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An Investigation of California Class...
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Reedy, Patricia R.
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An Investigation of California Classroom Teachers' Beliefs and Ratings of Creativity in Dance.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
An Investigation of California Classroom Teachers' Beliefs and Ratings of Creativity in Dance./
作者:
Reedy, Patricia R.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2020,
面頁冊數:
269 p.
附註:
Source: Dissertations Abstracts International, Volume: 82-02, Section: A.
Contained By:
Dissertations Abstracts International82-02A.
標題:
Teacher education. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28002932
ISBN:
9798662444331
An Investigation of California Classroom Teachers' Beliefs and Ratings of Creativity in Dance.
Reedy, Patricia R.
An Investigation of California Classroom Teachers' Beliefs and Ratings of Creativity in Dance.
- Ann Arbor : ProQuest Dissertations & Theses, 2020 - 269 p.
Source: Dissertations Abstracts International, Volume: 82-02, Section: A.
Thesis (Ed.D.)--University of San Francisco, 2020.
This item must not be sold to any third party vendors.
Creativity is a fundamental aim of art education. Because classroom teachers are responsible for teaching the arts at the elementary-school level, how they perceive and recognize creativity effects the quality of art education their students receive. This study investigated California teachers' beliefs about creativity in dance and the relationship of their beliefs to their ratings of student dance compositions. It also investigated the extent of agreement in creativity ratings across teachers and between teachers and dance experts. Classroom teachers' beliefs were collected through a research-constructed questionnaire, and classroom teachers (n=74) and dance experts (n=35) rated students' creative-dance products using a variation of Amabile's (1982) Consensual Assessment Technique (CAT).The findings show that classroom teachers value creativity and adhere to the belief that all children can be creative. They do not believe that creativity disrupts learning. Classroom teachers identified high, medium, and low levels of creativity with good interrater agreement (ICC=.84), and no statistically significant differences were found when compared with dance experts' ratings. Statistically significant positive associations were found between teachers' creativity ratings and their beliefs about creativity (r=.26), and medium-to-large associations were found between their creativity ratings and three individual belief items: It is important that students have free expression assignments in dance (n2=.15), All children can express themselves creatively in dance (n2=.19), and Improvisation is vital in school dance programs (n2=.11).Stepwise multiple regression was used to examine teacher characteristics as possible explanations for differences in ratings. The amount of dance offered at the teachers' schools was the only variable with a statistically significant correlation. Teachers answered three open-response questions defining creativity and describing their embodied experiences in dance. The majority of responses were psychosocial.The results of this study show that teachers' beliefs are related to their recognition of creativity and to the extent that they witness their students participating in dance, they increase that recognition. The study reveals a need for increased dance programs at the elementary-school level and professional development for teachers in dance education. This study is the first known application of CAT to dance.
ISBN: 9798662444331Subjects--Topical Terms:
3172312
Teacher education.
Subjects--Index Terms:
Consensual Assessment Technique
An Investigation of California Classroom Teachers' Beliefs and Ratings of Creativity in Dance.
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Creativity is a fundamental aim of art education. Because classroom teachers are responsible for teaching the arts at the elementary-school level, how they perceive and recognize creativity effects the quality of art education their students receive. This study investigated California teachers' beliefs about creativity in dance and the relationship of their beliefs to their ratings of student dance compositions. It also investigated the extent of agreement in creativity ratings across teachers and between teachers and dance experts. Classroom teachers' beliefs were collected through a research-constructed questionnaire, and classroom teachers (n=74) and dance experts (n=35) rated students' creative-dance products using a variation of Amabile's (1982) Consensual Assessment Technique (CAT).The findings show that classroom teachers value creativity and adhere to the belief that all children can be creative. They do not believe that creativity disrupts learning. Classroom teachers identified high, medium, and low levels of creativity with good interrater agreement (ICC=.84), and no statistically significant differences were found when compared with dance experts' ratings. Statistically significant positive associations were found between teachers' creativity ratings and their beliefs about creativity (r=.26), and medium-to-large associations were found between their creativity ratings and three individual belief items: It is important that students have free expression assignments in dance (n2=.15), All children can express themselves creatively in dance (n2=.19), and Improvisation is vital in school dance programs (n2=.11).Stepwise multiple regression was used to examine teacher characteristics as possible explanations for differences in ratings. The amount of dance offered at the teachers' schools was the only variable with a statistically significant correlation. Teachers answered three open-response questions defining creativity and describing their embodied experiences in dance. The majority of responses were psychosocial.The results of this study show that teachers' beliefs are related to their recognition of creativity and to the extent that they witness their students participating in dance, they increase that recognition. The study reveals a need for increased dance programs at the elementary-school level and professional development for teachers in dance education. This study is the first known application of CAT to dance.
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