東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Stravinsky, Balanchine, and Agon: An...

Fitzpatrick, Jacob.

FindBook

Google Book

Amazon

博客來

Stravinsky, Balanchine, and Agon: An Intersection of Musical Movement and Dance.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Stravinsky, Balanchine, and Agon: An Intersection of Musical Movement and Dance./
作者:	Fitzpatrick, Jacob.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
面頁冊數:	301 p.
附註:	Source: Dissertations Abstracts International, Volume: 81-12, Section: A.
Contained By:	Dissertations Abstracts International81-12A.
標題:	Music theory. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28001295
ISBN:	9781082634963

Stravinsky, Balanchine, and Agon: An Intersection of Musical Movement and Dance.
Fitzpatrick, Jacob.

Stravinsky, Balanchine, and Agon: An Intersection of Musical Movement and Dance. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 301 p.

Source: Dissertations Abstracts International, Volume: 81-12, Section: A.

Thesis (Ph.D.)--The University of Wisconsin - Madison, 2020.

This item must not be sold to any third party vendors.

Agon (1957) is a ballet with music composed by Igor Stravinsky and choreography by George Balanchine. If we understand Agon as an interdisciplinary work, one consideration is how to address music and dance in a way that allows us to form meaningful connections between the two. One such link between music and dance is the concept of movement. While there are many ways that we can discuss movement, one prominent form of movement analysis is called Laban Movement Analysis (LMA). The LMA branch of effort can form a connection between music and dance because it addresses not the bodily or spatial patterns of movement, but rather the qualitative ones.As a case study, this dissertation focuses on a single dance in Agon, the Saraband Step. Chapter 1 begins with Stravinsky's score and considers what it means to understand music as movement. Chapter 2 introduces LMA and shows how we can hear effort in music by using the four motion factors (weight, time, space, flow). Chapter 3 explores the mimetic hypothesis. It then uses this hypothesis to bridge our understanding of effort that we hear in music to effort that we see in dance. Chapter 4 is an analysis of Balanchine's choreography and shows how the choreography forms a narrative with movement and space. And finally, Chapter 5 introduces the notion of choreomusicality. It explains how effort can be a tool that invites us to discover choreomusical relationships between music and dance.

ISBN: 9781082634963Subjects--Topical Terms:

547155
Music theory.
Subjects--Index Terms:

Agon

Stravinsky, Balanchine, and Agon: An Intersection of Musical Movement and Dance.
LDR:02617nmm a2200373 4500 001 2274294
005 20201120093411.5
008 220629s2020 ||||||||||||||||| ||eng d
020 $a 9781082634963
035 $a (MiAaPQ)AAI28001295
035 $a AAI28001295
040 $a MiAaPQ $c MiAaPQ
100 1 $a Fitzpatrick, Jacob. $3 3551773
245 1 0 $a Stravinsky, Balanchine, and Agon: An Intersection of Musical Movement and Dance.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2020
300 $a 301 p.
500 $a Source: Dissertations Abstracts International, Volume: 81-12, Section: A.
500 $a Advisor: Hyer, Brian.
502 $a Thesis (Ph.D.)--The University of Wisconsin - Madison, 2020.
506 $a This item must not be sold to any third party vendors.
520 $a Agon (1957) is a ballet with music composed by Igor Stravinsky and choreography by George Balanchine. If we understand Agon as an interdisciplinary work, one consideration is how to address music and dance in a way that allows us to form meaningful connections between the two. One such link between music and dance is the concept of movement. While there are many ways that we can discuss movement, one prominent form of movement analysis is called Laban Movement Analysis (LMA). The LMA branch of effort can form a connection between music and dance because it addresses not the bodily or spatial patterns of movement, but rather the qualitative ones.As a case study, this dissertation focuses on a single dance in Agon, the Saraband Step. Chapter 1 begins with Stravinsky's score and considers what it means to understand music as movement. Chapter 2 introduces LMA and shows how we can hear effort in music by using the four motion factors (weight, time, space, flow). Chapter 3 explores the mimetic hypothesis. It then uses this hypothesis to bridge our understanding of effort that we hear in music to effort that we see in dance. Chapter 4 is an analysis of Balanchine's choreography and shows how the choreography forms a narrative with movement and space. And finally, Chapter 5 introduces the notion of choreomusicality. It explains how effort can be a tool that invites us to discover choreomusical relationships between music and dance.
590 $a School code: 0262.
650 4 $a Music theory. $3 547155
650 4 $a Dance. $3 610547
653 $a Agon
653 $a Balanchine, George
653 $a Dance
653 $a Laban Movement Analysis
653 $a Movement
653 $a Stravinsky, Igor
690 $a 0221
690 $a 0378
710 2 $a The University of Wisconsin - Madison. $b Music. $3 2093364
773 0 $t Dissertations Abstracts International $g 81-12A.
790 $a 0262
791 $a Ph.D.
792 $a 2020
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28001295