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Communication Between Sound and Visu...

Chow, Jun Yan.

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Communication Between Sound and Visual Artists in Improvisatory Performance.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Communication Between Sound and Visual Artists in Improvisatory Performance./
Author:	Chow, Jun Yan.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
Description:	656 p.
Notes:	Source: Dissertations Abstracts International, Volume: 80-02, Section: C.
Contained By:	Dissertations Abstracts International80-02C.
Subject:	Multimedia Communications. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10907356
ISBN:	9781073989379

Communication Between Sound and Visual Artists in Improvisatory Performance.
Chow, Jun Yan.

Communication Between Sound and Visual Artists in Improvisatory Performance. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 656 p.

Source: Dissertations Abstracts International, Volume: 80-02, Section: C.

Thesis (Ph.D.)--National University of Singapore (Singapore), 2018.

This item must not be sold to any third party vendors.

This thesis explores sound-visual improvisation in a semi-structured environment, where the performers (musician and visual artist) who work within the scopes of their native disciplines are given minimal structures with a degree of freedom for live improvisation. An empirical study has been conducted where all ensemble rehearsals and performances were observed and videotaped. A member checks procedure and a focus group discussion have been employed after each rehearsal and performance in order to validate and understand their actions and thoughts when the improvisation unfurls. The results and findings have been divided into two sections - the functions of verbal communications for building up a common ground of information and the modes of non-verbal communications during the performances. These included the modes of coordination within the content (i.e. the provided semi-structured composition) and the process of collaboration that maintained the interactional dynamics moment-by-moment during the process of collaboration. By compiling the findings, the results provide some initial framework into how the performers from different modalities develop an acute moment-by- moment sense of coordination and communicate with each other as the performance unfolds.

ISBN: 9781073989379Subjects--Topical Terms:

1057801
Multimedia Communications.

Communication Between Sound and Visual Artists in Improvisatory Performance.
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100 1 $a Chow, Jun Yan. $3 3549441
245 1 0 $a Communication Between Sound and Visual Artists in Improvisatory Performance.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2018
300 $a 656 p.
500 $a Source: Dissertations Abstracts International, Volume: 80-02, Section: C.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: WYSE, LONCE LAMAR.
502 $a Thesis (Ph.D.)--National University of Singapore (Singapore), 2018.
506 $a This item must not be sold to any third party vendors.
520 $a This thesis explores sound-visual improvisation in a semi-structured environment, where the performers (musician and visual artist) who work within the scopes of their native disciplines are given minimal structures with a degree of freedom for live improvisation. An empirical study has been conducted where all ensemble rehearsals and performances were observed and videotaped. A member checks procedure and a focus group discussion have been employed after each rehearsal and performance in order to validate and understand their actions and thoughts when the improvisation unfurls. The results and findings have been divided into two sections - the functions of verbal communications for building up a common ground of information and the modes of non-verbal communications during the performances. These included the modes of coordination within the content (i.e. the provided semi-structured composition) and the process of collaboration that maintained the interactional dynamics moment-by-moment during the process of collaboration. By compiling the findings, the results provide some initial framework into how the performers from different modalities develop an acute moment-by- moment sense of coordination and communicate with each other as the performance unfolds.
590 $a School code: 1883.
650 4 $a Multimedia Communications. $3 1057801
690 $a 0558
710 2 $a National University of Singapore (Singapore). $3 3352228
773 0 $t Dissertations Abstracts International $g 80-02C.
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791 $a Ph.D.
792 $a 2018
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10907356