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Narrativas inhumanas: Capitalismo ex...

Rudas-Burgos, Gabriel .

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Narrativas inhumanas: Capitalismo extractivo, delirios animistas y representacion textual en Jose Eustasio Rivera, Jose Maria Arguedas y Juan Cardenas.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Narrativas inhumanas: Capitalismo extractivo, delirios animistas y representacion textual en Jose Eustasio Rivera, Jose Maria Arguedas y Juan Cardenas./
Author:	Rudas-Burgos, Gabriel .
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2019,
Description:	321 p.
Notes:	Source: Dissertations Abstracts International, Volume: 81-09, Section: A.
Contained By:	Dissertations Abstracts International81-09A.
Subject:	Latin American literature. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27548564
ISBN:	9781658470247

Narrativas inhumanas: Capitalismo extractivo, delirios animistas y representacion textual en Jose Eustasio Rivera, Jose Maria Arguedas y Juan Cardenas.
Rudas-Burgos, Gabriel .

Narrativas inhumanas: Capitalismo extractivo, delirios animistas y representacion textual en Jose Eustasio Rivera, Jose Maria Arguedas y Juan Cardenas. - Ann Arbor : ProQuest Dissertations & Theses, 2019 - 321 p.

Source: Dissertations Abstracts International, Volume: 81-09, Section: A.

Thesis (Ph.D.)--State University of New York at Stony Brook, 2019.

This item must not be sold to any third party vendors.

This dissertation analyzes the literary representation of human and non-human relations in contexts of extractive capitalism in narrative texts by Jose Eustasio Rivera (1888-1928), Jose Maria Arguedas (1911-1969), and Juan Cardenas (1978-).First, the dissertation explores how Rivera's Himno a la selva(1924), Arguedas' Orovilca (1954) and Cardenas' Caliban (2017) establish a dialogue between their literary traditions and non-Western animistic epistemologies. This helps in understanding how the authors approach the problem of extractive capitalism in their novels. In La voragine (1924), Rivera explores how the brutal rationality of rubber extraction in the Amazon region challenges the idea of literature as part of a civilizing project. He also includes in his writing popular animistic ways of reading the territory. In The Fox of Above and the Fox of Below (1969-1970), Arguedas incorporates aspects of Andean animistic shamanic rituals into his work to understand a social catastrophe in a small city in Peru during the late 1960s (when it became the epicenter of an industrial fishing economic boom). This allows the characters and narrators to understand the chaos and degradation originated by the fishing industry from a non-human point of view. In El diablo de las provincias (2016), Cardenas portrays a confrontation between a scientific-aesthetic holistic model of nature, a magical-popular knowledge based on analogical reasoning, and the instrumental rationality of extractive mono-crops (which seek to transform nature and society in a simplified, symmetric, productive system). In the novel, the mono-crop appears as all-powerful being that turns humans and non-humans into entities servicing the never-ending expansion of extractive agriculture. Therefore, these three authors question the divide between nature and culture and explore the limits of non anthropocentric writings to challenge the underlying rationality of extractive capitalism and to effectively fight against itMy dissertation establishes theoretical a dialogue between Latin American intellectual traditions and contemporary cultural and social theories. Mainly, the analysis of the nature/culture divide is approached in relation to anthropologists' Phillipe Descola and Eduardo Viveiros de Castro theories on non-anthropocentric ontologies. The dissertation also examines the links between geography, cultural and economic conflicts, and knowledge as conceptualized by literary critics Angel Rama, Antionio Cornejo Polar and Mary Louise Pratt, political scientist James Scott, and anthropologist Margarita Serje.

ISBN: 9781658470247Subjects--Topical Terms:

2078811
Latin American literature.
Subjects--Index Terms:

Animsm

Narrativas inhumanas: Capitalismo extractivo, delirios animistas y representacion textual en Jose Eustasio Rivera, Jose Maria Arguedas y Juan Cardenas.
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245 1 0 $a Narrativas inhumanas: Capitalismo extractivo, delirios animistas y representacion textual en Jose Eustasio Rivera, Jose Maria Arguedas y Juan Cardenas.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2019
300 $a 321 p.
500 $a Source: Dissertations Abstracts International, Volume: 81-09, Section: A.
500 $a Advisor: Firbas, Paul;Uriarte, Javier.
502 $a Thesis (Ph.D.)--State University of New York at Stony Brook, 2019.
506 $a This item must not be sold to any third party vendors.
520 $a This dissertation analyzes the literary representation of human and non-human relations in contexts of extractive capitalism in narrative texts by Jose Eustasio Rivera (1888-1928), Jose Maria Arguedas (1911-1969), and Juan Cardenas (1978-).First, the dissertation explores how Rivera's Himno a la selva(1924), Arguedas' Orovilca (1954) and Cardenas' Caliban (2017) establish a dialogue between their literary traditions and non-Western animistic epistemologies. This helps in understanding how the authors approach the problem of extractive capitalism in their novels. In La voragine (1924), Rivera explores how the brutal rationality of rubber extraction in the Amazon region challenges the idea of literature as part of a civilizing project. He also includes in his writing popular animistic ways of reading the territory. In The Fox of Above and the Fox of Below (1969-1970), Arguedas incorporates aspects of Andean animistic shamanic rituals into his work to understand a social catastrophe in a small city in Peru during the late 1960s (when it became the epicenter of an industrial fishing economic boom). This allows the characters and narrators to understand the chaos and degradation originated by the fishing industry from a non-human point of view. In El diablo de las provincias (2016), Cardenas portrays a confrontation between a scientific-aesthetic holistic model of nature, a magical-popular knowledge based on analogical reasoning, and the instrumental rationality of extractive mono-crops (which seek to transform nature and society in a simplified, symmetric, productive system). In the novel, the mono-crop appears as all-powerful being that turns humans and non-humans into entities servicing the never-ending expansion of extractive agriculture. Therefore, these three authors question the divide between nature and culture and explore the limits of non anthropocentric writings to challenge the underlying rationality of extractive capitalism and to effectively fight against itMy dissertation establishes theoretical a dialogue between Latin American intellectual traditions and contemporary cultural and social theories. Mainly, the analysis of the nature/culture divide is approached in relation to anthropologists' Phillipe Descola and Eduardo Viveiros de Castro theories on non-anthropocentric ontologies. The dissertation also examines the links between geography, cultural and economic conflicts, and knowledge as conceptualized by literary critics Angel Rama, Antionio Cornejo Polar and Mary Louise Pratt, political scientist James Scott, and anthropologist Margarita Serje.
590 $a School code: 0771.
650 4 $a Latin American literature. $2 fast $3 2078811
653 $a Animsm
653 $a Extractivism
653 $a Rivera, Jose Eustasio
653 $a Arguedas, Jose Maria
653 $a Cardenas, Juan
653 $a Onthologic turn
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710 2 $a State University of New York at Stony Brook. $b Hispanic Languages and Literature. $3 2122744
773 0 $t Dissertations Abstracts International $g 81-09A.
790 $a 0771
791 $a Ph.D.
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793 $a Spanish
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27548564