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Changing the Dialogue: How Digital C...
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Alejandrino, Rosemarie.
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Changing the Dialogue: How Digital Creators are Reshaping Film Criticism.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Changing the Dialogue: How Digital Creators are Reshaping Film Criticism./
作者:
Alejandrino, Rosemarie.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2018,
面頁冊數:
35 p.
附註:
Source: Masters Abstracts International, Volume: 80-08.
Contained By:
Masters Abstracts International80-08.
標題:
Journalism. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=11017220
Changing the Dialogue: How Digital Creators are Reshaping Film Criticism.
Alejandrino, Rosemarie.
Changing the Dialogue: How Digital Creators are Reshaping Film Criticism.
- Ann Arbor : ProQuest Dissertations & Theses, 2018 - 35 p.
Source: Masters Abstracts International, Volume: 80-08.
Thesis (M.A.)--University of Southern California, 2018.
This item must not be sold to any third party vendors.
Since the premiere of Roger Ebert and Gene Siskel's movie review talk show At the Movies in 1982, film critics have pondered what the future of film criticism could look like beyond print and text publications and trade journals. In the digital age, the rise of online review aggregators-such as Rotten Tomatoes-has once again brought the question of what the future of film criticism could be to the forefront. This longform article, written as in the inaugural year of the USC Annenberg-Rotten Tomatoes Digital Innovatioon and Entertainment Criticism Fellowship, explores the future of film criticism through interviews with eight video and podcast critics who are changing what criticism means in the digital age.Subjects--Topical Terms:
576107
Journalism.
Changing the Dialogue: How Digital Creators are Reshaping Film Criticism.
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Since the premiere of Roger Ebert and Gene Siskel's movie review talk show At the Movies in 1982, film critics have pondered what the future of film criticism could look like beyond print and text publications and trade journals. In the digital age, the rise of online review aggregators-such as Rotten Tomatoes-has once again brought the question of what the future of film criticism could be to the forefront. This longform article, written as in the inaugural year of the USC Annenberg-Rotten Tomatoes Digital Innovatioon and Entertainment Criticism Fellowship, explores the future of film criticism through interviews with eight video and podcast critics who are changing what criticism means in the digital age.
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