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Hans Richter, 1941-1976: Bridging Op...

Bransfield, Micayla R.

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Hans Richter, 1941-1976: Bridging Oppositions between Painting and Film.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Hans Richter, 1941-1976: Bridging Oppositions between Painting and Film./
Author:	Bransfield, Micayla R.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:	186 p.
Notes:	Source: Masters Abstracts International, Volume: 81-12.
Contained By:	Masters Abstracts International81-12.
Subject:	Art history. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27957519
ISBN:	9798645498016

Hans Richter, 1941-1976: Bridging Oppositions between Painting and Film.
Bransfield, Micayla R.

Hans Richter, 1941-1976: Bridging Oppositions between Painting and Film. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 186 p.

Source: Masters Abstracts International, Volume: 81-12.

Thesis (M.A.)--Tufts University, 2020.

This item must not be sold to any third party vendors.

Artist Hans Richter (1888-1976), celebrated for his early films and role as Dada historian, sustained a life-long investigation of dualities. His theoretical framework centered around diametrical concepts: chaos and order, form and anti-form, art and anti-art. Richter immigrated to the United States in 1941 and maintained distinct but overlapping practices as painter and filmmaker. This study redresses the tendency to treat geographic and media-based divides as additional dualities within Richter's practice. As artist and historian, Richter constantly revisited the theories that he developed in the early 1920s. Examining the 1941 through 1976 trajectory of his work, this thesis argues that by 1960 Richter had reached a state in which he collaged rather than archived his past theories and imagery. The artist's sustained engagement with his earliest theories of form and duration, and reengagement with issues of intermediality, allows for a more nuanced understanding of his later works and communities as well as his earliest paintings and films.

ISBN: 9798645498016Subjects--Topical Terms:

2122701
Art history.
Subjects--Index Terms:

Artistic collaboration

Hans Richter, 1941-1976: Bridging Oppositions between Painting and Film.
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520 $a Artist Hans Richter (1888-1976), celebrated for his early films and role as Dada historian, sustained a life-long investigation of dualities. His theoretical framework centered around diametrical concepts: chaos and order, form and anti-form, art and anti-art. Richter immigrated to the United States in 1941 and maintained distinct but overlapping practices as painter and filmmaker. This study redresses the tendency to treat geographic and media-based divides as additional dualities within Richter's practice. As artist and historian, Richter constantly revisited the theories that he developed in the early 1920s. Examining the 1941 through 1976 trajectory of his work, this thesis argues that by 1960 Richter had reached a state in which he collaged rather than archived his past theories and imagery. The artist's sustained engagement with his earliest theories of form and duration, and reengagement with issues of intermediality, allows for a more nuanced understanding of his later works and communities as well as his earliest paintings and films.
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