Queer Legacies in Archives and Art.
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500 $a Source: Masters Abstracts International, Volume: 81-03.
500 $a Advisor: Pauwels, Erin.
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520 $a Queer artists have engaged archives throughout modern and contemporary American art, but art historical discourse of their work has centered the writing of Jacques Derrida and Michel Foucault to theorize these spaces without considering archival scholarship. This text takes up Gabriel Martinez's Archive series as a case study to critique archival selection theory and better understand how prejudice has affected the preservation of queer folx's collections. Martinez's series is situated amongst other Western artworks that center archival records and queer themes throughout the last century. This section places his artwork in dialogue with other artists for whom the archive is the subject of their artwork. The artworks detailed exemplify the multiplicity of ways that queer folx critique and interpret the histories preserved in these institutions.Following this survey of art is an analysis of how archival records are selected for preservation and the inherent subjectivity of this task. Pedagogical writing on archival selection by Frank Boles, Richard Cox, and James O'Toole are consulted to better understand how archivists working in the field are taught to handle this type of work. Most of their writing is focused on traditional archives and fails to articulate the challenges facing counterarchives, spaces formed to compensate for the erasure of queer persons in traditional institutions. This review of archival scholarship ends with a critique of how queer counterarchives have fallen short of their inclusive aims.The final section of this text is dedicated to a close study of Martinez's Archive series. His photographs document the Harry R. Eberlin photograph collection and the John J. Wilcox, Jr. Archives in Philadelphia. The historical context of the Eberlin collection and the founding of its host repository are presented in conjunction with Archive series because Martinez's compositions are inseparable from these histories. Philadelphia queer culture in the 1970s and 1980s is revealed through the retelling of these histories and by examining who was visualized in the images themselves. These images of bars and events simultaneously reveal the gender and racial disparity of patronage within these spaces and exemplify long-standing tensions in the city's queer spaces. Lastly, this text posits a practice called "pseudo-processing" where artists document and preserve facsimiles of archival records to question the divisions of archival labor from that of an artist performing comparable tasks.
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653 $a Philadelphia history
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