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The Gospel of the Son of God: Psalm ...

Neumann, James M.

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The Gospel of the Son of God: Psalm 2 and Mark's Narrative Christology.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Gospel of the Son of God: Psalm 2 and Mark's Narrative Christology./
Author:	Neumann, James M.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:	343 p.
Notes:	Source: Dissertations Abstracts International, Volume: 82-03, Section: A.
Contained By:	Dissertations Abstracts International82-03A.
Subject:	Biblical studies. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27964937
ISBN:	9798664725650

The Gospel of the Son of God: Psalm 2 and Mark's Narrative Christology.
Neumann, James M.

The Gospel of the Son of God: Psalm 2 and Mark's Narrative Christology. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 343 p.

Source: Dissertations Abstracts International, Volume: 82-03, Section: A.

Thesis (Ph.D.)--Princeton Theological Seminary, 2020.

This item must not be sold to any third party vendors.

This study challenges the understanding of "Son of God" as a simple or static title in the Gospel of Mark. Instead, I argue that "Son of God" comprises a sub-narrative of its own within Mark's Gospel. Specifically, Mark's identification of Jesus as the Son of God entails the portrayal of Jesus's earthly career as the actualization of Psalm 2, wherein the royal Messiah, enthroned as God's "son," brings about God's victorious reign on earth. In the first place, this is to say that Mark's use of Son of God takes its cue chiefly from Psalm 2. More significantly, however, I suggest that the plot of Psalm 2 acts as an important subtext encoded into Mark's identification of Jesus as the Son of God throughout this Gospel. Naturally, I examine Mark's cumulative depiction of Jesus as God's Son throughout the Gospel as a unified whole through a narrative-critical approach, further informed by historical research, as well as rhetorical and tradition-critical observations at every turn. I also place considerable emphasis on hearing the terms of the narrative in accordance with the cultural encyclopedia of the first-century world and its complexities.The first chapter lays the basic groundwork for thesis by establishing the importance and inner coherence of Mark's use of sonship language, which ultimately suggest that some sort of underlying plot or narrative. Chapter 2 the retraces the vibrant plot of Psalm 2 as captured and replayed again and again in Early Jewish and Christian readings alike. In Early Judaism, the psalm became associated with the victory of the Messiah over the powers opposed to God. In Early Christianity, it became closely linked to Jesus's passion.The chapters that follow then examine Mark's depiction of Jesus as God's Son from the Prologue (1:1-15) to the Passion Narrative and especially the centurion's confession (15:39). Not only is Psalm 2 integral to Jesus's introduction in the narrative as God's Son by the voice from heaven (1:11), but allusions to Psalm 2 and its themes surround Mark's uses of the term thereafter in Jesus's confrontations with the unclean spirits (3:11, 5:7) and Transfiguration (9:7). Finally, echoes of Psalm 2 course through Mark's Passion Narrative from 14:61-62 onward. All of this prepares the reader, in a sense, for the centurion's confession, coinciding with Jesus's death, in 15:39. Although the centurion certainly does not quote or allude to Psalm 2 by declaring Jesus to be "God's Son," he ironically fulfills the plot of Psalm 2: the Son begins to inherit the nations as a respresentative of the dominant world empire honors with him a title reserved, in his world, for Caesar. In retrospect, the entire earthly career of Jesus in Mark has amounted to an actualization of Psalm 2: the story of how the Messiah takes up his throne and triumphs over every power, earthly and cosmic, shockingly, by means of the cross. In this way, Son of God becomes than a title; it is a shorthand for the gospel itself.This study was completed at Princeton Theological Seminary under the supervision of Professor Dale C. Allison, Jr.

ISBN: 9798664725650Subjects--Topical Terms:

2122820
Biblical studies.
Subjects--Index Terms:

Christology

The Gospel of the Son of God: Psalm 2 and Mark's Narrative Christology.
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520 $a This study challenges the understanding of "Son of God" as a simple or static title in the Gospel of Mark. Instead, I argue that "Son of God" comprises a sub-narrative of its own within Mark's Gospel. Specifically, Mark's identification of Jesus as the Son of God entails the portrayal of Jesus's earthly career as the actualization of Psalm 2, wherein the royal Messiah, enthroned as God's "son," brings about God's victorious reign on earth. In the first place, this is to say that Mark's use of Son of God takes its cue chiefly from Psalm 2. More significantly, however, I suggest that the plot of Psalm 2 acts as an important subtext encoded into Mark's identification of Jesus as the Son of God throughout this Gospel. Naturally, I examine Mark's cumulative depiction of Jesus as God's Son throughout the Gospel as a unified whole through a narrative-critical approach, further informed by historical research, as well as rhetorical and tradition-critical observations at every turn. I also place considerable emphasis on hearing the terms of the narrative in accordance with the cultural encyclopedia of the first-century world and its complexities.The first chapter lays the basic groundwork for thesis by establishing the importance and inner coherence of Mark's use of sonship language, which ultimately suggest that some sort of underlying plot or narrative. Chapter 2 the retraces the vibrant plot of Psalm 2 as captured and replayed again and again in Early Jewish and Christian readings alike. In Early Judaism, the psalm became associated with the victory of the Messiah over the powers opposed to God. In Early Christianity, it became closely linked to Jesus's passion.The chapters that follow then examine Mark's depiction of Jesus as God's Son from the Prologue (1:1-15) to the Passion Narrative and especially the centurion's confession (15:39). Not only is Psalm 2 integral to Jesus's introduction in the narrative as God's Son by the voice from heaven (1:11), but allusions to Psalm 2 and its themes surround Mark's uses of the term thereafter in Jesus's confrontations with the unclean spirits (3:11, 5:7) and Transfiguration (9:7). Finally, echoes of Psalm 2 course through Mark's Passion Narrative from 14:61-62 onward. All of this prepares the reader, in a sense, for the centurion's confession, coinciding with Jesus's death, in 15:39. Although the centurion certainly does not quote or allude to Psalm 2 by declaring Jesus to be "God's Son," he ironically fulfills the plot of Psalm 2: the Son begins to inherit the nations as a respresentative of the dominant world empire honors with him a title reserved, in his world, for Caesar. In retrospect, the entire earthly career of Jesus in Mark has amounted to an actualization of Psalm 2: the story of how the Messiah takes up his throne and triumphs over every power, earthly and cosmic, shockingly, by means of the cross. In this way, Son of God becomes than a title; it is a shorthand for the gospel itself.This study was completed at Princeton Theological Seminary under the supervision of Professor Dale C. Allison, Jr.
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