東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Like Life: Royal Portraits of the Jo...

Son, Myenghee Myeonghui.

FindBook

Google Book

Amazon

博客來

Like Life: Royal Portraits of the Joseon Dynasty (1392-1910) in Ritual Context.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Like Life: Royal Portraits of the Joseon Dynasty (1392-1910) in Ritual Context./
作者:	Son, Myenghee Myeonghui.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
面頁冊數:	250 p.
附註:	Source: Dissertations Abstracts International, Volume: 80-01, Section: A.
Contained By:	Dissertations Abstracts International80-01A.
標題:	Religious history. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10821782
ISBN:	9780438101234

Like Life: Royal Portraits of the Joseon Dynasty (1392-1910) in Ritual Context.
Son, Myenghee Myeonghui.

Like Life: Royal Portraits of the Joseon Dynasty (1392-1910) in Ritual Context. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 250 p.

Source: Dissertations Abstracts International, Volume: 80-01, Section: A.

Thesis (Ph.D.)--University of Kansas, 2018.

This item is not available from ProQuest Dissertations & Theses.

This dissertation examines the functions and meanings of Joseon royal portraits by investigating them in light of the material culture and the ritual practices of royal ancestor worship in royal portrait halls, where offerings of wine and food were presented before portrait paintings for royal ancestral rites. This study classifies portrait halls as either official or informal, depending on their inclusion in or exclusion from the official state rites and goes on to discern the different features and functions of specific portrait halls through in-depth investigation of the ritual goods used therein and the interior settings and adornment of the halls. By distinguishing repositories, where portraits were not formally worshipped, from portrait halls, it also offers case studies of portraits in the repositories and illuminates their original function and distinctive character in form and style. The first chapter focuses on the way the early Joseon court legitimated the rituals for the portrait halls of King Taejo and King Sejo by incorporating them into the state rites, which drew on Confucian textual traditions rooted in Chinese antiquity. It demonstrates that the principle of "serving the dead as if they were alive" shaped both the ritual practice and the material culture of portrait worship and resulted in the adoption of contemporary secular objects for use as offering vessels and furnishings in the portrait halls. The second chapter elucidates the functions of Yeonghuijeon, Jangnyeongjeon, and Hwaryeongjeon, the official portrait halls of the late Joseon and discusses the ways the status of individual halls was expressed through the material goods used in their rituals and physical environment. The third chapter concentrates on the distinguishing, exceptional features of Seonwonjeon, the informal portrait hall for the royal family in the inner quarter of the palace. Through an analysis of its material culture, this chapter addresses the origin of Seonwonjeon and identifies the distinguishing features and functions of the hall that arose out of popular customs and religious traditions other than state rites. Within this overarching scheme, the fourth chapter considers the issues of status and formality related to the displayed portraits as objects of worship in specific portrait halls. Recognizing the commemorative and "quasi-public" function of official portrait halls, it also examines the Joseon concepts of "rulership" embodied by the portraits displayed in them and the way the visual formulas for these portraits changed over the course of the dynasty. For the latter, I use the history of the imperial portraits of the Ming Dynasty as a foil. The fifth chapter notes the emergence of several repositories in the late Joseon period and discusses portraits of certain late Joseon kings that were installed in the repositories. It argues that these portraits functioned not only as stand-ins for the kings but also served broader political agendas.

ISBN: 9780438101234Subjects--Topical Terms:

2122824
Religious history.
Subjects--Index Terms:

Ancestor worship

Like Life: Royal Portraits of the Joseon Dynasty (1392-1910) in Ritual Context.
LDR:04431nmm a2200433 4500 001 2274187
005 20201120093338.5
008 220629s2018 ||||||||||||||||| ||eng d
020 $a 9780438101234
035 $a (MiAaPQ)AAI10821782
035 $a (MiAaPQ)ku:15982
035 $a AAI10821782
040 $a MiAaPQ $c MiAaPQ
100 1 $a Son, Myenghee Myeonghui. $3 3551655
245 1 0 $a Like Life: Royal Portraits of the Joseon Dynasty (1392-1910) in Ritual Context.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2018
300 $a 250 p.
500 $a Source: Dissertations Abstracts International, Volume: 80-01, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Haufler, Marsha.
502 $a Thesis (Ph.D.)--University of Kansas, 2018.
506 $a This item is not available from ProQuest Dissertations & Theses.
506 $a This item must not be added to any third party search indexes.
506 $a This item must not be sold to any third party vendors.
520 $a This dissertation examines the functions and meanings of Joseon royal portraits by investigating them in light of the material culture and the ritual practices of royal ancestor worship in royal portrait halls, where offerings of wine and food were presented before portrait paintings for royal ancestral rites. This study classifies portrait halls as either official or informal, depending on their inclusion in or exclusion from the official state rites and goes on to discern the different features and functions of specific portrait halls through in-depth investigation of the ritual goods used therein and the interior settings and adornment of the halls. By distinguishing repositories, where portraits were not formally worshipped, from portrait halls, it also offers case studies of portraits in the repositories and illuminates their original function and distinctive character in form and style. The first chapter focuses on the way the early Joseon court legitimated the rituals for the portrait halls of King Taejo and King Sejo by incorporating them into the state rites, which drew on Confucian textual traditions rooted in Chinese antiquity. It demonstrates that the principle of "serving the dead as if they were alive" shaped both the ritual practice and the material culture of portrait worship and resulted in the adoption of contemporary secular objects for use as offering vessels and furnishings in the portrait halls. The second chapter elucidates the functions of Yeonghuijeon, Jangnyeongjeon, and Hwaryeongjeon, the official portrait halls of the late Joseon and discusses the ways the status of individual halls was expressed through the material goods used in their rituals and physical environment. The third chapter concentrates on the distinguishing, exceptional features of Seonwonjeon, the informal portrait hall for the royal family in the inner quarter of the palace. Through an analysis of its material culture, this chapter addresses the origin of Seonwonjeon and identifies the distinguishing features and functions of the hall that arose out of popular customs and religious traditions other than state rites. Within this overarching scheme, the fourth chapter considers the issues of status and formality related to the displayed portraits as objects of worship in specific portrait halls. Recognizing the commemorative and "quasi-public" function of official portrait halls, it also examines the Joseon concepts of "rulership" embodied by the portraits displayed in them and the way the visual formulas for these portraits changed over the course of the dynasty. For the latter, I use the history of the imperial portraits of the Ming Dynasty as a foil. The fifth chapter notes the emergence of several repositories in the late Joseon period and discusses portraits of certain late Joseon kings that were installed in the repositories. It argues that these portraits functioned not only as stand-ins for the kings but also served broader political agendas.
590 $a School code: 0099.
650 4 $a Religious history. $3 2122824
650 4 $a Asian History. $3 2088436
650 4 $a Art history. $3 2122701
653 $a Ancestor worship
653 $a Joseon
653 $a Material culture
653 $a Portrait halls
653 $a Ritual vessels
653 $a Royal portraits
690 $a 0320
690 $a 0332
690 $a 0377
710 2 $a University of Kansas. $b History of Art. $3 1032353
773 0 $t Dissertations Abstracts International $g 80-01A.
790 $a 0099
791 $a Ph.D.
792 $a 2018
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10821782