東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Cinegrafia: Literatura, Espectadores...

Robles, Rojo.

FindBook

Google Book

Amazon

博客來

Cinegrafia: Literatura, Espectadores y Cinefilia Contemporanea en Latinoamerica.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Cinegrafia: Literatura, Espectadores y Cinefilia Contemporanea en Latinoamerica./
作者:	Robles, Rojo.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
面頁冊數:	168 p.
附註:	Source: Dissertations Abstracts International, Volume: 81-09, Section: A.
Contained By:	Dissertations Abstracts International81-09A.
標題:	Latin American literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27735451
ISBN:	9781392785249

Cinegrafia: Literatura, Espectadores y Cinefilia Contemporanea en Latinoamerica.
Robles, Rojo.

Cinegrafia: Literatura, Espectadores y Cinefilia Contemporanea en Latinoamerica. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 168 p.

Source: Dissertations Abstracts International, Volume: 81-09, Section: A.

Thesis (Ph.D.)--City University of New York, 2020.

This item must not be sold to any third party vendors.

The arrival of cinema in Latin America quickly produced an intermedial cultural landscape. To this day, experimental authors in the Hemisphere and the Caribbean write cinegraphic fiction as a way to deal with film's socio-cultural repercussions. My work addresses the question of how cinema transforms and subverts the creation of fictional narratives in the last five decades. By considering a corpus of post-1968 literary works in Latin America, I argue that contemporary cinegraphic fiction, a concept I coined, shed light on filmic discourses, platforms, and artifacts and transpose film language into literary texts. Intending to rethink polycentric film production and reception, I examine intermedial literary methods, spectatorship, and cinephilia in Latin America. My research uses film theory alongside literary criticism and cultural analysis to explore how cinegraphic storytelling facilitates a commentary on race, gender, class, migrant lives, media, and technology. Through four chapters, I do close readings of cinegraphic cases from different national contexts. In the first chapter, I focus on engagements with active spectatorship by examining "Destinitos fatales," "Queremos tanto a Glenda," and "A Brick Wall," three short stories by Andres Caicedo, Julio Cortazar and Cesar Aira, respectively. In chapter two, I analyze the relationship between travels, film reception and memory in the novels Las peliculas de mi vida by Alberto Fuguet and La fiesta vigilada by Antonio Jose Ponte. The reproduction of silent comedy and film noir tropes in the novel Triste, solitario y final by Osvaldo Soriano centers the discussions of chapter three. Lastly, I discuss cinegraphic laboratories and fluid authorship in the short story Lost in the Museum of Natural History by Pedro Pietri, and the novels Yoyo Boing! by Giannina Braschi, Contrabando by Victor Hugo Rascon Banda and Cuatro muertos por capitulos by Cesar Lopez Cuadra. My dissertation argues that cinegraphic fiction promotes hybridity of form and content that expands the strategies of literary representation to highlight the interconnectedness of film culture and societal tensions. The use of cinema-infused modes of expression is central to a general critique of late capitalist societies and the marginalization of communities and individuals in Latin America and the United States.

ISBN: 9781392785249Subjects--Topical Terms:

2078811
Latin American literature.
Subjects--Index Terms:

Caribbean fiction

Cinegrafia: Literatura, Espectadores y Cinefilia Contemporanea en Latinoamerica.
LDR:03495nmm a2200361 4500 001 2274128
005 20201120111335.5
008 220629s2020 ||||||||||||||||| ||eng d
020 $a 9781392785249
035 $a (MiAaPQ)AAI27735451
035 $a AAI27735451
040 $a MiAaPQ $c MiAaPQ
100 1 $a Robles, Rojo. $3 3551593
245 1 0 $a Cinegrafia: Literatura, Espectadores y Cinefilia Contemporanea en Latinoamerica.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2020
300 $a 168 p.
500 $a Source: Dissertations Abstracts International, Volume: 81-09, Section: A.
500 $a Advisor: Smith, Paul Julian.
502 $a Thesis (Ph.D.)--City University of New York, 2020.
506 $a This item must not be sold to any third party vendors.
520 $a The arrival of cinema in Latin America quickly produced an intermedial cultural landscape. To this day, experimental authors in the Hemisphere and the Caribbean write cinegraphic fiction as a way to deal with film's socio-cultural repercussions. My work addresses the question of how cinema transforms and subverts the creation of fictional narratives in the last five decades. By considering a corpus of post-1968 literary works in Latin America, I argue that contemporary cinegraphic fiction, a concept I coined, shed light on filmic discourses, platforms, and artifacts and transpose film language into literary texts. Intending to rethink polycentric film production and reception, I examine intermedial literary methods, spectatorship, and cinephilia in Latin America. My research uses film theory alongside literary criticism and cultural analysis to explore how cinegraphic storytelling facilitates a commentary on race, gender, class, migrant lives, media, and technology. Through four chapters, I do close readings of cinegraphic cases from different national contexts. In the first chapter, I focus on engagements with active spectatorship by examining "Destinitos fatales," "Queremos tanto a Glenda," and "A Brick Wall," three short stories by Andres Caicedo, Julio Cortazar and Cesar Aira, respectively. In chapter two, I analyze the relationship between travels, film reception and memory in the novels Las peliculas de mi vida by Alberto Fuguet and La fiesta vigilada by Antonio Jose Ponte. The reproduction of silent comedy and film noir tropes in the novel Triste, solitario y final by Osvaldo Soriano centers the discussions of chapter three. Lastly, I discuss cinegraphic laboratories and fluid authorship in the short story Lost in the Museum of Natural History by Pedro Pietri, and the novels Yoyo Boing! by Giannina Braschi, Contrabando by Victor Hugo Rascon Banda and Cuatro muertos por capitulos by Cesar Lopez Cuadra. My dissertation argues that cinegraphic fiction promotes hybridity of form and content that expands the strategies of literary representation to highlight the interconnectedness of film culture and societal tensions. The use of cinema-infused modes of expression is central to a general critique of late capitalist societies and the marginalization of communities and individuals in Latin America and the United States.
590 $a School code: 0046.
650 4 $a Latin American literature. $2 fast $3 2078811
650 4 $a Film studies. $3 2122736
650 4 $a Caribbean literature. $3 3173897
653 $a Caribbean fiction
653 $a Cinephilia
653 $a Noir literature
653 $a Spectatorship
690 $a 0312
690 $a 0900
690 $a 0360
710 2 $a City University of New York. $b Latin American, Iberian and Latino Cultures. $3 3438009
773 0 $t Dissertations Abstracts International $g 81-09A.
790 $a 0046
791 $a Ph.D.
792 $a 2020
793 $a Spanish
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27735451