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How to Introduce a Culture Without T...
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Seilkhanova, Togzhan.
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How to Introduce a Culture Without Talking About It or Why Mockumentary Works.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
How to Introduce a Culture Without Talking About It or Why Mockumentary Works./
作者:
Seilkhanova, Togzhan.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2020,
面頁冊數:
35 p.
附註:
Source: Masters Abstracts International, Volume: 82-01.
Contained By:
Masters Abstracts International82-01.
標題:
Film studies. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27995032
ISBN:
9798641498478
How to Introduce a Culture Without Talking About It or Why Mockumentary Works.
Seilkhanova, Togzhan.
How to Introduce a Culture Without Talking About It or Why Mockumentary Works.
- Ann Arbor : ProQuest Dissertations & Theses, 2020 - 35 p.
Source: Masters Abstracts International, Volume: 82-01.
Thesis (M.F.A.)--State University of New York at Buffalo, 2020.
This item must not be sold to any third party vendors.
In this thesis, I explore the uses of the mockumentary genre in popular culture and analyze the reasons for its effectiveness as social commentary and critique. Many authors (e.g. Doherty, 2003) agree that mockumentary is a "soothing" genre that makes fun of the silliest human traits and allows the audience to be in a "superior" position. Mockumentary is also an increasingly popular form of narrative that employs the traditions and tools of the documentary genre to (1) parody archetypal characters present in popular culture and the media; (2) provide a critique of both characters in the film and the documentary genre; or (3) deconstruct the documentary genre itself and undermine the principles of the documentary. These three types of mockumentary are characterized by the degree of appropriation from the documentary genre, determined by how closely a mockumentary follows the rules and standards of documentary film. I use examples such as Best in Show (2000), The Office (2005), Borat (2006) and others to better understand mockumentary theory and analyze the specificities of the genre that work most effectively to deliver meaning and humor.I also discuss my thesis film project, its premise, and the events that led to its creation. I analyze the process of production and the challenges related to the chosen mockumentary genre. I use this particular form in order to attract the audience's attention and arouse their interest in the subject of the film.
ISBN: 9798641498478Subjects--Topical Terms:
2122736
Film studies.
Subjects--Index Terms:
Borat
How to Introduce a Culture Without Talking About It or Why Mockumentary Works.
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In this thesis, I explore the uses of the mockumentary genre in popular culture and analyze the reasons for its effectiveness as social commentary and critique. Many authors (e.g. Doherty, 2003) agree that mockumentary is a "soothing" genre that makes fun of the silliest human traits and allows the audience to be in a "superior" position. Mockumentary is also an increasingly popular form of narrative that employs the traditions and tools of the documentary genre to (1) parody archetypal characters present in popular culture and the media; (2) provide a critique of both characters in the film and the documentary genre; or (3) deconstruct the documentary genre itself and undermine the principles of the documentary. These three types of mockumentary are characterized by the degree of appropriation from the documentary genre, determined by how closely a mockumentary follows the rules and standards of documentary film. I use examples such as Best in Show (2000), The Office (2005), Borat (2006) and others to better understand mockumentary theory and analyze the specificities of the genre that work most effectively to deliver meaning and humor.I also discuss my thesis film project, its premise, and the events that led to its creation. I analyze the process of production and the challenges related to the chosen mockumentary genre. I use this particular form in order to attract the audience's attention and arouse their interest in the subject of the film.
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