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Queer Masculinities and Spaces of In...
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Asif, Noor Alainah.
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Queer Masculinities and Spaces of Intimacy in the Work of Anwar Saeed.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Queer Masculinities and Spaces of Intimacy in the Work of Anwar Saeed./
作者:
Asif, Noor Alainah.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2019,
面頁冊數:
62 p.
附註:
Source: Masters Abstracts International, Volume: 81-04.
Contained By:
Masters Abstracts International81-04.
標題:
Art history. -
電子資源:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13900502
ISBN:
9781085742511
Queer Masculinities and Spaces of Intimacy in the Work of Anwar Saeed.
Asif, Noor Alainah.
Queer Masculinities and Spaces of Intimacy in the Work of Anwar Saeed.
- Ann Arbor : ProQuest Dissertations & Theses, 2019 - 62 p.
Source: Masters Abstracts International, Volume: 81-04.
Thesis (Master's)--University of Washington, 2019.
This item must not be sold to any third party vendors.
The bodies of same-sex loving men and women have been subject to state-sponsored oppression, censorship, and brutalities since Pakistan's inception. These violences have been increasingly aggravated since the 1980s. This paper examines the work of contemporary Pakistani artist Anwar Saeed. In his paintings, Saeed interrogates conflictual intersections between sexuality, religion, love, violence, and the nation-state through representations of queer male bodies. By way of his references to sexuality and queerness, Saeed forges artistic intimacies between his practice, other Pakistani artists, and local religious and cultural histories. This paper suggests that Saeed's practice, then, works within the parameters of the Pakistani nation-state as a means of working against it. This is to say that Saeed's work has developed through the subversive concept of disidentification, as informed by queer theorist Jose Esteban Munoz. Keeping in mind the theory's US based context, this paper seeks to consider disidentifications in the context of Saeed's practice; an analysis of this kind can possibly create an opening for a cross-border analysis of the effects of power on gender, sexuality, and queerness that departs from generalizing, Eurocentric accounts of inequality, patriarchy, and oppression.
ISBN: 9781085742511Subjects--Topical Terms:
2122701
Art history.
Subjects--Index Terms:
Painting
Queer Masculinities and Spaces of Intimacy in the Work of Anwar Saeed.
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The bodies of same-sex loving men and women have been subject to state-sponsored oppression, censorship, and brutalities since Pakistan's inception. These violences have been increasingly aggravated since the 1980s. This paper examines the work of contemporary Pakistani artist Anwar Saeed. In his paintings, Saeed interrogates conflictual intersections between sexuality, religion, love, violence, and the nation-state through representations of queer male bodies. By way of his references to sexuality and queerness, Saeed forges artistic intimacies between his practice, other Pakistani artists, and local religious and cultural histories. This paper suggests that Saeed's practice, then, works within the parameters of the Pakistani nation-state as a means of working against it. This is to say that Saeed's work has developed through the subversive concept of disidentification, as informed by queer theorist Jose Esteban Munoz. Keeping in mind the theory's US based context, this paper seeks to consider disidentifications in the context of Saeed's practice; an analysis of this kind can possibly create an opening for a cross-border analysis of the effects of power on gender, sexuality, and queerness that departs from generalizing, Eurocentric accounts of inequality, patriarchy, and oppression.
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https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13900502
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