東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Violent Content in Film: A Defense o...

Hrehor, Kristin A.

FindBook

Google Book

Amazon

博客來

Violent Content in Film: A Defense of the Morally Shocking.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Violent Content in Film: A Defense of the Morally Shocking./
作者:	Hrehor, Kristin A.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
面頁冊數:	247 p.
附註:	Source: Dissertations Abstracts International, Volume: 80-07, Section: A.
Contained By:	Dissertations Abstracts International80-07A.
標題:	Ethics. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10974760
ISBN:	9780438800564

Violent Content in Film: A Defense of the Morally Shocking.
Hrehor, Kristin A.

Violent Content in Film: A Defense of the Morally Shocking. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 247 p.

Source: Dissertations Abstracts International, Volume: 80-07, Section: A.

Thesis (Ph.D.)--Temple University, 2018.

This item must not be sold to any third party vendors.

Violent content in film has been extensively debated from a myriad of different perspectives, and both within and across a number of different disciplines. Oftentimes, the more violent the content that a film contains, the more likely such content is considered to negatively detract from the value of the work in question. However, this dissertation provides an argument to the contrary with respect to a specific set of cinematic examples and a particular way in which violent content is represented within them. In what follows, I argue that there are grounds to believe in the philosophical value of engaging with works that "morally shock" their audiences through the representation of violent content. First, by analyzing a combination of works ranging from the more conservative American classic Deliverance (1972) to the more controversial French avant-garde Irreversible (2002), I provide a case for reclassifying violent films into different genres, only one of which contains films which elicit a particular kind of response that I single out for further examination. In considering the implications of our responses to these "morally shocking" films, I provide a foundation against which such films can be considered to have a distinct kind of philosophical value by exploring their significance with respect to: (1) issues of interpretation and value in the philosophy of film, (2) recent developments in research on moral judgment, and (3) arguments both for and against the idea that film can be thought of as a kind of philosophy. Ultimately, I argue that our response of moral shock to the content of these films has the subversive effect of destabilizing our moral orientation and consequently motivating philosophical reflection in innovative ways.

ISBN: 9780438800564Subjects--Topical Terms:

517264
Ethics.
Subjects--Index Terms:

Moral content

Violent Content in Film: A Defense of the Morally Shocking.
LDR:02984nmm a2200397 4500 001 2269487
005 20200911122827.5
008 220629s2018 ||||||||||||||||| ||eng d
020 $a 9780438800564
035 $a (MiAaPQ)AAI10974760
035 $a (MiAaPQ)temple:13499
035 $a AAI10974760
040 $a MiAaPQ $c MiAaPQ
100 1 $a Hrehor, Kristin A. $3 3546825
245 1 0 $a Violent Content in Film: A Defense of the Morally Shocking.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2018
300 $a 247 p.
500 $a Source: Dissertations Abstracts International, Volume: 80-07, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Gjesdal, Kristin.
502 $a Thesis (Ph.D.)--Temple University, 2018.
506 $a This item must not be sold to any third party vendors.
520 $a Violent content in film has been extensively debated from a myriad of different perspectives, and both within and across a number of different disciplines. Oftentimes, the more violent the content that a film contains, the more likely such content is considered to negatively detract from the value of the work in question. However, this dissertation provides an argument to the contrary with respect to a specific set of cinematic examples and a particular way in which violent content is represented within them. In what follows, I argue that there are grounds to believe in the philosophical value of engaging with works that "morally shock" their audiences through the representation of violent content. First, by analyzing a combination of works ranging from the more conservative American classic Deliverance (1972) to the more controversial French avant-garde Irreversible (2002), I provide a case for reclassifying violent films into different genres, only one of which contains films which elicit a particular kind of response that I single out for further examination. In considering the implications of our responses to these "morally shocking" films, I provide a foundation against which such films can be considered to have a distinct kind of philosophical value by exploring their significance with respect to: (1) issues of interpretation and value in the philosophy of film, (2) recent developments in research on moral judgment, and (3) arguments both for and against the idea that film can be thought of as a kind of philosophy. Ultimately, I argue that our response of moral shock to the content of these films has the subversive effect of destabilizing our moral orientation and consequently motivating philosophical reflection in innovative ways.
590 $a School code: 0225.
650 4 $a Ethics. $3 517264
650 4 $a Philosophy. $3 516511
650 4 $a Film studies. $3 2122736
653 $a Moral content
653 $a Moral judgment
653 $a Moral shock
653 $a Philosophy of film
653 $a Violence
690 $a 0394
690 $a 0422
690 $a 0900
710 2 $a Temple University. $b Philosophy. $3 1677565
773 0 $t Dissertations Abstracts International $g 80-07A.
790 $a 0225
791 $a Ph.D.
792 $a 2018
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10974760