東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Urban and Rural Encounters in Chines...

Morrow, Katherine J.

FindBook

Google Book

Amazon

博客來

Urban and Rural Encounters in Chinese Postsocialist Film and Media.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Urban and Rural Encounters in Chinese Postsocialist Film and Media./
作者:	Morrow, Katherine J.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2019,
面頁冊數:	184 p.
附註:	Source: Dissertations Abstracts International, Volume: 81-03, Section: A.
Contained By:	Dissertations Abstracts International81-03A.
標題:	Film studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13899882
ISBN:	9781085727693

Urban and Rural Encounters in Chinese Postsocialist Film and Media.
Morrow, Katherine J.

Urban and Rural Encounters in Chinese Postsocialist Film and Media. - Ann Arbor : ProQuest Dissertations & Theses, 2019 - 184 p.

Source: Dissertations Abstracts International, Volume: 81-03, Section: A.

Thesis (Ph.D.)--University of Washington, 2019.

This item must not be sold to any third party vendors.

This dissertation examines mainstream popular forms of nonfiction film and media in postsocialist Mainland China. I trace how these programs reflect and shape contemporary Chinese visions of reality-in particular, how these programs capture China's rural-urban divide, and the way it shapes social structure, class, and identity within China. The primary areas of inquiry include nonfiction viewer address, the adaptation of foreign media forms, and the consumption of images of rural space by an implicitly urban viewer. These popular documentary and reality television shows use an essentialized vision of rural space to instruct viewers in proper social behavior and orientation. While new media offers rural users themselves an opportunity to participate in the creation of the rural imaginary, the videos these users create complicate but do not efface rural-urban divisions.Each chapter focuses on a different television program or new media platform, and the dissertation proceeds roughly chronologically from television documentary in the 2000s to contemporary mobile video sharing on Kwai. Chapter one considers how a China Central Television (CCTV) documentary update program rebroadcasted and updated documentaries from the 1990s, a period of upheaval in the representation of regular people on television. These updates depict reform era change through a developmental logic that leaves little space for the ambivalence and varied perspectives the original films represent. Chapter two focuses on a Hunan Satellite Television (HSTV) reality program, X-Change, which was loosely inspired by the UK reality program Wife Swap. The HSTV show, which depicts urban and rural youth swapping places to learn from each other's lifestyle, reinforces a spatially determined understanding of social division. Chapter three looks at how predominantly urban-oriented dating shows (focusing on Jiangsu Satellite Television's If You Are the One) assist viewers and contestants alike in navigating a mediatized reality and use data and expert commentary to rationalize romance. Chapter four focuses on Kwai (Kuaishou), a popular video sharing application that is associated with rural users, and argues that Kwai is structured as a social space that allows users to engage in alternative forms of visibility.

ISBN: 9781085727693Subjects--Topical Terms:

2122736
Film studies.
Subjects--Index Terms:

China

Urban and Rural Encounters in Chinese Postsocialist Film and Media.
LDR:03466nmm a2200361 4500 001 2268553
005 20200824072329.5
008 220629s2019 ||||||||||||||||| ||eng d
020 $a 9781085727693
035 $a (MiAaPQ)AAI13899882
035 $a AAI13899882
040 $a MiAaPQ $c MiAaPQ
100 1 $a Morrow, Katherine J. $3 3545840
245 1 0 $a Urban and Rural Encounters in Chinese Postsocialist Film and Media.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2019
300 $a 184 p.
500 $a Source: Dissertations Abstracts International, Volume: 81-03, Section: A.
500 $a Advisor: Braester, Yomi.
502 $a Thesis (Ph.D.)--University of Washington, 2019.
506 $a This item must not be sold to any third party vendors.
506 $a This item must not be added to any third party search indexes.
520 $a This dissertation examines mainstream popular forms of nonfiction film and media in postsocialist Mainland China. I trace how these programs reflect and shape contemporary Chinese visions of reality-in particular, how these programs capture China's rural-urban divide, and the way it shapes social structure, class, and identity within China. The primary areas of inquiry include nonfiction viewer address, the adaptation of foreign media forms, and the consumption of images of rural space by an implicitly urban viewer. These popular documentary and reality television shows use an essentialized vision of rural space to instruct viewers in proper social behavior and orientation. While new media offers rural users themselves an opportunity to participate in the creation of the rural imaginary, the videos these users create complicate but do not efface rural-urban divisions.Each chapter focuses on a different television program or new media platform, and the dissertation proceeds roughly chronologically from television documentary in the 2000s to contemporary mobile video sharing on Kwai. Chapter one considers how a China Central Television (CCTV) documentary update program rebroadcasted and updated documentaries from the 1990s, a period of upheaval in the representation of regular people on television. These updates depict reform era change through a developmental logic that leaves little space for the ambivalence and varied perspectives the original films represent. Chapter two focuses on a Hunan Satellite Television (HSTV) reality program, X-Change, which was loosely inspired by the UK reality program Wife Swap. The HSTV show, which depicts urban and rural youth swapping places to learn from each other's lifestyle, reinforces a spatially determined understanding of social division. Chapter three looks at how predominantly urban-oriented dating shows (focusing on Jiangsu Satellite Television's If You Are the One) assist viewers and contestants alike in navigating a mediatized reality and use data and expert commentary to rationalize romance. Chapter four focuses on Kwai (Kuaishou), a popular video sharing application that is associated with rural users, and argues that Kwai is structured as a social space that allows users to engage in alternative forms of visibility.
590 $a School code: 0250.
650 4 $a Film studies. $3 2122736
650 4 $a Asian studies. $3 1571829
653 $a China
653 $a Documentary
653 $a Reality television
653 $a Video sharing
690 $a 0900
690 $a 0342
710 2 $a University of Washington. $b Comparative Literature, Cinema and Media. $3 3545841
773 0 $t Dissertations Abstracts International $g 81-03A.
790 $a 0250
791 $a Ph.D.
792 $a 2019
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13899882